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Konstantin Saradzhev
Konstantin Saradzhev (also ''Constantin Saradgeff'', born Saradzhian; 8 October 1877 – 22 July 1954) was an Armenian conductor and violinist. He was an advocate of new Russian music, and conducted a number of premieres of works by Pyotr Ilyich Tchaikovsky, Modest Mussorgsky, Igor Stravinsky, Sergei Prokofiev, Nikolai Myaskovsky, Dmitri Shostakovich, and Aram Khachaturian. His son Konstantin Konstantinovich Saradzhev was a noted bell ringer and musical theorist. Biography He was born Konstantin Solomonovich Saradzhian in Derbent, Dagestan, in 1877; his father was a doctor. He attended the Moscow Conservatory, where he studied violin under Jan Hřímalý and theory under Sergei Taneyev,Grove’s Dictionary of Music and Musicians, 5th ed. 1954 graduating in 1898. He then became a teacher and concert performer. He had further violin study with Otakar Ševčík in Prague in 1900. In 1901 he became conductor of the Moscow Opera Lovers' Club. He also formed his own string quartet. Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenia
Armenia (), , group=pron officially the Republic of Armenia,, is a landlocked country in the Armenian Highlands of Western Asia.The UNbr>classification of world regions places Armenia in Western Asia; the CIA World Factbook , , and ''Oxford Reference Online'' also place Armenia in Asia. It is a part of the Caucasus region; and is bordered by Turkey to the west, Georgia to the north, the Lachin corridor (under a Russian peacekeeping force) and Azerbaijan to the east, and Iran and the Azerbaijani exclave of Nakhchivan to the south. Yerevan is the capital, largest city and the financial center. Armenia is a unitary, multi-party, democratic nation-state with an ancient cultural heritage. The first Armenian state of Urartu was established in 860 BC, and by the 6th century BC it was replaced by the Satrapy of Armenia. The Kingdom of Armenia reached its height under Tigranes the Great in the 1st century BC and in the year 301 became the first state in the world to adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuil Feinberg
Samuil Yevgenyevich Feinberg (russian: Самуи́л Евге́ньевич Фе́йнберг, also Samuel; 26 May 1890, Odessa – 22 October 1962, Moscow) was a Russian and Soviet composer and pianist. Biography Born in Odessa, Feinberg lived in Moscow from 1894 and studied with Alexander Goldenweiser at the Moscow Conservatory. He also studied composition privately under Nikolai Zhilyayev. He graduated from the Conservatory in 1911, after which he embarked upon a career as a solo pianist, while composing on the side. However, he was soon sent to fight in the First World War for Russia until he became ill and was discharged. In 1922, he joined the faculty at the Moscow Conservatory, relaunching his pianistic career. By 1930, due to the political repressions in Stalin's Russia, Feinberg's concert activities became limited. He made only two foreign trips in the 1930s: Vienna in 1936 and Brussels in 1938; hence he is generally not well known outside Russia. In 1946, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Oborin
Lev Nikolayevich Oborin (russian: Лев Николаевич Оборин, ''Lev Nikolaevič Oborin''; Moscow, Moscow, 5 January 1974) was a Soviet and Russian pianist, composer and pedagogue. He was the winner of the first International Chopin Piano Competition in 1927. Life and career Oborin's family moved frequently during his early childhood. When they settled down in Moscow in 1914, he was sent to music school. He studied with Elena Gnesina, a pupil of Ferruccio Busoni. At the same time, he studied composition with Alexander Gretchaninov and achieved admirable results. In 1921, Oborin was accepted into Moscow Conservatory as a student of piano and composition. He completed his piano studies in 1926. In the same year, news reached Moscow of the First International Frédéric Chopin Piano Competition, to be held in Warsaw in 1927, and his piano teacher Konstantin Igumnov immediately thought of him. After winning first prize in the competition, he gave concerts in Poland and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Khaykin
