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Kakegoe
''Kakegoe'' () usually refers to shouts and calls used in performances of traditional Japanese music, Kabuki theatre, and in martial arts such as kendo. Kabuki In the kabuki theatre, the term is used to refer to melodramatic calls from an audience, or as part of call-and-response singing in Japanese folk music. It is a custom for people in the audience to insert ''kakegoe'' every so often, in praise of the actors on stage. There are special climaxes in kabuki theatre called " mie", where the actor puts on an extravagant pose and someone in the audience shouts the actor's stage name or guild name at just the right moment. Occasionally the shout is not a name, for example "Mattemashita!" ("This is what we've been waiting for!") as the curtain is drawn back.Rick Kennedy, ''Home Sweet Tokyo'', Kodansha, 1988 (p.151) There are three ''kakegoe'' guilds in Tokyo, totalling about 60 members. They receive free passes to the Kabuki-za. Almost all are mature male Japanese, but there have ...
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Hanagasa Ondo
Hanagasa Ondo (花笠音頭) is a folk song from Yamagata Prefecture, Japan. The name literally means "flower straw-hat song." It accompanies a local community dance called the " Hanagasa Odori." (花笠踊り) The song is in typical swung ondo rhythm, and features a kakegoe found in no other song; "Ha Yassho Makkasho!" The dance is performed with a simple straw hat decorated with synthetic flowers. It is usually performed by women, but men can also join in. The dance movements are different for each gender. Excerpt from Hanagasa Ondo :Japanese: :Oraga zaisho ni :kite miyashanse :kome no CHOI CHOI! (kakegoe) :naruki ga ojigi suru :Ha Yassho! Makkasho! Shan Shan Shan! :English translation: :''Oh come here and see'' :''The heads of rice have matured'' :''And bow low with fruit'' ''(kakegoe) {{col-end In popular culture Hanagasa Ondo plays when the lid of the Gyukakuni ekiben are a specific type of ''bento'' boxed meals, sold on trains and at train stations in Japan. ...
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Japanese Music
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese is 音楽 (''ongaku''), combining the kanji 音 ''on'' (sound) with the kanji 楽 ''gaku'' (music, comfort). Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017. Traditional and folk music Gagaku, hougaku The oldest forms of traditional Japanese music are: * , or Buddhist chanting * , or orchestral court music both of which date to the Nara (710–794) and Heian (794–1185) periods. Gagaku classical music has been performed at the Imperial court since the Heian period. Kagura-uta (神楽歌), Azuma-asobi (東遊) and Yamato-uta (大和歌) are indigenous repertories. Tōgaku (唐楽) and komagaku emerged during the Tang dynasty (618–907) via the Korean Peninsula. In addition, gagaku splits into kangen (管弦) (instrumental music) and bugaku (舞楽) (da ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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Mie (pose)
The ''mie'' ( or , ), a powerful and emotional pose struckAlthough in English a pose is usually said to be "struck", in Japanese, the ''mie'' is said to be "cut" (, ''mie wo kiru''). by an actor, who then freezes for a moment, is a distinctive element of ''aragoto'' Kabuki performance. ''Mie'' means 'appearance' or 'visible' in Japanese, and one of the primary purposes of this convention is to draw attention to a particularly important or powerful portion of the performance. It is meant to show a character's emotions at their peak, and can often be a very powerful pose. The actor's eyes are opened as wide as possible; if the character is meant to seem agitated or angry, the actor will cross his eyes. In Japanese, the ''mie'' pose is said to be "cut" by the actor (, ''mie wo kiru''). Audience members will shout out (kakegoe) words of praise and the actor's name at specific times before and after the pose is struck. The practice of ''mie'' is said to have originated with Ichikawa D ...
