L'ebreo
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L'ebreo
''L'ebreo'' (The Hebrew) is an 1855 opera by Giuseppe Apolloni to a libretto by Antonio Boni adapted from Edward Bulwer Lytton's novella ''Leila; or, The Siege of Granada'' of 1838. It premiered on 25 January 1855 at La Fenice, Venice.Udo Bermbach ''Verdi Theater'' 3476036790 "1855 komponierte Apolloni ein hochpolitisches Werk zur Frage der Judenemanzipation, ''L'Ebreo'', " Plot The setting is the siege of Granada in the last years of the reconquest of Spain by Ferdinand of Aragon and Isabella of Castile. Issachar, the titular Hebrew, is the magician of muslim King Boabdil, whom he betrays hoping to obtain freedom under the Spanish for his people. His daughter, Leila is in love with his enemy, the general Adèl-Muza. Issachar joins the Spanish but the Inquisition sentence him to the stake. He escapes by setting fire to the Spanish camp. Leila is taken to Ferdinand and Isabelle, who seek to convert her. At her baptism of the girl her father appears and stabs her, as she dies Adè ...
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Giuseppe Apolloni
Giuseppe Apolloni (8 April 1822 – 31 December 1889) was an Italian composer born in Vicenza, Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re .... He composed a total of five operas, of which only one ''L'ebreo'' was successful. He died in Vicenza. References

1822 births 1889 deaths 19th-century classical composers 19th-century Italian male musicians Italian classical composers Italian male classical composers Italian opera composers Italian Romantic composers Male opera composers People from Vicenza {{Opera-bio-stub ...
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Leila; Or, The Siege Of Granada
''Leila; or, The Siege of Granada'' is a historical romance novel by Edward Bulwer-Lytton published in 1838. The novel is set in Granada, Spain at the end of the Middle Ages — beginning in the summer of 1491. It was originally published in an expensive form, with many engraved illustrations. The preface to the 1860 edition explains that the novel has been less popular than his other works of fiction due to the prejudice against literary works that are thought to owe their value, in part, to the illustrations. Plot In ''Leila'', as the double title suggests, there is a double storyline: the domestic story of the daughter (Leila) and the public story of the nation. Leila's father, Almamen, switches allegiances between Christian and Moor in what eventually becomes the famous Siege of Granada. Almamen attempts to guard his daughter's Jewish heritage by keeping her away from her Moorish lover, Muza. He inadvertently delivers her into the hands of the Christian monarchs, and Leila is ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Edward Bulwer Lytton
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC (25 May 180318 January 1873) was an English writer and politician. He served as a Whig member of Parliament from 1831 to 1841 and a Conservative from 1851 to 1866. He was Secretary of State for the Colonies from June 1858 to June 1859, choosing Richard Clement Moody as founder of British Columbia. He was created Baron Lytton of Knebworth in 1866. Bulwer-Lytton's works sold and paid him well. He coined famous phrases like "the great unwashed", "pursuit of the almighty dollar", " the pen is mightier than the sword", " dweller on the threshold", and the opening phrase "It was a dark and stormy night." The sardonic Bulwer-Lytton Fiction Contest, held annually since 1982, claims to seek the "opening sentence of the worst of all possible novels". Life Bulwer was born on 25 May 1803 to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburt ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Siege Of Granada
The Granada War ( es, Guerra de Granada) was a series of military campaigns between 1482 and 1491 during the reign of the Catholic Monarchs, Isabella I of Castile and Ferdinand II of Aragon, against the Nasrid dynasty's Emirate of Granada. It ended with the defeat of Granada and its annexation by Castile, ending the last remnant of Islamic rule on the Iberian peninsula. The ten-year war was not a continuous effort but a series of seasonal campaigns launched in spring and broken off in winter. The Granadans were crippled by internal conflict and civil war, while the Christians were generally unified. The Granadans were also bled economically by the tribute ( osp, paria) they had to pay Castile to avoid being attacked and conquered. The war saw the effective use of artillery by the Christians to rapidly conquer towns that would otherwise have required long sieges. On January 2, 1492, Muhammad XII of Granada (King Boabdil) surrendered the Emirate of Granada, the city of Granada, a ...
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Reconquista
The ' (Spanish, Portuguese and Galician for "reconquest") is a historiographical construction describing the 781-year period in the history of the Iberian Peninsula between the Umayyad conquest of Hispania in 711 and the fall of the Nasrid kingdom of Granada in 1492, in which the Christian kingdoms expanded through war and conquered al-Andalus; the territories of Iberia ruled by Muslims. The beginning of the ''Reconquista'' is traditionally marked with the Battle of Covadonga (718 or 722), the first known victory by Christian military forces in Hispania since the 711 military invasion which was undertaken by combined Arab- Berber forces. The rebels who were led by Pelagius defeated a Muslim army in the mountains of northern Hispania and established the independent Christian Kingdom of Asturias. In the late 10th century, the Umayyad vizier Almanzor waged military campaigns for 30 years to subjugate the northern Christian kingdoms. His armies ravaged the north, even s ...
