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Kristin Merscher
Kristin Merscher (born in 1961) is a German classical pianist and professor at the Hochschule für Musik Saar in Saarbrücken, Germany. Life Born in Frankfurt, Merscher began her studies at age eight with Karl-Heinz Kämmerling at the Hochschule für Musik und Theater in Hannover. From 1977, she continued her studies at the Conservatoire de Paris with Pierre Sancan and (from 1980 until 1982) with György Sebők at the Indiana University's Jacobs School of Music in Bloomington, Indiana. She has performed with the London Symphony Orchestra, the Royal Concertgebouw Orchestra, and the Munich Philharmonic, and gave solo performances throughout Europe, North America, and in the Far East. In addition to broadcast and television productions, she has recorded piano concertos with various orchestras, solo repertoire, and chamber music, along with cellist Maria Kliegel. In 1990, she was appointed as professor of piano at the Hochschule für Musik Saar in Saarbrücken. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Musik Saar
The Hochschule für Musik Saar is a conservatory of music in Saarbrücken, Germany and dates back to 1947. From 1994 until 2002, it was named ''Hochschule des Saarlandes für Musik und Theater'' (University of Music and Drama Saarbrücken). Since 2012, the rector is Prof. Wolfgang Mayer. As of 2019, approximately 450 students are enrolled and taught by 150 teachers in courses and classes for musicians and music teachers. History and Location The Hochschule was founded in 1947 as "Staatliches Konservatorium Saarbrücken," following the model of the Conservatoire de Paris. In 1971, the Hochschule moved into the newly opened building at Bismarckstrasse near the city center. Three years later, a new organ by Klais Orgelbau for the main auditorium was dedicated. In 1988, an extension building was added to the existing main building. Following the establishment of a department offering drama classes in 1990, the Hochschule was renamed "Hochschule des Saarlandes für Musik und Theater" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Kliegel
Maria Kliegel (born 14 November 1952) is a German cellist. Professional career Kliegel was born in Dillenburg, Hesse. She studied under Janos Starker starting at the age of 19. She won first prize at the American College Competition, First German Music Competition and Concours Aldo Parisot, and was also the Grand Prize winner at the second Mstislav Rostropovich International Cello Competition in 1981. Russian composer Alfred Schnittke recognized her interpretation as the standard recording of his work when she recorded his First Concerto for Cello and Orchestra in 1990. On top of this, she has done many recordings for Naxos, including concertos and other cello works by Beethoven, Bloch, Brahms, Bruch, Dohnányi, Dvořák, Elgar, Lalo, Saint-Saëns, Shostakovich, Schumann, Tavener and Tchaikovsky. She has also recorded a large volume of chamber music by Brahms, Chopin, Demus, Gubaidulina, Kodály, Mendelssohn and Schubert. She will soon be recording Beethoven's complete works fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marek Janowski
Marek Janowski (born 18 February 1939 in Warsaw) is a Polish-born German conductor. He is currently chief conductor of the Dresden Philharmonic. Childhood Janowski grew up in Wuppertal, near Cologne, after his mother traveled there at the start of World War II to be with her parents. His father disappeared in Poland during the war. Career Janowski served as music director in Freiburg and at the Dortmund Opera conducting the Dortmunder Philharmoniker, the latter from 1973 to 1979. From 1983 to 1987 he was principal conductor of the Royal Liverpool Philharmonic Orchestra. He served as ''Kapellmeister'' of the Gürzenich Orchestra in Cologne from 1986 to 1990. He developed an important profile in France as well, becoming music director of the Orchestre Philharmonique de Radio France (then called the Nouvel Orchestre Philharmonique) in Paris in 1984 and retaining that post until 2000. He then was principal conductor of the Monte-Carlo Philharmonic Orchestra from 2000 to 2009. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin Radio Symphony Orchestra
