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Kumadori
is the stage makeup worn by kabuki is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought ... actors, mostly when performing kabuki plays in the style. The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details. makeup generally consists of brightly coloured stripes or patterns over a white foundation, the colours and patterns symbolising aspects of the character. Though was originated and developed extensively by members of the family of actors, some conventions are creations of the line. Colours Only a few colours are used in makeup; red, blue, brown and black. Whilst black is simply used to exaggerate features, such as eyebrows and the line of the mouth, the other colours ...
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Oshiguma
An is an impression of the (face make-up) of kabuki actors on a piece of cloth, usually silk or cotton, created as an artwork and memento. are customarily made after the performance of a kabuki play, though not necessarily after every performance, and given as highly valued souvenirs of the event. A single may have face-impressions from one or several actors, usually all from the same show, illustrating the make-up designs for major characters in the play. It may also include autograph An autograph is a person's own handwriting or signature. The word ''autograph'' comes from Ancient Greek (, ''autós'', "self" and , ''gráphō'', "write"), and can mean more specifically: Gove, Philip B. (ed.), 1981. ''Webster's Third New Inte ...s, dates and additional inscriptions; sometimes other graphic elements are added to the design. The same term can also be used to describe an artistic depiction of kabuki make-up created by other means, but intended to emulate the appearance of ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ...
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Oni (folklore)
An is a kind of ''yōkai'', demon, orc, ogre, or troll in Japanese folklore. Oni are mostly known for their fierce and evil nature manifested in their propensity for murder and cannibalism. Notwithstanding their evil reputation, oni possess intriguingly complex aspects that cannot be brushed away simply as evil. They are typically portrayed as hulking figures with one or more horns growing out of their heads."Oni." ''Handbook of Japanese Mythology'', by Michael Ashkenazi, ABC-CLIO, 2003, pp. 230–233. Stereotypically, they are conceived of as red, blue, black, yellow, or white-colored, wearing loincloths of tiger pelt, and carrying iron kanabō clubs. They are creatures which instill fear and feelings of danger due to their grotesque outward appearance, their wild and sometimes strange behavior and their powers. They are popular characters in Japanese art, literature, and theater and appear as stock villains in the well-known fairytales of '' Momotarō'' (''Peach Boy''), ...
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Makeup
The asterisk ( ), from Late Latin , from Ancient Greek , ''asteriskos'', "little star", is a typographical symbol. It is so called because it resembles a conventional image of a heraldic star. Computer scientists and mathematicians often vocalize it as star (as, for example, in ''the A* search algorithm'' or ''C*-algebra''). In English, an asterisk is usually five- or six-pointed in sans-serif typefaces, six-pointed in serif typefaces, and six- or eight-pointed when handwritten. Its most common use is to call out a footnote. It is also often used to censor offensive words. In computer science, the asterisk is commonly used as a wildcard character, or to denote pointers, repetition, or multiplication. History The asterisk has already been used as a symbol in ice age cave paintings. There is also a two thousand-year-old character used by Aristarchus of Samothrace called the , , which he used when proofreading Homeric poetry to mark lines that were duplicated. Origen is k ...
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Costume Design
Costume design is the creation of clothing for the overall appearance of a character or performer. Costume may refer to the style of dress particular to a nation, a class, or a period. In many cases, it may contribute to the fullness of the artistic, visual world which is unique to a particular theatrical or cinematic production. The most basic designs are produced to denote status, provide protection or modesty, or provide visual interest to a character. Costumes may be for a theater, cinema, musical performance, cosplay, parties, or other events. Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes. Four types of costumes are used in theatrical design: historical, fantastical, dance, and modern. History Ancient Greek village festivals and processions in honor of Dionysus (See also: Dionysia) are believed to be the origin of theatre, and therefore theatre costume. Sculpture and va ...
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Kabuki
is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes tra ...
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Tsuchigumo Soushi
is a historical Japanese derogatory term for renegade local clans, and also the name for a race of spider-like yōkai in Japanese folklore. Alternative names for the mythological Tsuchigumo include and . In the '' Kojiki'' and in '' Nihon Shoki'', the name was phonetically spelled with the four kanji (for the four morae ''tsu-chi-gu-mo''), and these words were frequently used in the fudoki of Mutsu, Echigo, Hitachi, Settsu, Bungo and Hizen as well as others. The Japanese name for large ground-dwelling tarantulas, ōtsuchigumo, is due to their perceived resemblance to the creature of the myth, rather than the myth being named for the spider. Japan has no native species of tarantula, and the similarities between the mythical and the actual creature—huge wandering spiders with an obvious face that like to hide in burrows—were entirely coincidental. The fact that the later iterations of the myth specifically refer to the body being that of a tiger, however, does imply that t ...
