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L'Elisir D'Amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basque Country (greater Region)
The Basque Country ( eu, Euskal Herria; es, País Vasco; french: Pays basque) is the name given to the home of the Basque people. Trask, R.L. ''The History of Basque'' Routledge: 1997 The Basque country is located in the western Pyrenees, straddling the border between France and Spain on the coast of the Bay of Biscay. ''Euskal Herria'' is the oldest documented Basque name for the area they inhabit, dating from the 16th century. It comprises the Autonomous Communities of the Basque Country and Navarre in Spain and the Northern Basque Country in France. The region is home to the Basque people ( eu, Euskaldunak), their language ( eu, Euskara), culture and traditions. The area is neither linguistically nor culturally homogeneous, and certain areas have a majority of people who do not consider themselves Basque, such as the south of Navarre. The concept is still highly controversial, and the Supreme Court of Navarre has ruled against scholarly books that include the Navarre c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marietta Sacchi
Marietta Sacchi was an Italian operatic soprano who had an active career during the 1820s and 1830s. She mainly performed in comprimario and soubrette roles, and appeared at most of Italy's major opera houses and at His Majesty's Theatre in London. She notably created roles in the world premieres of operas by Vincenzo Bellini, Gaetano Donizetti, Simon Mayr, Giovanni Pacini, Luigi Ricci, and Giuseppe Verdi. She also excelled in parts from the operas of Gioachino Rossini. Career In 1823 Sacchi portrayed the role of Barsene in the world premiere of Simon Mayr's ''Demetrio'' at the Teatro Regio di Torino. In 1826 she sang in the premiere of Giovanni Pacini's ''La gelosia corretta'' at La Scala and returned to that house the following year to perform the role of Adele in the world premiere of Vincenzo Bellini's ''Il pirata''. She was committed to the Teatro Regio di Torino in 1828-1829 where she performed Zarele in Pacini's ''Gli arabi nelle Gallie'' and Selene in Saverio Mercadante's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Bernard Dabadie
Henri-Bernard Dabadie (19 January 1797 – 20 May 1853) was a French baritone, particularly associated with Rossini and Auber roles. Life and career Born in Pau, Dabadie studied at the Paris Conservatory and made his debut at the Paris Opéra in 1819 as Cinna in Spontini's ''La Vestale''. He was to remain at the Opéra until 1836, creating roles specifically written for him by Rossini – notably the Pharaon in ''Moïse et Pharaon'', Raimbaud in ''Le comte Ory'', and ''Guillaume Tell''. He also created roles in opera by Auber – Pietro in ''La muette de Portici'', Jolicoeur in ''Le Philtre'', and Jean in ''Le Serment''. He also sang in Italy, where he created Belcore in Donizetti's ''L'elisir d'amore'', in Milan on 12 May 1832. On 6 November 1821, Dabadie married soprano Zulmée Leroux (1795–1877), Commons:File:Reconstituted record of marriage 6 Novembre 1821 Bernard Dabadie and Zulmée Leroux V3E-M 247 vue 21-51 archives AD075ER V3E M 00247 00619 C.JPG who began using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabine Heinefetter
Sabine Heinefetter, marital name ''Sabine Marquet'' (19 August 1809, in Mainz – 18 November 1872, in Achern) was a German operatic soprano. Life After a stage training she sang for the first time 1824/25 in front of an audience in Frankfurt am Main. In 1826 she sang Pamina in ''The Magic Flute'' at the Staatstheater Mainz. She moved to Kassel where she was further taught by Louis Spohr. In Paris she sang alongside Maria Malibran and Franziska Sontag in the Opéra-Comique. In 1829 she returned to Germany. On guest tours she appeared successfully at the Vienna State Opera, 1832 at La Scala and since 1833 at the Königsstädtisches Theater in Berlin. She belonged to the latter for two years. In 1835 Heinefetter was engaged for half a year at the Morettisches Opernhaus. Since 1842 the soprano lived retired in Baden, and married in Marseille in 1853. Heinefetter died at age 63 during a stay in the lunatic asylum. She had five sisters: * Eva Heinfetter (ca 1810–unknown), Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Gianbattista Genero
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
