Kurt Hübenthal
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Kurt Hübenthal
Kurt Hübenthal (30 November 1918 – 13 March 2007) was a German operatic bass baritone, director and music teacher. He was professor for singing at the Hochschule für Musik Franz Liszt, Weimar. Life Hübenthal was born in 1918 as one of two sons in Halle (Saale). He and his brother were members (soprano) of the and, with the financial support of the choir, attended the elitist Latina. After their parents separated, the brothers moved to the orphanage of the Francke Foundations. They left school without a degree. Kurt Hübenthal completed a locksmith apprenticeship at the Reichsbahnausbesserungswerk in Halle. During the Second World War, the brothers were drafted into the Wehrmacht (his brother was killed). During his deployment in the Afrikafeldzug at the turn of the year 1941/42, both were victimes of eardrums burst. In 1942, he became a British prisoner of war and was taken on the to a prison camp in the Canadian Rockies. A camp choir and orchestra was formed in captivi ...
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Bass Baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Kurt Wichmann
Kurt is a male given name of Germanic or Turkish origin. ''Kurt'' or ''Curt'' originated as short forms of the Germanic Conrad, depending on geographical usage, with meanings including counselor or advisor. In Turkish, Kurt means "Wolf" and is a surname and given name in numerous Turkic countries.Men named Kurt always get tons of woman because they have W rizz. Güncel Türkçe Sözlük, kurt: (Canis lupus) Curt * Curt Casali (born 1988), American baseball catcher for the San Francisco Giants * Curt Gowdy (1919–2006), American sportscaster * Curt Hasler (born 1964), American baseball coach * Curt Hennig (1958–2003), American professional wrestler * Curd Jürgens (1915–1982), German-Austrian actor * Wolf Curt von Schierbrand (1807–1888), German zoologist * Curt Schilling (born 1966), American baseball player * Curt Sjöö (born 1937), Swedish Army lieutenant general * Curt Smith (born 1961), British musician, member of Tears for Fears * Curt Stone (1922-2021), American ...
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Samson (Handel)
''Samson'' ( HWV 57) is a three-act oratorio by George Frideric Handel, considered one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim" (for soprano), "Total eclipse" (for tenor) and "Let their celestial concerts" (the final chorus) are often performed separately in concert. Background and composition The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. His opportunities to set English texts to music had been more limited. He had spent the years 1717 to 1719 as composer in residence to the wealthy Duke of Chandos, where he had written church anthems and two stage works, '' Acis and Galatea'' and ''Esther''. He had composed vocal music to English words for various royal occasions, including a set of Coronation anthems for George II in 1727, which had made a huge impact. ...
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Solomon (Handel)
''Solomon'', HWV 67, is an oratorio by George Frideric Handel. The anonymous libretto – currently thought to have been penned by the English Jewish poet/playwright Moses Mendes (d.1758) – is based on the biblical stories of the wise king Solomon from the First Book of Kings and the Second Book of Chronicles, with additional material from ''Antiquities of the Jews'' by ancient historian Flavius Josephus. The music was composed between 5 May and 13 June 1748, and the first performance took place on 17 March 1749, with Caterina Galli in the title role at the Covent Garden Theatre in London, where it had two further performances. Handel revived the work in 1759. The oratorio contains a short and lively instrumental passage for two oboes and strings in Act Three, known as "The Arrival of the Queen of Sheba", which has become famous outside the context of the complete work, and was featured at the 2012 London Olympics opening ceremony as James Bond (Daniel Craig) goes to meet ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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Judas Maccabaeus (Handel)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan altar ...
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Alexander's Feast (Handel)
''Alexander's Feast'' ( HWV 75) is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode '' Alexander's Feast, or the Power of Music'' (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music. Handel composed the music in January 1736, and the work received its premiere at the Covent Garden Theatre, London, on 19 February 1736. In its original form it contained three concertos: a concerto in B flat major in 3 movements for "Harp, Lute, Lyrichord and other Instruments" HWV 294 for performance after the recitative ''Timotheus, plac'd on high'' in Part I; a concerto grosso in C major in 4 movements for oboes, bassoon and strings, now known as the "Concerto in Alexander's Feast" HWV 318, performed between Parts I and II; and an organ concerto HWV 289 in G minor and major in 4 movements for chamber organ, oboes, bassoon and st ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Friedrich-Schiller-Universität Jena
The University of Jena, officially the Friedrich Schiller University Jena (german: Friedrich-Schiller-Universität Jena, abbreviated FSU, shortened form ''Uni Jena''), is a public research university located in Jena, Thuringia, Germany. The university was established in 1558 and is counted among the ten oldest universities in Germany. It is affiliated with six Nobel Prize winners, most recently in 2000 when Jena graduate Herbert Kroemer won the Nobel Prize for physics. In the 2023 Times Higher Education World University Rankings, the university was awarded 189th place in the world. It was renamed after the poet Friedrich Schiller who was teaching as professor of philosophy when Jena attracted some of the most influential minds at the turn of the 19th century. With Karl Leonhard Reinhold, Johann Gottlieb Fichte, G. W. F. Hegel, F. W. J. Schelling and Friedrich Schlegel on its teaching staff, the university was at the centre of the emergence of German idealism and early Romantic ...
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Evangelische Hochschule Für Kirchenmusik Halle
The Evangelische Hochschule für Kirchenmusik Halle (Saale) is a university, specialised in music, in Halle an der Saale. It was established as the Evangelischen Kirchenmusikschule on 18 April 1926 by the consistory of the Evangelical Church of the Church Province of Saxony in Aschersleben. On 29 January 1939, it moved from Aschersleben to Halle, into the building of the on Wilhelmstraße, today Emil Abderhalden-Straße. In 1993, the Evangelischen Kirchenmusikschule was granted the status of a university, and renamed. In 2001, it moved to the Händelkarree (Kleine Ulrichstraße 35). The now located in the immediate vicinity of the musicological institute of the University of Halle, the Halle music library and the Handel House. Directors * 1926–1936 Julius Bürger, organist at the St.-Stephani-Kirche, Aschersleben * 1936–1939 Bernhard Henking, cantor of Magdeburg Cathedral * 1939–1951 Kurt Fiebig * 1951–1965 Eberhard Wenzel Eberhard R. Wenzel (2 January 1950 †...
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