|
L'Avare
''The Miser'' (french: L'Avare; ; also known by the longer name ''L'Avare ou L'École du Mensonge,'' meaning The Miser, or the School for Lies) is a five-act comedy in prose by the French playwright Molière. It was first performed on September 9, 1668, in the theatre of the Palais-Royal in Paris. The play The play was first produced when Molière's company was under the protection of Louis XIV. It was loosely based on the Latin comedy ''Aulularia'' by Plautus, from which many incidents and scraps of dialogue are borrowed, as well as from contemporary Italian farces. The miser of the title is called Harpagon, a name adapted from the Greek ἁρπάγη pronounced ''harpágay'', meaning a hook or grappling iron (ἁρπάγη < ἁρπάζω = grab). He is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cléante, and a daughter, Élise. Although he is over sixty, he is attempting to arrange a marriage between himself and an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miser
A miser is a person who is reluctant to spend, sometimes to the point of forgoing even basic comforts and some necessities, in order to hoard money or other possessions. Although the word is sometimes used loosely to characterise anyone who is mean with their money, if such behaviour is not accompanied by taking delight in what is saved, it is not properly miserly. Misers as a type have been a perennial object of popular fascination and a fruitful source for writers and artists in many cultures. Accounting for misers One attempt to account for miserly behaviour was Sigmund Freud's theory of anal retentiveness, attributing the development of miserly behaviour to toilet training in childhood, although this explanation is not accepted by modern evidence-based psychology. In the Christian West the attitude to those whose interest centred on gathering money has been coloured by the teachings of the Church. From its point of view, both the miser and the usurer were guilty of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulularia
''Aulularia'' is a Latin play by the early Roman playwright Titus Maccius Plautus. The title literally means ''The Little Pot'', but some translators provide ''The Pot of Gold'', and the plot revolves around a literal pot of gold which the miserly protagonist, Euclio, guards zealously. The play's ending does not survive, though there are indications of how the plot is resolved in later summaries and a few fragments of dialogue. One scholar, R. L. Hunter, writes of this play: "The ''Aulularia'' has always been one of the most popular and most studied of Pļautus' plays, both because of its intrinsic interest and quality and also because of its later influence in the European dramatic tradition." Plot summary ''Lar Familiaris'', the household deity of Euclio, an old man with a marriageable daughter named Phaedria, begins the play with a prologue about how he allowed Euclio to discover a pot of gold buried in his house. Euclio is then shown almost maniacally guarding his gold from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Le Métel De Boisrobert
François le Métel de Boisrobert (1 August 1592 – 30 March 1662) was a French poet, playwright, and courtier. Life He was born in Caen. He trained as a lawyer, later practising for a time in Rouen. He traveled to Paris in 1622 and established employment at court, for he had a share in the ballet of the ''Bacchanales'' performed at the Louvre in February. In 1630 visited Rome, where he won the favour of Pope Urban VIII and was made a canon of Rouen. He was introduced to Cardinal Richelieu in 1623, and became one of five poets to inspire Richelieu's works. It was Boisrobert who suggested to Richelieu the plan of the Académie française, and he was one of its earliest and most active members. These efforts resulted in him becoming quite wealthy. After the death of Richelieu, he became affiliated with Mazarin, whom he served faithfully throughout the Fronde. In his later years, he dedicated much of his time to his duties as a priest. He wrote a number of comedies and contribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal (rue Saint-Honoré)
The Théâtre du Palais-Royal (or Grande Salle du Palais-Royal) on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy ''Mirame''. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire.Coeyman 1998, pp. 60–71. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.Pitou 1983, pp. 26–30. First theatre Cardinal Richelieu The Palais-Royal was originally known as the Palais-Cardinal, since it was built in the 1630s as the principal residence of Cardinal Richelieu. The palace already had a small theatre, the Petite Salle des Comédies, located in the wing running north from the east end of the '' corps-de-logis''. On a 1673 plan it is marked "Petite Salle des Ballets". In 1637 Richelieu asked his architect Jac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marun Al Naqqash