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Yagō
, literally meaning "house name", is a term applied in traditional Japanese culture to names passed down within a guild, studio, or other circumstance other than blood relations. The term is synonymous with and . The term most often refers to the guild names of kabuki actors, but is also applicable to the names artists take from their masters or studios, names taken from one's business, and a few other similar circumstances. The of , also often seen at the end of a name, means "house", "roof", or "shop", and helps to illuminate the origins and meanings of the term. A number of have associated emblems, some of which incorporate rebuses; see Japanese rebus monogram. History Originally, were place names of homes or buildings taken on by the inhabitants. Even when the house changed hands entirely from one family to another, the new family would take on the name of the house. However, the previous owners would frequently keep the house name when they moved. Often, a family (or i ...
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Taiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ce ...
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Ishidori Matsuri
Ishidori Matsuri (石取祭) can be literally translated from Japanese as "stone bringing festival." It is a festival in Kuwana, located in Mie Prefecture. The festival starts on the first Saturday of August, at midnight, and runs throughout the weekend.http://kanko.city.kuwana.mie.jp/event/ishidori/index.html (Japanese Only) Every town within the central part of the city has its own 3 wheeled, highly decorative festival cart. Each cart has a large taiko drum at the back and several kane along the sides. Each town has a particular sequence for each of those instruments, creating a unique and identifying sound. Another identifying feature is the placement of the kakegoe, or shouts. Over the course of the weekend, the carts are pulled toward Kasuga Shrine for presentation, performing along the way. With over 30 carts with distinct rhythms, it has been said that the Kuwana festival is the loudest festival in Japan.http://www.city.kuwana.lg.jp/culture_sports_and_education_article_1035 ...
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Taiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ce ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ...
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Mikoshi
A is a sacred religious palanquin (also translated as portable Shinto shrine). Shinto followers believe that it serves as the vehicle to transport a deity in Japan while moving between main shrine and temporary shrine during a festival or when moving to a new shrine. Often, the ''mikoshi'' resembles a miniature building, with pillars, walls, a roof, a veranda and a railing. Often the Japanese honorific prefix is added, making . Traditional rituals of East Asia Shapes Typical shapes are rectangles, hexagons, and octagons. The body, which stands on two or four poles (for carrying), is usually lavishly decorated, and the roof might hold a carving of a phoenix. Festival and flow During a ''matsuri'' (Japanese festival) involving a ''mikoshi'', people bear the ''mikoshi'' on their shoulders by means of two, four (or sometimes, rarely, six) poles. They bring the ''mikoshi'' from the shrine, carry it around the neighborhoods that worship at the shrine, and in many cases l ...
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Kishiwada
is a city located in Osaka Prefecture, Japan. , the city had an estimated population of 190,853 in 88598 households and a population density of 2600 persons per km². The total area of the city is . The city is well known for its Danjiri Matsuri. Geography Kishiwada is located southwestern part of Osaka Prefecture, and forms a long and narrow area (7.6 km east–west, 17.3 km north–south) from Osaka Bay to the Izumi Mountains. Neighboring municipalities Osaka Prefecture * Izumi * Kaizuka * Tadaoka Wakayama Prefecture * Kinokawa * Katsuragi Climate Kishiwada has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light to no snowfall. The average annual temperature in Kishiwada is 14.6 °C. The average annual rainfall is 1475 mm with September as the wettest month. The temperatures are highest on average in August, at around 26.6 °C, and lowest in January. Demographics Per Japanese census data, the pop ...
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Kane (musical Instrument)
The is a type of dish-shaped bell from Japan. The is often found in traditional Japanese music or Min'yō. Although sometimes suspended from a bar, it is more common for a musician to hold the bell in place with one hand beat it with the other using a special mallet, often made from bone. The ''kane'' makes three distinct sounds: ''chon'' - hitting the middle; ''chi'' - hitting the inside edge; and ''ki'' - reversing the stroke. This kind of onomatopoeic mnemonic or ''shouga'' is common in Japanese music. There are several sizes of ''kane'', such as the ''atarigane'' or the ''surigane''. ''Kane'' are also used in Buddhist or Shinto ceremonies. In temples, they may be used to signify time or alert people to certain events. See also *Bonshō , also known as or are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to demarcate periods of time. Rather than containing a clapper, are struck from the outside, using either a hand ...
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