Kuchi Shōga
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Kuchi Shōga
, also known as kuchi showa or kuchi shoka, is an educational musical notation for traditional Japanese drums, particularly the taiko and the tsuzumi. ''Kuchi shōga'' phoneticizes (that is, phonetically articulates) drum strokes using Japanese sound symbolism. Each syllable conveys information about how the drummer is to play a particular note. Kuchi shōga notation is written in katakana, a syllabary familiar to all literate Japanese language speakers. Kuchi shōga can be transliterated from katakana to a Latin alphabet using one of the various systems of ''rōmaji''. Common phoneticizations Although kuchi shōga does not have a fixed vocabulary, some phoneticizations are ubiquitous. ''Don'' typically means a deep, sustained sound from the center of the taiko. ''Do'' sometimes represents a short beat that is not allowed to resonate (i.e., one with a short decay). ''Doko'', ''dogo'', or ''doro'' means two drum-beats played in rapid succession. ''Tsu'' represents a lightly struc ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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Resonate
Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied Periodic function, periodic force (or a Fourier analysis, Fourier component of it) is equal or close to a natural frequency of the system on which it acts. When an Oscillation, oscillating force is applied at a resonant frequency of a dynamic system, the system will oscillate at a higher Amplitude, amplitude than when the same force is applied at other, non-resonant frequencies. Frequencies at which the response amplitude is a relative maximum are also known as resonant frequencies or resonance frequencies of the system. Small periodic forces that are near a resonant frequency of the system have the ability to produce large amplitude oscillations in the system due to the storage of vibrational energy. Resonance phenomena occur with all types of vibrations or waves: there is mechanical resonance, orbital resonance, acoustic resonance, Electromagnetic radiation, electromagnet ...
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Bol (music)
A bol is a standardized mnemonic syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * Konakkol * Kuchi shōga * Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as th ... References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 200 ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ...
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Musical Notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests. The types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method. The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or ...
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Ma (negative Space)
is a Japanese reading of a Sino-Japanese character, which is often used to refer to what is claimed to be a specific Japanese concept of negative space. In modern interpretations of traditional Japanese arts and culture, is taken to refer to an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity as opposed the absence of such a principle in a correlated 'Japanese' notion of space. Though commonly used to refer to literal, visible negative space, may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. This results in the concept of being less reliant on the existence of a gap, and more closely related to the perception of a gap. The existence of in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to b ...
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Kiai
KIAI (93.9 FM) is a commercial radio station that serves the areas of Mason City, Iowa and Austin–Albert Lea, Minnesota. The station broadcasts a Country format. KIAI is owned by Alpha Media, through licensee Digity 3E License, LLC, which owns several other radio stations in Iowa and Minnesota. The station was originally licensed as KNIQ on April 9, 1985, but changed callsigns to KIAI on October 4, 1991. The transmitter and broadcast tower are located 4 miles east of Mason City along 280th Street. According to the Antenna Structure Registration database, the tower is tall with the FM broadcast antenna mounted at the level. The calculated Height Above Average Terrain Height above average terrain (HAAT), or (less popularly) effective height above average terrain (EHAAT), is the vertical position of an antenna site is above the surrounding landscape. HAAT is used extensively in FM radio and television, as it i ... is . References External links KIAI website I ...
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Kakegoe
''Kakegoe'' () usually refers to shouts and calls used in performances of traditional Japanese music, Kabuki theatre, and in martial arts such as kendo. Kabuki In the kabuki theatre, the term is used to refer to melodramatic calls from an audience, or as part of call-and-response singing in Japanese folk music. It is a custom for people in the audience to insert ''kakegoe'' every so often, in praise of the actors on stage. There are special climaxes in kabuki theatre called " mie", where the actor puts on an extravagant pose and someone in the audience shouts the actor's stage name or guild name at just the right moment. Occasionally the shout is not a name, for example "Mattemashita!" ("This is what we've been waiting for!") as the curtain is drawn back.Rick Kennedy, ''Home Sweet Tokyo'', Kodansha, 1988 (p.151) There are three ''kakegoe'' guilds in Tokyo, totalling about 60 members. They receive free passes to the Kabuki-za. Almost all are mature male Japanese, but there have ...
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Polysyllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also ''bis ...
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Semivowel
In phonetics and phonology, a semivowel, glide or semiconsonant is a sound that is phonetically similar to a vowel sound but functions as the syllable boundary, rather than as the nucleus of a syllable. Examples of semivowels in English are the consonants ''y'' and ''w'', in ''yes'' and ''west'', respectively. Written in IPA, ''y'' and ''w'' are near to the vowels ''ee'' and ''oo'' in ''seen'' and ''moon,'' written in IPA. The term ''glide'' may alternatively refer to any type of transitional sound, not necessarily a semivowel. Classification Semivowels form a subclass of approximants. Although "semivowel" and "approximant" are sometimes treated as synonymous, most authors use the term "semivowel" for a more restricted set; there is no universally agreed-upon definition, and the exact details may vary from author to author. For example, do not consider the labiodental approximant to be a semivowel, while proposes that it should be considered one. In the International Phonet ...
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Fricative
A fricative is a consonant produced by forcing air through a narrow channel made by placing two articulators close together. These may be the lower lip against the upper teeth, in the case of ; the back of the tongue against the soft palate in the case of German (the final consonant of ''Bach''); or the side of the tongue against the molars, in the case of Welsh (appearing twice in the name ''Llanelli''). This turbulent airflow is called frication. A particular subset of fricatives are the sibilants. When forming a sibilant, one still is forcing air through a narrow channel, but in addition, the tongue is curled lengthwise to direct the air over the edge of the teeth. English , , , and are examples of sibilants. The usage of two other terms is less standardized: "Spirant" is an older term for fricatives used by some American and European phoneticians and phonologists. "Strident" could mean just "sibilant", but some authors include also labiodental and uvular fricatives in ...
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