Marun Al Naqqash (Arabic: مارون النقاش) (1855–1817) was a Sidon-born Maronite who produced the first theatre play texts in Arabic language. Early life and education Al Naqqash was born in Sidon on 9 February 1817 into a Maronite family. In 1825 his family moved to Beirut where he studied Arabic language, literature in addition to law and foreign languages, including French, Italian and Turkish. He also involved in poetry, Oriental music and was educated as a bookkeeper. Career and activities Following the completion of his studies Al Naqqash began to work as a chief clerk at the customs department and became a member of the chamber of commerce in Beirut. He traveled to Damascus, Aleppo and Egypt for business. In 1846 he went to Italy where he was introduced the Italian theatre and opera. After he returned to Lebanon he translated ''The Miser'', a play by Molière, into Arabic and published it with the title ''Al-bakhīl'' in 1847 which was the first Arabic play te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Pashkevich
Vasily Alexeyevich Pashkevich also Paskevich (russian: Васи́лий Алексе́евич Пашке́вич or Паске́вич) (c. 1742, probably Ukraine – March 20, 1797 in St. Petersburg) was a Russian composer, singer, violinist and teacher of Ukrainian origin who lived during the time of Catherine the Great. Biography Vasily Pashkevich was of Ukrainian originShuliar, Orest: History of Vocal Art. Ivano-Frankivsk: Institute of Arts of Vasyl Stefanyk Precarpathian National University, 2013. P. 13. and according to some sources was born in Ukraine. Vasily Pashkevich entered court service in 1756 becoming a court composer to Tsar Peter III of Russia and later to his widow, Catherine the Great. He also played violin, and taught singing in the Academy of Arts 1773-1774 and later in the court capella. Between 1780 and 1783 he managed the Karl Kniper Theatre and in 1789 he became the first violin of the court orchestra, remaining in charge of imperial ballroom music u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jovan Sterija Popović
Jovan Sterija Popović (; sr-cyr, Јован Стерија Поповић; 13 January 1806 – 10 March 1856) was a Serbian playwright, poet, lawyer, philosopher and pedagogue who taught at the Belgrade Higher School. Sterija was recognized by his contemporaries as the one of the leading Serbian intellectuals and he is regarded as one of the best comic playwrights in Serbian literature. Life Popović was born in Werschetz (Vršac), in the Temesch County of Habsburg Kingdom of Hungary (now Serbia). His father Sterija (meaning "star"), after whom he was nicknamed, was a merchant. The ethnicity of Popović's father and of Popović himself is disputed, with some saying that they were of Aromanian descent while others saying they were of Greek one. His maternal grandfather was known painter and poet Nikola Nešković, of whom he would later write a biography. Popović attended grammar schools in Vršac, Karlowitz (Sremski Karlovci), Temeschwar (Timișoara) and Ofenpesth (B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gennaro Astarita
Gennaro Astarita (also spelled Astaritta) (c.1745–49 – 18 December 1805) was an Italian people, Italian composer, mainly of operas. The place of his birth is unknown, although he was active in Naples for many years. He began his operatic career in 1765, collaborating with Niccolò Piccinni in the writing of the opera ''L'orfana insidiata''. He became the maestro di cappella in Naples in 1770. Astaritta is also considered to have played an important role in the development of opera in Russia. He first visited the country in 1781 and by 1784 he had become the director of Moscow's Petrovsky Theatre (the predecessor of the Bolshoi Theatre). In 1794, House of Yusupov, Prince Nicolai Yusupov, who at the time was the director of the Imperial Theatres in St Petersburg, asked him to bring an Italian opera troupe to the city, which he did in 1796. Astarita ran the troupe until 1799. Amongst the singers he recruited was Teresa Saporiti, who had created the role of Donna Anna in Mozart's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'avaro (Anfossi)
''L'avaro'' ("The Miser"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy ''The Miser''. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities. Background and performance history Anfossi was a prolific composer. ''L'avaro'' was the 25th of his 70 or more operas and one of the three which he had composed for the 1775 season at Venice's Teatro San Moisè. His librettist Giovanni Bertati was equally prolific, having written at least 70 libretti in his lifetime, almost all of them in the ''dramma giocoso'' genre. The premiere production of ''L'avaro'' had sets designed by Domenico and Gerolamo Mauri and costumes by Giuseppe Tadio. The performance was accompanied by a ballet, ''La serenata interrotta, o sia Il triplice matrimonio'' ("The Seren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Molière")
