Kullervo Rides To War
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Kullervo Rides To War
''Kullervo Sets Off for War'' ( fi, Kullervon sotaanlähtö) is a painting by Akseli Gallen-Kallela from the year 1901. He painted the subject in tempera painting (89 × 128 cm) and as a fresco (355 × 687 cm) which is located in the music hall of Old Student House, Helsinki, Old Student House of Helsinki University. Description The fresco was donated to the Students' union by Otto Donner. The theme for the painting is from the Kalevala, national epic of Finland. Kullervo sits on a white horse ready to ride to war, to take revenge on his uncle Untamo. He is followed by a dog or a wolf. Gallen-Kallela traveled to Siena, Italy, where he likely saw the frescoes by Simone Martini in the Palazzo Pubblico. Martini's ''Guidoriccio da Fogliano at the siege of Montemassi, Equestrian portrait'' probably gave Gallen-Kallela inspiration for the setting of Kullervo. Gallery References Paintings by Akseli Gallen-Kallela 1901 paintings Paintings in the Ateneu ...
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Akseli Gallen-Kallela
Akseli Gallen-Kallela (26 April 1865 – 7 March 1931) was a Finnish painter who is best known for his illustrations of the ''Kalevala'', the Finnish national epic. His work is considered a very important aspect of the Finnish national identity. He changed his name from Gallén to Gallen-Kallela in 1907. Life and career Early life Gallen-Kallela was born Axel Waldemar Gallén in Pori, Finland, in a Swedish-speaking family. His father Peter Gallén worked as police chief and lawyer. Gallen-Kallela was raised in Tyrvää. At the age of 11 he was sent to Helsinki to study at a grammar school, because his father opposed his ambition to become a painter. After his father's death in 1879, Gallen-Kallela attended drawing classes at the Finnish Art Society (1881–1884) and studied privately under Adolf von Becker. Paris In 1884 he moved to Paris, to study at the Académie Julian. In Paris he became friends with the Finnish painter Albert Edelfelt, the Norwegian painter Car ...
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Finland
Finland ( fi, Suomi ; sv, Finland ), officially the Republic of Finland (; ), is a Nordic country in Northern Europe. It shares land borders with Sweden to the northwest, Norway to the north, and Russia to the east, with the Gulf of Bothnia to the west and the Gulf of Finland across Estonia to the south. Finland covers an area of with a population of 5.6 million. Helsinki is the capital and largest city, forming a larger metropolitan area with the neighbouring cities of Espoo, Kauniainen, and Vantaa. The vast majority of the population are ethnic Finns. Finnish, alongside Swedish, are the official languages. Swedish is the native language of 5.2% of the population. Finland's climate varies from humid continental in the south to the boreal in the north. The land cover is primarily a boreal forest biome, with more than 180,000 recorded lakes. Finland was first inhabited around 9000 BC after the Last Glacial Period. The Stone Age introduced several differ ...
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Horses In Art
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made. Horses often appear in artworks singly, as a mount for an important person, or in teams, hitched to a variety of horse-drawn vehicles. History Prehistory The horse appeared in prehistoric cave paintings such as those in Lascaux, estimated to be about 17,000 years old. Prehistoric hill figures have been carved in the shape of the horse, specifically the Uffington White Horse, an example of the traditio ...
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Mythological Paintings
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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Paintings In The Ateneum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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