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L'incoronazione Di Dario (Perti)
''L'incoronazione di Dario'' (''The Coronation of Darius'') is an opera in three acts composed by Giacomo Antonio Perti to an Italian libretto by Adriano Morselli (revised by Giorgio Maria Raparini). It was first performed on 13 January 1686, at the Teatro Malvezzi in Bologna. Morselli originally wrote the libretto for Domenico Freschi's opera ''Dario'' which premiered at the Teatro San Angelo in Venice in 1685. Other later uses of the libretto include Giuseppe Aldrovandini's 1705 ''L'incoronazione di Dario'' (with the libretto revised by Andrea del Pò) and Vivaldi's 1717 '' L'incoronazione di Dario'' (with the libretto revised by an unknown author). Roles *Dario, ''claimant to the throne of King Cyrus'' (tenor) *Statira, ''daughter of King Cyrus'' (contralto) *Argene, ''daughter of King Cyrus'' (contralto) *Flora (contralto) *Alinda (soprano) *Arpago, ''claimant to the throne of King Cyrus'' (soprano) *Oronte, ''claimant to the throne of King Cyrus'' (soprano castrato) *Ombra di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius The Great
Darius I ( peo, 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 ; grc-gre, Δαρεῖος ; – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE. He ruled the empire at its territorial peak, when it included much of Western Asia, parts of the Balkans (Thrace– Macedonia and Paeonia) and the Caucasus, most of the Black Sea's coastal regions, Central Asia, the Indus Valley in the far east, and portions of North Africa and Northeast Africa including Egypt (), eastern Libya, and coastal Sudan. Darius ascended the throne by overthrowing the legitimate Achaemenid monarch Bardiya, whom he later fabricated to be an imposter named Gaumata. The new king met with rebellions throughout his kingdom and quelled them each time; a major event in Darius' life was his expedition to subjugate Greece and punish Athens and Eretria for their participation in the Ionian Revolt. Althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1686 Operas
Events January–March * January 3 – In Madras (now Chennai) in India, local residents employed by the East India Company threaten to boycott their jobs after corporate administrator William Gyfford imposes a house tax on residences within the city walls. Gyfford places security forces at all entrances to the city and threatens to banish anyone who fails to pay their taxes, as well as to confiscate the goods of merchants who refuse to make sales. A compromise is reached the next day on the amount of the taxes. * January 17 – King Louis XIV of France reports the success of the Edict of Fontainebleau, issued on October 22 against the Protestant Huguenots, and reports that after less than three months, the vast majority of the Huguenot population had left the country. * January 29 – In Guatemala, Spanish Army Captain Melchor Rodríguez Mazariegos leads a campaign to conquer the indigenous Maya people in the rain forests of Lacandona, departing fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrus The Great
Cyrus II of Persia (; peo, 𐎤𐎢𐎽𐎢𐏁 ), commonly known as Cyrus the Great, was the founder of the Achaemenid Empire, the first Persian empire. Schmitt Achaemenid dynasty (i. The clan and dynasty) Under his rule, the empire embraced all of the previous civilized states of the ancient Near East, expanded vastly and eventually conquered most of Western Asia and much of Central Asia. Spanning from the Mediterranean Sea and Hellespont in the west to the Indus River in the east, the empire created by Cyrus was the largest the world had yet seen. At its maximum extent under his successors, the Achaemenid Empire stretched from parts of the Balkans ( Eastern Bulgaria– Paeonia and Thrace– Macedonia) and Southeast Europe proper in the west to the Indus Valley in the east. The reign of Cyrus lasted about thirty years; his empire took root with his conquest of the Median Empire followed by the Lydian Empire and eventually the Neo-Babylonian Empire. He also led an expedit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Antonio Perti
Giacomo Antonio Perti (6 June 1661 – 10 April 1756) was an Italian composer of the Baroque era. He was mainly active at Bologna, where he was ''Maestro di Cappella'' for sixty years. He was the teacher of Giuseppe Torelli and Giovanni Battista Martini. Life He was born in Bologna, then part of the Papal States, and began studying music early, learning harpsichord and violin there; later he studied counterpoint. By the age of 17 he had already written a mass, a motet, and a setting of the Magnificat; and in 1678 he wrote his first opera and oratorio. During a stay in Parma, where he studied with Giuseppe Corsi da Celano, he formed his sacred music style; most of his psalm settings of the 1680s and 1690s show the influence of Corsi. Later he went to Venice, most likely for a production of one of his operas. In 1690 he was appointed to the post of ''Maestro di Cappella'' at S Pietro, replacing his uncle Lorenzo Perti. In 1696 he became ''Maestro di Cappella'' in another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
