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L'amico Fritz
''L'amico Fritz'' () is an opera in three acts by Pietro Mascagni, premiered in 1891 from a libretto by P. Suardon ( Nicola Daspuro) (with additions by Giovanni Targioni-Tozzetti), based on the French novel ''L'ami Fritz'' by Émile Erckmann and Pierre-Alexandre Chatrian. While the opera enjoyed some success in its day and is probably Mascagni's most famous work after ''Cavalleria rusticana'', today it is performed far more rarely than ''Cavalleria'', which remains Mascagni's only enduringly popular work outside Italy, where ''L'amico Fritz'' and ''Iris'' are still in the active repertoire. The "Cherry Duet" between Fritz and Suzel in Act 2 is the best known piece in the opera and is often performed separately in concert. Performance history The opera was first performed in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RAI National Symphony Orchestra
The RAI National Symphony Orchestra ( it, italic=no, Orchestra Sinfonica Nazionale della RAI) is an Italian symphony radio orchestra, owned by the public radio and television company RAI. Its primary concert venue is the Auditorium RAI in the Piazza Rossaro in Turin. Its concerts are broadcast on Rai Radio 3. The current artistic director is Ernesto Schiavi. The orchestra was formed in 1994 by the merger of four former RAI orchestras of Turin, Milan, Rome, and Naples, which had been founded starting in 1931. History In 1931, the EIAR, Italy's newly formed public radio authority, founded its first symphony orchestra in Turin. Subsequent radio orchestras were established in Rome (1936), Milan (1950) and Naples (1948, integrated to the RAI in 1956). In 1994, the RAI merged its four orchestras (RAI Symphony Orchestra of Turin, RAI Symphony Orchestra of Rome, RAI Symphony Orchestra of Milan, and RAI Alessandro Scarlatti Chamber Orchestra of Naples) to form the national orchestra, base ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturno Meletti
Saturno Meletti (1906 in Fano – 23 September 1985 in Rome) was an Italian operatic bass-baritone particularly associated with the standard Italian repertory and contemporary works. Meletti began his career in his native city as Escamillo, in 1929, later appearing in several small theatres throughout Italy. He made his debut at the Rome Opera in 1932, and sang there until 1976. He then appeared at the Teatro Comunale in Bologna, the Teatro Regio Parma, the San Carlo in Naples, the Teatro Massimo in Palermo, the Maggio Musicale Fiorentino in Florence, and La Scala in Milan, etc. He also made guest appearances in Germany, Switzerland, Egypt, and South America. He took part in many creations, notably Gian Francesco Malipiero's ''Antonio e Cleopatra'' (Florence, 1938), Ildebrando Pizzetti's ''Vanna Lupa'' (Rome, 1947), Adriano Lualdi's ''La Luna di Cairibi'' (Milan, 1953), Renzo Rossellini's ''La Guerra'' (Naples, 1956). He can be heard on several recordings with Cetra n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amalia Pini
Amalia may refer to: People *Amalia (given name), feminine given name (includes a list of people so named) *Princess Amalia (other), several princesses with this name Films and television series * ''Amalia'' (1914 film), the first full-length Argentine film * ''Amalia'' (1936 film), an Argentine remake of the 1914 movie * ''Amália'' (film), a 2008 Portuguese film biography of singer Amália Rodrigues * ''Amalia'' (TV series), a South African television series *Amalia Sheran Sharm, one of the main protagonists in Wakfu (TV series) Places *Amalia, New Mexico, US *Amalia, North West, South Africa Other uses * ''Amalia'' (novel), an Argentine novel written by José Mármol *Amalia (Schubert), D 195, Op. 173 No. 1, song by Franz Schubert, based on a text by Schiller *Amalia (steamship), a general cargo steamship built by J&G Thomson for the Papayanni Brothers in 1861 *284 Amalia, a large main belt asteroid *''Laelia'', a genus of orchids, formerly called AMALIA) See ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pia Tassinari
