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L'Armida Immaginaria
''L'Armida immaginaria'' is a dramma giocoso in three acts by composer Domenico Cimarosa with an Italian libretto by Giuseppe Palomba. The opera was first performed in Naples during the summer of 1777 at the Teatro di Fiorentini. Roles Other operas named after the sorceress Armida * Armida (Dvořák) *Armida (Haydn) *Armida (Rossini) *Armida (Sacchini) *Armida (Salieri) *Armida (Weir) *Armida abbandonata * Armida al campo d'Egitto *Armide (Gluck) *Armide (Lully) ''Armide'' is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem ''La Gerusalemme liberata'' (''Jerusalem Delivered''). The work is in the form of a tragédie en musique, a genre ... References {{DEFAULTSORT:Armida immaginaria, L' 1777 operas Italian-language operas Drammi giocosi Operas by Domenico Cimarosa Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Sacchini)
is an opera seria in three acts with music by Antonio Sacchini set to a libretto by (a.k.a. Giacomo Duranti), based on the epic poem ''Jerusalem Delivered, Gerusalemme liberata'' by Torquato Tasso. The opera was first performed during the 1772 Carnival season at the Teatro Regio Ducale in Milan. In ''Armida'', Sacchini incorporated many elements of French opera, including frequent use of choir, chorus, ballet, and theatrical spectacle on a grand scale. Sacchini later wrote two more operas loosely based on the same story from Tasso: the 1780 London work ''Rinaldo'', and his first French opera, ''Renaud (opera), Renaud'', which was dedicated to Marie Antoinette. Roles References * Opera seria Operas by Antonio Sacchini Italian-language operas Operas based on works by Torquato Tasso Operas 1772 operas {{Italian-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1777 Operas
Events January–March * January 2 – American Revolutionary War – Battle of the Assunpink Creek: American general George Washington's army repulses a British attack by Lieutenant General Charles Cornwallis, in a second battle at Trenton, New Jersey. * January 3 – American Revolutionary War – Battle of Princeton: American general George Washington's army defeats British troops. * January 13 – Mission Santa Clara de Asís is founded in what becomes Santa Clara, California. * January 15 – Vermont declares its independence from New York, becoming the Vermont Republic, an independent country, a status it retains until it joins the United States as the 14th state in 1791. * January 21 – The Continental Congress approves a resolution "that an unauthentic copy, with names of the signers of the Declaration of independence, be sent to each of the United States. * February 5 – Under the 1st Constitution of Georgia, 8 counti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armide (Lully)
''Armide'' is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem ''La Gerusalemme liberata'' (''Jerusalem Delivered''). The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault. Critics in the 18th century regarded ''Armide'' as Lully's masterpiece. It continues to be well-regarded, featuring some of the best-known music in French baroque opera and being arguably ahead of its time in its psychological interest. Unlike most of his operas, ''Armide'' concentrates on the sustained psychological development of a character – not Renaud, who spends most of the opera under Armide's spell, but Armide, who repeatedly tries without success to choose vengeance over love. Performance history ''Armide'' was first performed on 15 February 1686 by the Paris Opera at the Théâtre du Palais-Royal, with scenery by Bérain, in the presence of the Grand Dauphin. The subject for the opera was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armide (Gluck)
''Armide'' is an opera by Christoph Willibald Gluck, set to a libretto by Philippe Quinault. Gluck's fifth production for the Parisian stage and the composer's own favourite among his works, it was first performed on 23 September 1777 by the Académie Royale de Musique in the second Salle du Palais-Royal in Paris. Background and performance history Gluck set the same libretto Philippe Quinault had written for Lully in 1686, based on Torquato Tasso's ''Gerusalemme liberata'' (''Jerusalem Delivered''). Gluck seemed at ease in facing French traditions head-on when he composed ''Armide''. Lully and Quinault were the very founders of serious opera in France and ''Armide'' was generally recognized as their masterpiece, so it was a bold move on Gluck's part to write new music to Quinault's words. A similar attempt to write a new opera to the libretto of ''Thésée'' by Jean-Joseph de Mondonville in 1765 had ended in disaster, with audiences demanding it be replaced by Lully's original. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida Al Campo D'Egitto