Boris Emmanuilovich Khaikin (russian: Борис Эммануилович Хайкин; be, Барыс Эмануілавіч Хайкін; – 10 May 1978) was a Soviet and Russian conductor who was named a People's Artist of the USSR in 1972. Biography Khaikin was born in Minsk, then part of the Russian Empire. He studied at the Moscow Conservatory under Nicolai Malko and Konstantin Saradzhev. He was artistic director of the Little Leningrad Opera Theatre in 1936-43 and the principal conductor at the Kirov Theatre in 1944-53, where he conducted the première of Sergei Prokofiev's '' Betrothal in a Monastery'' on 3 November 1946. He moved to the Bolshoi Theatre in 1954. He died in Moscow, and was buried in the Donskoye Cemetery. Discography Khaikin is noted for his two critically acclaimed recordings of ''Khovanshchina'': a 1946 edition with Mark Reizen, and a 1972 version with Irina Arkhipova. His record of Nikolai Rimsky-Korsakov's little known early first symphony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Civil War
, date = October Revolution, 7 November 1917 – Yakut revolt, 16 June 1923{{Efn, The main phase ended on 25 October 1922. Revolt against the Bolsheviks continued Basmachi movement, in Central Asia and Tungus Republic, the Far East through the 1920s and 1930s.{{cite book, last=Mawdsley, first=Evan, title=The Russian Civil War, location=New York, publisher=Pegasus Books, year=2007, isbn=9781681770093, url=https://archive.org/details/russiancivilwar00evan, url-access=registration{{rp, 3,230(5 years, 7 months and 9 days) {{Collapsible list , bullets = yes , title = Peace treaties , Treaty of Brest-LitovskSigned 3 March 1918({{Age in years, months, weeks and days, month1=11, day1=7, year1=1917, month2=3, day2=3, year2=1918) , Treaty of Tartu (Russian–Estonian)Signed 2 February 1920({{Age in years, months, weeks and days, month1=11, day1=7, year1=1917, month2=2, day2=2, year2=1920) , Soviet–Lithuanian Peace TreatySigned 12 July 1920({{Age in years, months, weeks and da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives, has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was the Russian music of the 18th century to present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume ''Oxford History of Western Music''. He received several awards, including the first Noah Greenberg Award from the American Musicological Society in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Goldenweiser (composer)
Alexander Borisovich Goldenweiser (or ''Goldenveyzer''; russian: Алекса́ндр Бори́сович Гольденве́йзер; 26 November 1961), was a Soviet and Russian pianist, teacher and composer. Goldenweiser was born in Kishinev, Bessarabia, Russia. In 1889 he was admitted to the Moscow Conservatory in the class of Alexander Siloti (also Ziloti). He graduated from the Moscow Conservatory in 1895 in the piano class of Pavel Pabst (previously with A.I.Siloti), winning the Gold Medal for Piano, in 1897 – in the composition class of Mikhail Ippolitov-Ivanov. He also studied composition with Anton Arensky and counterpoint with Sergei Taneyev (1892–1893). He joined the faculty of the Conservatory shortly afterward, and during his tenure there, his pupils included Grigory Ginzburg, Lazar Berman, Samuil Feinberg, Rosa Tamarkina, Dmitry Kabalevsky, Galina Eguiazarova, Nikolai Kapustin, Alexander Braginsky, Sulamita Aronovsky, Tatiana Nikolayeva, Dmitry Paperno, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Scriabin
Alexander Nikolayevich Scriabin (; russian: Александр Николаевич Скрябин ; – ) was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian Symbolist composer and a major representative of the Russian Silver Age. Scriabin was an innovator as well as one of the most controversial composer-pianists of the early 20th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fair At Sorochyntsi
''The Fair at Sorochyntsi'' (russian: Сорочинская ярмарка, ''Sorochinskaya yarmarka'', '' Sorochyntsi Fair'') is a comic opera in three acts by Modest Mussorgsky, composed between 1874 and 1880 in St. Petersburg, Russia. The composer wrote the libretto, which is based on Nikolai Gogol's short story of the same name, from his early (1832) collection of Ukrainian stories ''Evenings on a Farm near Dikanka''. The opera remained unfinished and unperformed at Mussorgsky's death in 1881. Today, the completion by Vissarion Shebalin has become the standard. Composition history Mussorgsky worked on the opera between 1874 and 1880, in competition with his work on ''Khovanshchina'' (1872–1880); both were incomplete at the time of his death in 1881. He reused some music that he had written previously (such as the "Market Scene" from Act II of the ill-fated ''Mlada'' of 1872, used for the opening scene of ''Fair''). Incorporation of the music of ''Night on Bald Mountain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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