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Ferdinand II Of Aragon
Ferdinand II ( an, Ferrando; ca, Ferran; eu, Errando; it, Ferdinando; la, Ferdinandus; es, Fernando; 10 March 1452 – 23 January 1516), also called Ferdinand the Catholic (Spanish: ''el Católico''), was King of Aragon and Sardinia from 1479, King of Sicily from 1468, King of Naples (as Ferdinand III) from 1504 and King of Navarre (as Ferdinand I) from 1512 until his death in 1516. He was also the nominal Duke of the ancient Duchies of Athens and Neopatria. He was King of Castile and León (as Ferdinand V) from 1475 to 1504, alongside his wife Queen Isabella I. From 1506 to 1516, he was the Regent of the Crown of Castile, making him the effective ruler of Castile. From 1511 to 1516, he styled himself as ''Imperator totius Africa'' (Emperor of All Africa) after having conquered Tlemcen and making the Zayyanid Sultan, Abu Abdallah V, his vassal. He was also the Grandmaster of the Spanish Military Orders of Santiago (1499-1516), Calatrava (1487-1516), Alcantara (1492- ...
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Isabella Of Castile
Isabella I ( es, Isabel I; 22 April 1451 – 26 November 1504), also called Isabella the Catholic (Spanish: ''la Católica''), was Queen of Castile from 1474 until her death in 1504, as well as Queen consort of Aragon from 1479 until 1504 by virtue of her marriage to King Ferdinand II of Aragon. Reigning together over a dynastically unified Spain, Isabella and Ferdinand are known as the Catholic Monarchs. After a struggle to claim the throne, Isabella reorganized the governmental system, brought the crime rate to the lowest it had been in years, and unburdened the kingdom of the enormous debt her half-brother King Henry IV had left behind. Isabella's marriage to Ferdinand in 1469 created the basis of the ''de facto'' unification of Spain. Her reforms and those she made with her husband had an influence that extended well beyond the borders of their united kingdoms. Isabella I of Castile and Ferdinand II of Aragon are known for being the first monarchs to be referred to as " ...
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Boabdil
Abu Abdallah Muhammad XII ( ar, أبو عبد الله محمد الثاني عشر, Abū ʿAbdi-llāh Muḥammad ath-thānī ʿashar) (c. 1460–1533), known in Europe as Boabdil (a Spanish rendering of the name ''Abu Abdallah''), was the 22nd and last Nasrid dynasty, Nasrid ruler of the Emirate of Granada in Iberian Peninsula, Iberia. Sultan Muhammad XII was the son of Abu l-Hasan Ali, Sultan of Granada, Abu l-Hasan Ali, Sultan of the Emirate of Granada whom he succeeded in 1482, as a result of both court intrigue and unrest amongst the population at large. Muhammad XII soon sought to gain prestige by invading Crown of Castile, Castile, but was taken prisoner at Lucena, Córdoba, Lucena in 1483. Muhammad's father was then restored as ruler of Granada, to be replaced in 1485 by his uncle Muhammad XIII of Granada, Muhammad XIII, also known as Abdullah ez Zagal. Muhammad obtained his freedom and Christian support to recover his throne in 1487, by consenting to hold Granada ...
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Simone Alaimo
Simone Alaimo (born 3 February 1950) is an Italian bass-baritone. He is particularly known for his performances of the ''bel canto'' repertoire. Life A native of Villabate, Alaimo studied at the Palermo Conservatory and then the L'Accademia di La Scala in Milan before making his début in 1977 at the Teatro Fraschini in Pavia as the title hero in Gaetano Donizetti's ''Don Pasquale''. Shortly thereafter he joined the roster of singers at the Teatro Massimo in his home city. In 1980 he made his first appearance at the Piccola Scala in a production of Carlo Evasio Soliva's ''La testa di bronzo'' and performed for the first time at the Maggio Musicale Fiorentino as Radamanto in Giulio Caccini's '' Euridice''. That year also marked his debut at the Festival de Ópera de Las Palmas and the Teatro Carlo Felice, two places he has sung with some frequency. In 1982 he performed for the first time at the Teatro di San Carlo, the Teatro dell'Opera di Roma, the Liceu, and the Rossini Opera ...
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