Pia Tassinari (15 September 1903, Modigliana – 15 May 1995, Faenza) was an Italian soprano and later mezzo-soprano, particularly associated with the Italian and French repertories. Life and career Born Domenica Tassinari, she studied in Bologna with Cesare Vezzani and in Milan with Marcantoni. She made her debut in 1927 as Mimi, in Casale Monferrato. She sang widely in Italy before making her debut at La Scala in Milan in 1932 in the première of Veretti’s ''Il favorito del re''. She also appeared in Russia and South America, and made her debut at the Metropolitan Opera in New York City in 1947, as ''Tosca''. She appeared in Naples in a notable revival of Saverio Mercadante's ''Il giuramento'' in 1955. She sang a wide range of roles, including: Marguerite, Manon, Elisabeth, Elsa, Fedora, etc. She was also much admired in contemporary works by Zandonai, Wolf-Ferrari, and Respighi. In the 1950s, as her voice darkened, she tackled successfully mezzo-soprano roles, notab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferruccio Tagliavini
Ferruccio Tagliavini (; 14 August 191329 January 1995) was an Italian operatic tenor mainly active in the 1940s and 1950s. Tagliavini was hailed as the heir apparent to Tito Schipa and Beniamino Gigli in the lyric-opera repertory due to the exceptional beauty of his voice, but he did not sustain his great early promise across the full span of his career. Career Tagliavini was born in Cavazzoli, Reggio Emilia and studied in Parma with Italo Brancucci and in Florence and with Amedeo Bassi, a well-known dramatic verismo and Wagnerian Italian tenor of the pre-World War I era whose voice (as recorded) could not be more unlike Tagliavini's (see M.Scott, ''The Record of Singing'', 1978). It was also in Florence that he made his professional debut in 1938 as Rodolfo in ''La bohème''. He swiftly gained recognition as one of the leading tenori di grazia of his time in operas such as ''The Barber of Seville'', ''L'elisir d'amore'', ''Don Pasquale'', ''La sonnambula'', ''Lucia di Lammermoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Lhérie
Paul Lhérie (Lévy), (born 8 October 1844 in Paris; died 17 October 1937 in Paris) was a French tenor, then baritone, and later a vocal teacher. He was most famous for creating the role of Don José in Bizet's '' Carmen''. Life and career After studying in Paris, Lhérie made his debut at the Opéra-Comique in 1866 as Méhul's ''Joseph''. He created the role of Charles II in Massenet's '' Don César de Bazan'' in 1872, Kornélis in Camille Saint-Saëns's '' La princesse jaune'' in 1872, Benoît in Delibes's ''Le roi l’a dit'' in 1873, and Don José in '' Carmen'' by Bizet in 1875. Bizet and Lhérie became friends during the preparations for ''Carmen''. They would swim together in the Seine during the singer's visits to the composer's house in Bougival. He became a baritone in 1882, singing Posa in the first performance of the Italian revised version of Verdi's ''Don Carlos'' at La Scala, Milan, two years later. He also spent time during the 1880s at Covent Garden in Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Travesti
En or EN may refer to: Businesses * Bouygues (stock symbol EN) * Esquimalt and Nanaimo Railway (reporting mark EN, but now known as Southern Railway of Vancouver Island) * Euronews, a news television and internet channel Language and writing * En or N, the 14th letter of the Roman alphabet * EN (cuneiform), the mark in Sumerian cuneiform script for a High Priest or Priestess meaning "lord" or "priest" * En (Cyrillic) (Н, н), a letter of the Cyrillic alphabet, equivalent to the Roman letter "n" * En (digraph), ‹en› used as a phoneme * En (typography), a unit of width in typography ** en dash, a dash one en long * En language, a language spoken in northern Vietnam * English language (ISO 639-1 language code en) Organisations * Eastern National, a US organization providing educational products to National Park visitors * English Nature, a former UK government conservation agency * Envirolink Northwest, an environmental organization in England Religion * En (deity) in Alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
