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Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothambalam At Kerala Kalamandalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadakkumnathan Temple - Trichur
Vadakkumnathan Temple is an ancient Hindu temple dedicated to Shiva at city of Thrissur, of Kerala state in India. This temple is a classical example of the architectural style of Kerala and has one monumental tower on each of the four sides in addition to a kuttambalam. Mural paintings depicting various scenes from the ''Mahabharata'' can be seen inside the temple. The shrines and the ''Kuttambalam'' display vignettes carved in wood. The temple, along with the mural paintings, has been declared as a National Monument by India under the AMASR Act. According to popular local lore, this is the first temple built by Parasurama, the sixth avatara of Vishnu. Thekkinkadu Maidan, encircling the Vadakkumnathan Temple, is the main venue of the renowned Thrissur Pooram festival. In the year 2012 the Archaeological Survey of India (ASI) has recommended 14 sites, including Vadakkumnathan Temple and palaces, from Kerala to include in the list of UNESCO World Heritage Sites. The templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar
Chakyar ( ml, ചാക്യാർ; ; ; also spelled Cakyar, Chakkiar, Chakiar, etc.) is an intermediate priestly caste coming under the Ambalavasi community of Hindus in the Kerala state of India. The women in this caste are called ''Illotammas''. They occupy a position in the Hindu Temple in managing the affairs of the temple, though not the actual conduct of ceremonies. They are assigned with the holy temple ritualistic performance called Chakyar Koothu and Koodiyattam, which is the only surviving ancient Sanskrit theatre in India. Chakyar is the main actor who performs the ritualistic ''Koothus'' and ''Koodiyattams'' inside the temple or in ''Koothambalams''. Their women, ''Illotammas'', are not allowed to participate in these. The women roles are done by ladies of Nambiar community called ''Nangyarammas''. Nambiar plays the holy drum ''Mizhavu''. There were 18 Chakyar families throughout Kerala, but now their number is small. ''Mani'' family is one of them. The greate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nātyasāstra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirunakkara Mahadeva Temple
Thirunakkara Mahadevar Temple situated in the heart of Kottayam city is one of the 108 revered Shivalayas in central Kerala, India. The temple is about 500 years old and was built by the Thekkumkoor raja. It also preserves a number of unique sculptures and murals of various Hindu deities. A common belief is that the idol of Shiva here is installed by sage Parashurama himself. The Thekkukkoor royal family considered the idol as their ''paradevatha'' (tutelary deity) in the form of "''Thirunakkara thevar''" History A King of Thekkumkoor royal dynasty was a big devotee of Thrissur Vadakkumnathan. Though there was a large Shiva temple called Thalikotta Temple near his palace, where he regularly used to visit, he could not be happy without a visit to Vadakkumnathan Temple once in a month. Despite all problems faced, he used to visit Vadakkumnathan Temple throughout his life. But, as years passed, the King became aged, and he could no longer travel for long distance. Thus he was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothu
Koothu or Therukoothu (jwalith) ( ta, கூத்து), is an ancient art, where artists play songs with dance and music in storytelling the epics, performed in Tamil; it is a folk art originated from the early Tamil country. More precisely Koothu refers to either Terukuttu (Tamil:தெருக்கூத்து) or Kattaikkuttu. The terms Terukkuttu and Kattaikkuttu are often used interchangeably in modern times; however, historically, the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances in a procession, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space. Koothu as a form of entertainment reached its peak hundreds of years ago in Tamil Nadu, as mentioned in the Sangam texts about the development of iyal (literature), isai (music) and natagam (drama). Going beyond just a means of entertainment, koothu educates the rural peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
