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Koodiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam Framed 001
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Theatre
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the '' Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar
Chakyar ( ml, ചാക്യാർ; ; ; also spelled Cakyar, Chakkiar, Chakiar, etc.) is an intermediate priestly caste coming under the Ambalavasi community of Hindus in the Kerala state of India. The women in this caste are called ''Illotammas''. They occupy a position in the Hindu Temple in managing the affairs of the temple, though not the actual conduct of ceremonies. They are assigned with the holy temple ritualistic performance called Chakyar Koothu and Koodiyattam, which is the only surviving ancient Sanskrit theatre in India. Chakyar is the main actor who performs the ritualistic ''Koothus'' and ''Koodiyattams'' inside the temple or in ''Koothambalams''. Their women, ''Illotammas'', are not allowed to participate in these. The women roles are done by ladies of Nambiar community called ''Nangyarammas''. Nambiar plays the holy drum ''Mizhavu''. There were 18 Chakyar families throughout Kerala, but now their number is small. ''Mani'' family is one of them. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kulasekhara Alvar
Kulasekhara (Tamil: ''குலசேகரர்'') (''fl.'' 9th century CE), one of the twelve Vaishnavite alvars, was a bhakti theologian and devotional poet from medieval south India (Kerala). He was the author of Perumal Tirumoli in Tamil and " Mukundamala" in Sanskrit. The Perumal Tirumoli, whose second decade is known as "Tetrarum Tiral", is compiled as a part of Nalayira Divya Prabandham. The Trikkulasekharapuram Temple in Kodungallur was founded by the Alvar. Vaishnavite traditions describe the Alvar as a king of the Chera royal family of the western coast (Kerala). Scholars identify Kulasekhara with royal Chera playwright Kulasekhara Varma and Sthanu Ravi Kulasekhara (ruled 844/45 – c. 870/71 AD), the earliest known Chera Perumal king of Kerala. Sources Scholars generally identify Kulasekhara with Sthanu Ravi Kulasekhara, the earliest known Chera Perumal king of Kerala. *It is known that "Perumal Tirumoli" was recited in Srirangam Temple in 11th century AD. An in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers ( guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar As Ravana
Mani may refer to: Geography * Maní, Casanare, a town and municipality in Casanare Department, Colombia * Mani, Chad, a town and sub-prefecture in Chad * Mani, Evros, a village in northeastern Greece * Mani, Karnataka, a village in Dakshina Kannada district of India * Mani, Iran, a village in Kerman Province, Iran * Mani, Nigeria, a town in Katsina State, Nigeria * Mani, Tibet, a village in the Tibet Autonomous Region of China * Maní, Yucatán, a small city in Yucatán, Mexico *East Mani, a municipality in the Laconia regional unit, Peloponnese, Greece * El Mani, a community on the island of Puerto Rico * Mani Peninsula, a geographical and cultural region in Greece *West Mani, a municipality in the Messenia regional unit, Peloponnese, Greece People * Mani (name), ( fa, مانی), a given name and surname (including a list of people with the name) **Mani (prophet) (c. 216 – 274), an Iranian prophet ** Mani (musician) (born 1962), an English rock musician ** Mani (acto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiar (Ambalavasi)
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a higher caste to Nairs including same name bearing Nair-Nambiar caste which usually leads to confusion. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Social groups of India Indian castes Kerala society Malayali Brahmins Hindu communities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conch (instrument)
Conch, or conque, also known as a "seashell horn" or "shell trumpet", is a wind instrument that is made from a conch, the shell of several different kinds of sea snails. Their natural conical bore is used to produce a musical tone. Conch shell trumpets have been played in many Pacific Island countries, as well as South America and Southern Asia. The shells of large marine gastropods are blown into as if it were a trumpet, as in blowing horn. A completely unmodified conch may be used, or a mouth hole may be created. Wooden, bamboo, or metal mouthpieces may be inserted into the end of the shell.Herbert, Trevor and Wallace, John; eds. (1997). ''The Cambridge Companion to Brass Instruments'', p.11-3. Cambridge University. . Embouchure is used to produce notes from the harmonic series. A tone hole may be added to change the fundamental frequency but globally this is extremely rare.Braun, Joachim (2002). ''Music in Ancient Israel/Palestine: Archaeological, Written, and Comparat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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