The Berlin Radio Symphony Orchestra (''Rundfunk-Sinfonieorchester Berlin'') is a German symphony orchestra based in Berlin. In Berlin, the orchestra gives concerts at the Konzerthaus Berlin and at the Berliner Philharmonie. The orchestra has also given concerts in other German cities such as Aschaffenburg, Essen, Halle, Oldenburg, and Wiesbaden. History The orchestra was founded in 1923 as a radio orchestra, and is the oldest active radio orchestra in Germany. Bruno Seidler-Winkler was the first chief conductor, from 1926 to 1932. During its early years, the orchestra had a reputation for its work with contemporary, 20th-century composers. Composers who guest-conducted the orchestra included Paul Hindemith, Arthur Honegger, Darius Milhaud, Sergei Prokofiev, Richard Strauss, Arnold Schoenberg and Igor Stravinsky, as well as Krzysztof Penderecki, Walter Schartner and Udo Zimmermann. After the 1949 division of Germany, the orchestra was under the supervision of Rundfunk der DDR ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burleske
The ''Burleske in D minor'' is a composition for piano and orchestra written by Richard Strauss in 1885-86, when he was 21. Background Original title and dedication The work's original title was ''Scherzo in D minor'', and it was written for Hans von Bülow, who had appointed Strauss assistant conductor of the Meiningen Court Orchestra.Madison Symphony Orchestra Program Notes However, von Bülow considered it a "complicated piece of nonsense" and refused to learn it. He said the piano part was "Lisztian" and "unplayable", particularly for a pianist with a small handspan (Strauss says that von Bülow could barely reach an octave). Strauss rehearsed the work with the Meiningen Orchestra, conducting and playing the solo part himself, but then set it aside. He wrote to von Bülow: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy ('' commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had only discovered in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papillons
''Papillons'' (French for "butterflies"), Op. 2, is a suite of piano pieces written in 1831 by Robert Schumann when he was 21 years old. The work is meant to represent a masked ball and was inspired by Jean Paul's novel ' (''The Awkward Age''). The suite begins with a six-measure introduction before launching into a variety of dance-like movements. Each movement is unrelated to the preceding ones, except that the second, A major, theme of the sixth movement recurs in G major in the tenth movement, and the theme of the first movement returns in the finale. notes that the 11th movement is appropriately a polonaise because the novel's character Wina is Polish. The last movement starts out by quoting the theme of the traditional "Großvatertanz" (Grandfather's Dance), which was always played at the end of a wedding or similar celebration. Repeated notes near the end of the piece suggest a clock striking, signifying the end of the ball. Structure The composition's twelve movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggione Sonata
The Sonata for Arpeggione and Piano in A minor, D. 821, was written by Franz Schubert in Vienna in November 1824. The sonata is the only substantial composition for the arpeggione (which was essentially a bowed guitar) extant today. The sonata was composed in November 1824, about a month after he had returned to Vienna from his second stay in Zseliz. It has been adapted to other string instruments, especially the cello. History The piece was probably commissioned by Schubert's friend Vincenz Schuster, who was a virtuoso of the arpeggione, an instrument which had been invented only the previous year. By the time the sonata was published posthumously in 1871, the enthusiasm for the novelty of the arpeggione had long since vanished, together with the instrument itself.see also: AQUINO, F. Avellar de. "Six-Stringed Virtuoso". The Strad Magazine, Harrow, Middlesex, UK, v. 109, n. 1297, p. 500-507, 1998. (on the Arpeggione and Schubert's Sonata) Movements The work consists of three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Hager
Leopold Hager (born 6 October 1935, Salzburg) is an Austrian conductor known for his interpretations of works by the Viennese Classics (Haydn, Mozart, Beethoven and Schubert). Hager studied piano, organ, harpsichord, conducting, and composition at the Salzburg Mozarteum (1949–1957). He was appointed assistant conductor at the Stadttheater Mainz (1957–1962) and, after conducting the Linz Landestheater (1962–1964), he was appointed first conductor of the Cologne Opera (1964–1965). He then served as Generalmusikdirektor in Freiburg im Breisgau (1965–1969), chief conductor of the Mozarteum Orchestra and of the Landestheater in Salzburg (1969–1981). In October 1976 he debuted at the Metropolitan Opera in New York, conducting ''Le nozze di Figaro''. He also appeared as a guest conductor with other opera houses as well as orchestras in Europe (Berlin Philharmonic, Vienna Philharmonic) and the United States. In 1981, he became music director of the Orchestre Symphonique de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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