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Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothu
Koothu or Therukoothu (jwalith) ( ta, கூத்து), is an ancient art, where artists play songs with dance and music in storytelling the epics, performed in Tamil; it is a folk art originated from the early Tamil country. More precisely Koothu refers to either Terukuttu (Tamil:தெருக்கூத்து) or Kattaikkuttu. The terms Terukkuttu and Kattaikkuttu are often used interchangeably in modern times; however, historically, the two terms appear to have distinguished, at least in certain villages, between two different kinds of performance: while Terukkuttu referred to mobile performances in a procession, Kattaikkuttu denotes overnight, narrative performances at a fixed performance space. Koothu as a form of entertainment reached its peak hundreds of years ago in Tamil Nadu, as mentioned in the Sangam texts about the development of iyal (literature), isai (music) and natagam (drama). Going beyond just a means of entertainment, koothu educates the rural peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Culture
Tamil culture is the culture of the Tamil people. Tamil culture is rooted in the arts and ways of life of Tamils in India, Sri Lanka, Malaysia, Singapore, and across the globe. Tamil culture is expressed in language, literature, music, dance, theatre, folk arts, martial arts, painting, sculpture, architecture, sports, media, comedy, cuisine, costumes, celebrations, philosophy, religions, traditions, rituals, organizations, science, and technology. Language and literature Tamils have strong attachment to the Tamil language, which is often venerated in literature as "''Tamil̲an̲n̲ai''", "the Tamil mother". It has historically been, and to large extent still is, central to the Tamil identity. Like the other languages of South India, it is unrelated to the Indo-European languages of northern India. The Tamil language preserves many features of Proto-Dravidian, though modern-day spoken Tamil in Tamil Nadu freely uses loanwords from Sanskrit and English and vice versa. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Theatre Of India
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures * Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles * Classical music, a variety of Western musical styles from the 9th century to the present * Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Of Kerala
The Indian state Kerala is well known for its diverse forms of performing arts. The various communities in Kerala contribute to its rich and colourful culture.The most important traditional art forms of Kerala are Kathakali, Kalaripayattu, Koodiyattam, Theyyam, Mohiniyattam, Thullal, Padayani, Pulikali, Thiruvathirakali, Chakyarkoothu,kalaripayattu etc. Performing arts of Kerala Kerala Hindu Arts * Ayyappan Vilakku * Shastham Paatu * Kathakali * Chakyar Koothu * Nangiar Koothu * Mohiniyattam * ThirayattamThirayattam, Moorkkanad Peethambaran, Kerala bhasha Institute, TVM, * Padayani * Thiyyattu * Koodiyattam * Kerala Natanam * Panchavadyam * Thullal * Tholpavakoothu * Ottamthullal * Garudan Thookkam * Kolam Thullal * Kakkarissi Nadakam * Poorakkali * Mudiyett * Kummattikali * Kuthiyottam * Thiriyuzhichil * Kalaripayattu * Mangalamkali * Marathukali * Malayikuthu * Mukkanchathan * Charadupinnikkali * Kothammuriyattam * Sopanam * Thacholikali * Sarpam Thullal * Pulluv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Damodara Chakyar
Mani Damodara Chakyar (Māni Dāmodara Chākyār; born 1946) is a Kutiyattam and Chakyar Koothu artist in Kerala state of south India. He is a nephew and disciple of legendary guru ''Nātyāchārya Vidūshakaratnam Padma Shri'' Māni Mādhava Chākyār. He belongs to the great Mani Chakyar tradition of Koodiyattam and Chakyar koothu. He studied ''Chakyar Koothu'' and ''Koodiyattam'' in the traditional way for more than 30 years under the direct guidance of Māni Mādhava Chākyār. He has studied Sanskrit and Nātyasāstra in the traditional way. He holds a Master's degree in Sanskrit literature as well. He used to be high school Sanskrit teacher in Kozhikode. He was a member of legendary guru Padma Shri Māni Mādhava Chākyār's Koodiyattam troupe which performed Koodiyattam outside Kerala for the first time. In that performance of ''Thoranayudham Koodiyattam'' (1962, Madras), he played the role of Vibhishana with his guru Mani Madhava Chakyar (as Ravana). He is an exponen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