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Minamoto No Raikō
, also known as Minamoto no Raikō, served the regents of the Fujiwara clan along with his brother Yorinobu, taking the violent measures the Fujiwara were themselves unable to take. He is one of the earliest Minamoto of historical note for his military exploits, and is known for quelling the bandits of Ōeyama. His loyal service earned him the governorships of Izu Province, Kozuke and a number of others in turn, as well as a number of other high government positions. Yorimitsu served as commander of a regiment of the Imperial Guard, and as a secretary in the Ministry of War. When his father Minamoto no Mitsunaka died, he inherited Settsu Province. Yorimitsu is usually accompanied by his four legendary retainers, known as the Shitennō (The Four Heavenly Kings). They were Watanabe no Tsuna, Sakata no Kintoki, Urabe no Suetake, and Usui Sadamitsu. Legends Yorimitsu featured in a number of legends and tales, including the legend of Kintarō (Golden Boy a.k.a. Sakata no Kintok ...
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Tsuchigumo
is a historical Japanese derogatory term for renegade local clans, and also the name for a race of spider-like yōkai in Japanese folklore. Alternative names for the mythological Tsuchigumo include and . In the ''Kojiki'' and in '' Nihon Shoki'', the name was phonetically spelled with the four kanji (for the four morae ''tsu-chi-gu-mo''), and these words were frequently used in the fudoki of Mutsu, Echigo, Hitachi, Settsu, Bungo and Hizen as well as others. The Japanese name for large ground-dwelling tarantulas, ōtsuchigumo, is due to their perceived resemblance to the creature of the myth, rather than the myth being named for the spider. Japan has no native species of tarantula, and the similarities between the mythical and the actual creature—huge wandering spiders with an obvious face that like to hide in burrows—were entirely coincidental. The fact that the later iterations of the myth specifically refer to the body being that of a tiger, however, does imply that ...
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Yoshitsune Senbon Zakura
''Yoshitsune Senbon Zakura'' (義経千本桜), or ''Yoshitsune and the Thousand Cherry Trees'', is a Japanese play, one of the three most popular and famous in the Kabuki repertoire. Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year. Adapted to Kabuki, the play was premièred in that mode in January 1748, in the city of Ise, in Mie Prefecture. Kataoka Nizaemon IV and Yamamoto Koheiji were two of the actors in this performance, playing Ginpei and Tadanobu/Genkurō respectively. The premiere in Edo was held at the Nakamura-za in May the same year, and in Osaka at the Naka no Shibai just a few months later in August. The play is derived from the world of the ''Heike Monogatari'', a classical epic which details the rise and fall of the Taira clan of samurai. The latter portions describe the eventual defeat of the Taira in the Genpei War (1180–85), at the hands of t ...
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Kuniyoshi Utagawa, Japan, The Actor
Kuniyoshi (written: 国吉 or 國吉) is a Japanese surname. Notable people with the surname include: * Fumio Kuniyoshi (国吉 史生, born 1985), Japanese-German rapper *, Japanese footballer *, American painter and photographer *, Japanese baseball player Kuniyoshi (written: 邦嘉, 邦佳, 邦栄, 國義 or 國芳) is also a masculine Japanese given name. Notable people with the name include: *, Japanese mixed martial artist *, Japanese painter, illustrator and photographer *, Japanese educational theorist and publisher *, Japanese scientist *, Japanese ''daimyō'' *, Japanese artist in woodblock printing and painting * Prince Kuni Kuniyoshi was a member of the Japanese imperial family and a field marshal in the Imperial Japanese Army during the Meiji and Taishō periods. He was the father of Empress Kōjun (who in turn was the consort of the Emperor Shōwa), and therefore, the mat ... (1873–1929), member of the Japanese imperial family and field marshal in the Imperia ...
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Genkurō
Genkurō (源九郎) is a shape-changing ''kitsune'' (fox-spirit) character who features prominently in the famous '' jōruri'' and ''kabuki'' play ''Yoshitsune Senbon Zakura'' (" Yoshitsune and the Thousand Cherry Trees"). Disguising himself as Satō Tadanobu, a retainer of Yoshitsune's, he rescues Yoshitsune's lover Shizuka Gozen from agents of Yoritomo (Yoshitsune's brother, from whom he is fleeing). In return, he is awarded a suit of armor, and also the great honor of Yoshitsune's name, "Genkurō", meaning Minamoto (源, ''gen'') ninth son (九郎, ''ku-rō''). As a kitsune, with no other name of his own revealed throughout the play, he is known only as "Tadanobu" and as "Genkurō". Separating from Yoshitsune and his party, Genkurō, his true identity still unknown, escorts Shizuka to Yoshino, seeking escape and safety from the agents of Yoritomo. There, they meet up with Yoshitsune once more, both parties having taken separate, likely somewhat circuitous routes, to arrive ...
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