|
L'occasione Fa Il Ladro
''L’occasione fa il ladro, ossia Il cambio della valigia'' (English: ''Opportunity Makes a Thief, or The Exchanged Suitcase'') is an opera (''burletta per musica'' or ''farsa'') in one act by Gioachino Rossini to an Italian libretto by Luigi Prividali, based on ''Le prétendu par hasard, ou L’occasion fait le larron'', an 1810 vaudeville by Eugène Scribe. Performance history 19th century ''L’occasione fa il ladro'' was first performed at the Teatro San Moisè, Venice, on 24 November 1812. Of the five one-act operas that he wrote for the theatre, this was the one performed most often during the composer's lifetime but it was neglected after his death. There was, however, a revival at Pesaro in 1892 celebrating the hundredth anniversary of his birth there on 29 February 1792, with Alessandro Bonci. 20th century and beyond The opera was given at the Théâtre Nouveau in Nice in 1983 and, in 1987, presented at the Rossini Opera Festival in Pesaro, directed by Jean-Pierre Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macerata Opera
The Macerata Opera is the name given to the coordinating bodies of the provincial and local government in Macerata, the provincial capital of the Marche region of Italy, which puts on performances of three or four operas each July and August under the name Macerata Opera Festival. From 1992 the Opera Association was founded by the municipality and the Province Association of Macerata to oversee the operations of the Festival. In addition to the main summer activities, the Association organizes many other musical events, ranging from the New Music Festival to the performances of baroque music in a number of historical sites and buildings. The Association also organizes international conferences. Overview While the Macerata Opera has organized the Macerata Opera Festival as a summer opera festival, it actually began in 1921 with a performance of Verdi's ''Aida'' in the 3,000 seat (plus 6,000 standing places) Arena Sferisterio, a huge neoclassical arena erected in the 1820s as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ward (law)
In law, a ward is a minor or incapacitated adult placed under the protection of a legal guardian or government entity, such as a court. Such a person may be referenced as a "ward of the court". Overview The wardship jurisdiction is an ancient jurisdiction derived from the British Crown's duty as ''parens patriae'' ("parent of the nation") to protect his or her subjects, and particularly those unable to look after themselves. In the United Kingdom and other Commonwealth realms, the Monarch as ''parens patriae'' is parent for all the children in their realms, who, if a judge so determines, can become wards of court. However, the House of Lords, in the case of ''Re F (Mental Patient: Sterilisation)'', held that the Queen has no ''parens patriae'' jurisdiction with regard to mentally disabled adults. A court may take responsibility for the legal protection of an incapacitated person as well a minor, and the ward is known as a ward of the court or a ward of the state. In Australia, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Pacini
Luigi Pacini (25 March 1767 – 2 May 1837) was an Italian opera singer who appeared on the principal stages of his native country as well as in Spain and Austria in a career that spanned over 30 years. He began his career as a tenor but in 1805 started singing bass roles and rose to prominence in that repertoire. Amongst the numerous roles he created in world premieres were Geronio in Rossini's ''Il turco in Italia'' and Parmenione in his ''L'occasione fa il ladro''. Pacini was born in the Province of Pistoia and died in Viareggio where in his later years he taught singing at the conservatory founded by his son, Giovanni Pacini. Life and career Pacini was born in Popiglio di Piteglio, a hamlet in the hills outside Pistoia in Tuscany. He appears to have spent his childhood in Rome and showed and early aptitude for music. The Duke of Sermoneta became the young Pacini's patron and arranged for him study music, first in Rome with Giovanni Masi, the ''maestro di cappella'' of San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Parry (conductor)
David Parry (born 23 March 1949) is an English conductor who is particularly known for his work in opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandos record labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice Early career Parry was educated at Cambridge University and the Royal Academy of Music in London. He explains how he became a conductor by way of wanting to be a singer: "Audrey Langford, who was a very important singing teacher in the 1960s and '70s, ran a rather good choir which she conducted herself, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Alden (director)
Christopher Alden (born 1949 in New York) is an American theater and opera director. He is the twin brother of David Alden, also an opera director. Both brothers belong to a generation of modernist directors that includes Robert Wilson and Peter Sellars. and are known for staging revisionist productions of opera. Early life Alden and his identical twin David came from a show business family. Their father was the playwright Jerome Alden, and their mother was the Broadway dancer Barbara Gaye. As such, the brothers were drawn to musical theater from an early age. As eight-year-olds, they listened to recordings of Gilbert & Sullivan operetta, and as teenagers in the mid-'60s, they frequently bought standing room tickets at the Metropolitan Opera. By age 13, both had decided they wanted to be directors of opera. Christopher studied theater at the University of Pennsylvania and began his stage career as an actor, appearing in Joseph Papp’s New York Shakespeare Festival production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Corbelli
Alessandro Corbelli (born September 21, 1952) is an Italian baritone opera singer. One of the world's pre-eminent singers specializing in Mozart and Rossini, Corbelli has sung in many major opera houses around the world and won admiration for his elegant singing style and sharp characterizations, especially in comic roles. Career and roles Corbelli was born in Turin, Italy in 1952 and studied with Giuseppe Valdengo and Claude Thiolas. He made his debut in 1973 (at the age of twenty-one) in Aosta, Italy as Monterone in Verdi's ''Rigoletto''. Subsequently, he appeared at La Scala in Milan (singing in all three of the Mozart/Da Ponte operas under conductor Riccardo Muti), and also in such cities as Turin, Verona, Bologna, Florence, and Naples, as well as major opera houses in Switzerland, France, Austria, Germany, England, Spain, Israel, and North and South America. At the beginning of his career Corbelli sang lyric baritone roles, but his natural talent for comedy caused him even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Facade.jpg "Click for more on -> La Fenice")