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Korsh Theatre
The Russian Drama Korsh Theatre (russian: Русский драматический театр Корша), commonly known as the Korsh Theatre, was a theatre which functioned in Moscow, Imperial Russia from 1882 until 1917. It was named after its founder, entrepreneur Fyodor Korsh. After the 1917 Revolution it carried on for several years under different guises, known variously as the Union of Artists, The Third RSFSR Theatre, The Comedy Theatre (Former Korsh), and finally the Moscow Drama Theatre, before being finally shut down in 1933. The building, situated on Petrovsky Lane, is now occupied by the Theatre of Nations. History The theatre was co-founded by the entrepreneur Fyodor Korsh and the actors Modest Pisarev and Vasily Andreyev-Burlak on the basis of the Anna Brenko's Pushkin Theatre, which had gone bankrupt in 1881. In 1883 Korsh (who had received substantial financial help from the industrialist and patron of arts Alexander Bakhrushin) became its sole owner. Its ...
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Stanislavski And Nemirovich-Danchenko Theatre
The Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre (russian: Московский академический Музыкальный театр имени народных артистов К. С. Станиславского и Вл. И. Немировича-Данченко), also known as the Moscow Drama Theatre K. S. Stanislavsky is a music theatre in Moscow Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million .... The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre was founded in 1941 when two companies directed by the legendary reformers of 20th-century theatre — Konstantin Stanislavski and Vladimir Nemirovich-Danchenko — merged: the Stanislavsky Opera Theatre (established at the end of 1918 as an Opera Studio of the Bolshoi Theatre) ...
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Maly Theatre (Moscow)
Maly Theatre (, literally ''Small Theatre'' as opposed to nearby Bolshoi, or ''Grand'', opera theatre) is a theatre in Moscow, Russia, principally associated with the production of plays. Established in 1806Londre, Margot p. 307 and operating on its present site on the Theatre Square since 1824, the theatre traces its history to the Moscow University drama company, established in 1756. In the 19th century, Maly was "universally recognized in Russia as the leading dramatic theatre of the century", and was the home stage for Mikhail Shchepkin and Maria Yermolova. 40 of Alexander Ostrovsky's 54 plays premiered at Maly, and the theatre was known as The House of Ostrovsky.Londre, Margot p. 306 The Maly Theatre in Moscow and Alexandrinsky Theatre in Saint Petersburg "to a great extent determined the development of Russian theatre during the 19th and 20th century". Maly Theatre positions itself as a traditional drama theatre that produces classical heritage plays. For example, the 200 ...
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The Wedding (Chekhov Play)
''The Wedding'' (russian: Свадьба, translit=Svadba) is an 1889 Russian one-act play by Anton Chekhov. Roles * Evdokim Zaharovitch Zhigalov * Nastasya Timofeyevna * Dashenka * Epaminond Maximovitch Aplombov * Fyodor Yakovlevitch Revunov-Karaulov * Andrey Andreyevitch Nunin * Anna Martinovna Zmeyukina * Ivan Mihailovitch Yats * Harlampi Spiridonovitch Dimba * Dmitri Stepanovitch Mozgovoy See also * ''The Wedding'' (1944 film) References External links Costume sketches, character descriptions, and set designby Motley Theatre Design Group for the 1951 production at The Old Vic The Old Vic is a 1,000-seat, not-for-profit producing theatre in Waterloo, London, England. Established in 1818 as the Royal Coburg Theatre, and renamed in 1833 the Royal Victoria Theatre. In 1871 it was rebuilt and reopened as the Royal ... Motley Collection of Theatre & Costume Design {{DEFAULTSORT:Wedding, The Plays by Anton Chekhov 1889 plays One-act plays Russian plays adapt ...