''Armida al campo d'Egitto'' is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Vivaldi's version is different from the more than 50 operas whose themes derive in varying degrees from the story of Rinaldo and Armida in Torquato Tasso's epic poem ''La Gerusalemme liberata'' (''Jerusalem Delivered'').Jellinek, George (1994) p.,. 354 Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. Roles Recordings Complete recording with a restored version of Act II: *''Armida al campo d'Egitto'' (Concerto Italiano; Rinaldo Alessandrini, conductor). Label: Naïve OP30492. (2010) The overture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida Abbandonata
''Armida Abbandonata'' (''Armida Abandoned'') is an opera in three acts by the Italian composer Niccolò Jommelli. The libretto, by Francesco Saverio De Rogatis, is based on the epic poem ''Jerusalem Delivered'' by Torquato Tasso. The opera was first performed at the Teatro San Carlo, Naples, on 30 May 1770. The young Wolfgang Amadeus Mozart was in the audience. He described the work as "beautiful but too serious and old-fashioned for the theatre". Nevertheless, despite a lukewarm reception at its premiere, ''Armida abbandonata'' was widely performed throughout Italy in the following years. Roles Synopsis ;Act 1: The Courtyard of Armida's castle, a drawbridge is visible. The two Crusader-knights Rambaldo and Tancredi do battle while Erminia, in love with Tancredi and disguised in the armor of Clorinda (Tancredi’s beloved) and with the visor down, tries to stop them. Rambaldo has lured Tancredi into Armida’s castle and when Erminia asks Tancredi to lay down his arms, he do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Weir)
''Armida'' is an opera by British composer Judith Weir. It premiered on 25 December 2005 as a television broadcast on the United Kingdom, UK station, Channel 4 which had commissioned the work. The English libretto, also written by Weir, is loosely based on the story of Rinaldo and Armida, in Torquato Tasso's 1581 epic poem set in the First Crusade, ''Jerusalem Delivered, La Gerusalemme liberata'' (''Jerusalem Delivered''). Armida had been a highly popular subject for operas in the 18th and early 19th Centuries, but only rarely afterwards. In Weir's 50-minute-long opera, the setting is updated to a modern Middle-East conflict which alludes to but never specifically mentions the Iraq War. Rinaldo, Tasso's Christians, Christian knight, becomes an army officer conflicted about his love for peace and his duty as a soldier. Armida, Tasso's beautiful Muslim sorceress, becomes a high-powered television journalist, equally conflicted by her profession as a war reporter in her occupied c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Salieri)
''Armida'' () is an operatic dramma per musica by Antonio Salieri in three acts, set to a libretto by Marco Coltellini. The plot is based on the epic poem ''Gerusalemme liberata'' by Torquato Tasso. Lully, Handel and Traetta, to name but a few, had already composed operas based on the situations that Tasso originally developed. The plot of all of these, and Salieri's work, is based on the relationship between Armida and the Crusader Rinaldo. Salieri's opera was first performed at the Vienna Burgtheater on 2 June 1771, and his composition was much influenced by the aesthetics of Christoph Willibald Gluck, who attempted to reform ''opera seria'' by tying the drama more closely to the music. Salieri's overture follows the principles set out by Gluck in the preface to '' Alceste''. Other Gluckian influences display themselves in the frequent interplay of soloist and chorus, and the heavy use of chorus overall. Nonetheless, Gluck himself would also go on to produce his own adaptation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Rossini)
''Armida'' is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto (''dramma per musica'') by Giovanni Schmidt, based on scenes from ''Jerusalem Delivered, Gerusalemme liberata'' by Torquato Tasso. Performance history ''Armida'' was written to be performed at the Teatro di San Carlo, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year. Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult coloratura passages of every kind during the entire opera. The most notable are to be found in "D'amore al dolce impero" during Act 2, in the duets between Armida and Rinaldo, and in parts of the Act 3 finale. The first modern staging took place at the Teatro Comunale Florence, Teatro Comunale of Florence on 26 April 1952, during the Maggio Musicale Fiorentino, with Maria Callas and Francesco Albanese in the leading role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
