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Kind Hearted Woman Blues
"Kind Hearted Woman Blues" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by the American Delta bluesman Robert Johnson. The song was originally released on 78 rpm format as Vocalion 03416 and ARC 7-03-56. Johnson performed the song in the key of A, and recorded two takes, the first of which contains his only recorded guitar solo. Both takes were used for different pressings of both the Vocalion issue and the ARC issue. The first take (SA-2580-1) can be found on many compilation albums, including the first one, '' King of the Delta Blues Singers'' (1961). Take 2 (SA-2580-2) can be heard on the later compilation '' Robert Johnson, The Complete Recordings'' (1990). Influences This was the first song that Johnson recorded, and it was carefully crafted in imitation of recent hit records. It was composed as if in answer to "Cruel Hearted Woman Blues" by Bumble Bee Slim (Amos Easton), which in turn was based on "Mean Mistreater Mama" by Leroy Carr accompa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bumble Bee Slim
Admirl Amos Easton (May 7, 1905 – June 8, 1968), better known by the stage name Bumble Bee Slim, was an American Piedmont blues singer and guitarist. Biography Easton was born in Brunswick, Georgia, United States. Several original sources confirm that he spelled his first name "Admirl". Around 1920 he joined the Ringling Brothers circus. He then returned to Georgia and was briefly married before heading north on a freight train to Indianapolis, where he settled in 1928. There he met and was influenced by the pianist Leroy Carr and the guitarist Scrapper Blackwell. By 1931 he had moved to Chicago, where he made his first recordings, as Bumble Bee Slim, for Paramount Records. The following year his song "B&O Blues" was a hit for Vocalion Records, inspiring several other railroad blues and eventually becoming a popular folk song. In the next five years, he recorded over 150 songs for Decca Records, Bluebird Records and Vocalion, often accompanied by other musicians, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight Bar Blues
In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" being "common to folk, rock, and jazz forms of the blues". It is often notated in or time with eight bars to the verse. Overview Early examples of eight-bar blues standards include: *"Ain't Nobody's Business If I Do" (Sara Martin, 1922) *" Trouble in Mind" ( Chippie Hill, 1926) *" How Long Blues" (Leroy Carr, 1928) *"Nobody Knows You When You're Down and Out" (Bessie Smith, 1929) *"It Hurts Me Too" (Tampa Red, 1940) *"Key to the Highway" (Big Bill Broonzy, 1941)James, Steve (2001). ''Inside Blues Guitar'', p.18. . *"Worried Life Blues" (Big Maceo, 1941) One variant using this progression is to couple one eight-bar blues melody with a different eight-bar blues bridge to create a blues variant of the standard 32-bar song: "I Want a Little Girl" (T-Bone Walker) and "Great Balls of Fire" (Jerry Lee Lewis)( Eight-bar blues progressions have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (popular Music)
Verse may refer to: Poetry * Verse, an occasional synonym for poetry * Verse, a metrical structure, a stanza * Blank verse, a type of poetry having regular meter but no rhyme * Free verse, a type of poetry written without the use of strict meter or rhyme, but still recognized as poetry * ''Versed'', 2009 collection of poetry by Rae Armantrout * ''Verse'', an international poetry journal with Henry Hart (author) as founding editor Religion * Chapters and verses of the Bible * Ayah, one of the 6,236 verses found in the Qur'an Music * Verse (band), a hardcore punk band * Verse (rapper) (b. 1986), British hip hop artist * Verse (popular music), roughly corresponds to a poetic stanza * Verse-chorus form, a musical form common in popular music where the chorus is highlighted * ''Verses'' (album), a 1987 album by jazz trumpeter Wallace Roney * ''Verses (Apallut)'', a 2001 album by the Alaskan group Pamyua * ''Verse'', a 2002 album by Patricia Barber * Ben Mount (born 1977 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve Bar Blues
The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". Background The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of "race records" and the popularity of blues singers like Bessie Smith and Ma Rainy. The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrics
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. Etymology The word ''lyric'' derives via Latin ' from the Greek ('), the adjectival form of '' lyre''. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed to the chanted forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elijah Wald
Elijah Wald (born 1959) is an American folk blues guitarist and music historian. He is a 2002 Grammy Award winner for his liner notes to ''The Arhoolie Records 40th Anniversary Box: The Journey of Chris Strachwitz''. Life Wald was born in 1959 in Cambridge, Massachusetts.Elijah Wald P.O.V. Borders – Border Talk, PBS, 2002. Accessed online 2009-10-01. His parents were George Wald (co-recipient of the 1967 ) and |
Joe Pullum
Joseph E. Pullum (December 25, 1905 — January 7, 1964) was an American blues singing, singer and songwriter. Biography Pullum, an Alabama-born nightclub singer, was one of the more obscure blues celebrity, stars. He was accompanied on his few recordings by two pianists; Rob Cooper (blues musician), Rob Cooper on his earlier Gramophone record, discs, and Andy Boy on his later efforts. Pullum's major success was with his self-written song, "Black Gal What Makes Your Head So Hard?" (1934). It sold in large quantities and was cover version, covered by Leroy Carr, Skip James, Mary Johnson (singer), Mary Johnson, Josh White, Bumble Bee Slim, the Harlem Hamfats, Smokey Hogg, Jimmie Gordon, Speckled Red, James Crutchfield and Robert Shaw (blues musician), Robert Shaw. His subsequent recordings did not fare as well. Pullum sound recording and reproduction, recorded four sessions, which yielded a total of 30 tracks, between April 1934 and February 1936. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokomo Arnold
James "Kokomo" Arnold (February 15, 1896 or 1901 – November 8, 1968) was an American blues musician. A left-handed slide guitarist, his intense style of playing and rapid-fire vocal delivery set him apart from his contemporaries. He got his nickname in 1934 after releasing "Old Original Kokomo Blues" for Decca Records, a cover version of Scrapper Blackwell's blues song about the city of Kokomo, Indiana. Early life Arnold was born in Lovejoy's Station, Georgia. Most sources give the date his birth as 1901, but the researchers Bob Eagle and Eric LeBlanc give the date as 1896, on the basis of information in the 1900 census. He learned the basics of playing the guitar from his cousin, John Wiggs.Briggs, Keith (1991). ''Kokomo Arnold, Complete Recorded Works, Vol. 1 (May 17, 1930 to March 15, 1935)''. Document Records. Career Arnold began playing in the early 1920s as a sideline, when he was working as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh, Pennsyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milk Cow Blues
"Milk Cow Blues" is a blues song written and originally recorded by Kokomo Arnold in September 1934. In 1935 and 1936, he recorded four sequels designated "Milk Cow Blues No. 2" through No. 5. The song made Arnold a star, and was widely adapted by artists in the blues, Western swing and rock idioms. Kokomo Arnold song Lyrical themes The lyrics of the Kokomo Arnold record combine the threads of: * Blues on awakening – :Good morning, Blues Blues how do you do? :Do mighty well this morning, can't get along with you. *The loss of a dairy cow – :Says, I woke up this a-morning and I looked outdoors :Says, I knowed my mamlish milk cow pretty mama, Lord, by the way she lowed :Lord, if you see my milk cow, buddy, I said, please drive her home :Says, I ain't had no milk and butter, mama, Lord, since a-my cow been gone * A breakup with his lover – :How can I do right, baby when you won't do right yourself? :Lord, if my good gal quits me well, I don't want nobody else *A warning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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