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The Bear (play)
''The Bear: A Joke in One Act'', or ''The Boor'' ( rus, Медведь: Шутка в одном действии, Medved': Shutka v odnom deystvii, 1888), is a one-act comedic play written by Russian author Anton Chekhov. The play was originally dedicated to Nikolai Nikolaevich Solovtsov, Chekhov's boyhood friend and director/actor who first played the character Smirnov. Characters * Elena Ivanovna Popova, a landowning little widow, with dimples on her cheeks, her husband has died *Grigory Stepanovitch Smirnov, a middle-aged landowner *Luka, Popova's aged footman caring, loyal, obedient and not so intelligent Plot The play takes place in the drawing room of Elena Ivanovna Popova's estate exactly seven months after her husband's death. Since her husband died, Popova has locked herself in the house in mourning. Her footman, Luka, begins the play by begging Popova to stop mourning and step outside the estate. She ignores him, saying that she made a promise to her husband to remain ...
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Ivanov (play)
''Ivanov'' (russian: Иванов: драма в четырёх действиях, italic=yes (Ivanov: drama in four acts); also translated as "Ivanoff") is a four-act drama by the Russian playwright Anton Chekhov. ''Ivanov'' was first performed in 1887, when Fiodor Korsh, owner of the Korsh Theatre in Moscow, commissioned Chekhov to write a comedy. Chekhov, however, responded with a four-act drama, which he wrote in ten days. The first performance was not a success and the production disgusted Chekhov himself. In a letter to his brother, he wrote that he "did not recognise his first remarks as my own" and that the actors "do not know their parts and talk nonsense". Irritated by this failure, Chekhov made alterations to the play. Consequently, the final version is different from that first performance. After this revision, it was accepted to be performed in St. Petersburg in 1889. Chekhov's revised version was a success and offered a foretaste of the style and themes of his subse ...
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Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics."Stories ... which are among the supreme achievements in prose narrative.Vodka miniatures, belching and angry cats George Steiner's review of ''The Undiscovered Chekhov'', in ''The Observer'', 13 May 2001. Retrieved 16 February 2007. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of ''The Seagull'' in 1896, but the play was revived to acclaim in 189 ...
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The Power Of Darkness
''The Power of Darkness'' (russian: Власть тьмы, Vlast′ t′my) is a five- act drama by Leo Tolstoy. Written in 1886, the play's production was forbidden in Russia until 1902, mainly through the influence of Konstantin Pobedonostsev. In spite of the ban, the play was unofficially produced and read numerous times. Overview The central character is a peasant, Nikita, who seduces and abandons a young orphan girl Marinka; then the lovely Anisija murders her own husband to marry Nikita. He impregnates his new stepdaughter, then, under his wife's influence, murders the baby. On the day of his stepdaughter's marriage, he surrenders himself and confesses to the police. Production history French theatre pioneer André Antoine staged ''La Puissance des Ténèbres''—a French translation of the play, by Pavlovsky and Oscar Méténier—in Paris at the Théâtre Montparnasse on 10 February 1888 to great acclaim. Constantin Stanislavski, the Russian theatre practitioner, had wante ...
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Leo Tolstoy
Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-reformed Russian. ; ), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy. Born to an aristocratic Russian family in 1828, Tolstoy's notable works include the novels ''War and Peace'' (1869) and ''Anna Karenina'' (1878), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, ''Childhood'', '' Boyhood'', and ''Youth'' (1852–1856), and '' Sevastopol Sketches'' (1855), based upon his experiences in ...
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Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play ''Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy ''The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed.
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Hermann Sudermann
Hermann Sudermann (30 September 1857 – 21 November 1928) was a German dramatist and novelist. Life Early career Sudermann was born at Matzicken, a village to the east of Heydekrug in the Province of Prussia (now Macikai and Šilutė, in southwestern Lithuania), close to the Russian frontier. The Sudermanns were a Mennonite family from the Vistula delta Mennonite communities near the former Elbing, East Prussia, (now Elbląg), Poland). His father owned a small brewery in Heydekrug, and Sudermann received his early education at the ''Realschule'' in Elbing, where he lived with his relatives and attended the Mennonite church where his uncle was the minister. His parents having been reduced in circumstances, he was apprenticed to a chemist at the age of 14. He was, however, able to enter the ''Realgymnasium'' (high school) in Tilsit, and to study philosophy and history at Königsberg University. In order to complete his studies Sudermann went to Berlin, where he was tuto ...
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Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', '' Peer Gynt'', '' An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', '' Ghosts'', ''The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later wo ...
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Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ...
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