Kobayashi Eitaku
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Kobayashi Eitaku
Kobayashi Eitaku (, 22 April 1843 – 27 May 1890) was a Japanese artist and illustrator specializing in ukiyo-e and nihonga. Biography Eitaku was born 22 April 1843, a third son of Miura Kichisaburo. At the age of 12 or 13 he became an apprentice under the Kanō school painter Kanō Eishin. Few years later he started to work for Ii Naosuke of Ii clan in Hikone as an official painter, he was given a samurai status. Ii Naosuke was assassinated in 1860, after that Eitaku started travel through the country, and then settled in Nihonbashi. After he left the Kanō school to produce ukiyo-e, it is said that the ukiyo-e painter Kawanabe Kyōsai took care of him. He studied different styles of painting, both Ming and Western; he studied ukiyo-e with Yoshitoshi Tsukioka Yoshitoshi ( ja, 月岡 芳年; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker.Louis-Frédéric, Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Jap ...
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Kawanabe Kyōsai
was a Japanese artist, in the words of art historian Timothy Clarke, "an individualist and an independent, perhaps the last virtuoso in traditional Japanese painting". Biography Living through the Edo period to the Meiji period, Kyōsai witnessed Japan transform itself from a feudal country into a modern state. Born at Koga, he was the son of a samurai. His first aesthetic shock was at the age of nine when he picked up a human head separated from a corpse in the Kanda river. After working for a short time as a boy with ukiyo-e artist Utagawa Kuniyoshi, he received his formal artistic training in the Kanō school under Maemura Tōwa (前村洞和, ? – 1841), who gave him the nickname "The Painting Demon", but Kyōsai soon abandoned the formal traditions for the greater freedom of the popular school. During the political ferment which produced and followed the revolution of 1867, Kyōsai attained a reputation as a caricaturist. His very long painting on ''makimono'' (a hori ...
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Ukiyo-e Artists
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ...
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