Kimera (singer)
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Kimera (singer)
Kim Hong Hee (born January 10, 1954), known as Kimera, is a South Korean-born singer. She developed the style of operatic pop, or '' popera'' performing and recording medleys of operatic arias set to a mid-1980s form of disco beat, singing in the soprano register. Life and career The third of five children, Kimera has loved singing ever since she can remember. From the age of twelve, she began singing in church choirs, as well as in the Korean National Metropolitan Choir. While attending university, she found she really enjoyed singing pop music as well. However, her father strongly disapproved of pop, which he felt was unsuitable, so she put her love for this genre aside, and eventually stopped singing completely. Kimera focused on her studies and graduated with a B.A. in French Literature from Sungshin Women's University in Seoul. She then left her native Korea to pursue a post-graduate degree in France, where she studied for an M.A., also in French literature, at the Sorb ...
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Kim Hong-hee
Kim Hong-hee is an art historian, curator and critic based in Korea. Her main field of interest is in Video and Feminist Art. She is currently the director of Seoul Museum of Art (SeMA). Biography From 2000 until 2011 she was an adjunct professor at Hongik University, Seoul, Korea. She has published several booksThe True Colors of Curator Hangil Art, 2012Good Morning Mr.Paik Design House, 200Women and Art, Contemporary Art Discourse and the Field I Noonbit, 2003; , Noonbit, 2003 Jaewon, 1998. Kim received her Ph.D. in Art History from Hong-Ik University, Seoul, Korea and did her MA in Art History at Concordia University in Montreal, Canada. Major curations Recently, she acted as a member of the selection committee for the next documenta 14 in Kassel, Germany. Since 2012, she is currently the director of Seoul Museum of Art (SeMA) after holding the directorship of Gyeonggi Museum of Modern Art in Gyeonggi Province of Korea from 2006 to 2010. She founded the very first alter ...
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Adam Lopez
Adam Lopez Costa (born 26 August 1975) is an Australian pop musician, vocal coach, and session vocalist. He is noted for his ability to produce extremely high notes in his whistle register and for his extensive six-octave vocal range. From 2008 to 2018, he was a Guinness World Record holder for singing the highest note (by a male) and a half step below the E in the 8th octave (E8). He currently heads the vocal faculty at Sheldon College's Australian School of the Arts. Biography Lopez was the second of three sons born to Spanish parents, Manuel Jesús López Pérez and María Del Rosario Costa Velasco. Both of his parents were musicians. Having started singing at the age of three, Lopez was a treble (boy soprano) by age ten. After finishing high school, Lopez studied voice at the Queensland Conservatorium of Music at Griffith University. He spent five years there studying opera, although he spent a total of ten years developing his distinctive vocal abilities. In addition to ...
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Sungshin Women's University Alumni
Sungshin Women's University (Korean: 성신여자대학교) is a private women's university located in Seoul, South Korea. It was founded in 1936 by Dr. Sook-Chong Lee. During the 1960s and 70s, Sungshin was a Teachers College in South Korea. Then, in the 1980s, the college was promoted to the status of a comprehensive university. Today, the university comprises ten colleges and five graduate schools with total enrollment of about 12,000 students. In 2006, the university rebuilt the ''Sungshin Hall'' to mark the university's 70th anniversary. Also, Sungshin Women's University has succeeded to annex the nursing college of a national hospital, the first event of its kind to happen in South Korea. The admission criteria for Sungshin Women's University is generally the KSAT score of the top 10% of the nation. Further, It is ranked 591-600 in the QS world university ranking 2023. History * 1936.04.28 Sungshin Girls' School is established by Dr. Lee Sook Chong * 1965.01.13 Sungshin ...
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South Korean Women Singers
South is one of the cardinal directions or Points of the compass, compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic language, Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European language, Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the ...
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South Korean Expatriates In Spain
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of a ...
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People From Daegu
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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Crossover Music
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a "Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sacre ...
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Armenians In Lebanon
The Armenians in Lebanon ( hy, Լիբանանահայեր, translit=Libananahayer; ar, الأرمن في لبنان; french: Arméniens du Liban) are Lebanese citizens of Armenian descent. There has been an Armenian presence in Lebanon for centuries. According to Minority Rights Group International, there are 156,000 Armenians in Lebanon, around 4% of the population. Prior to the Lebanese Civil War, the number was higher, but the community lost a portion of its population to emigration. After surviving the Armenian genocide, and initially settling in shanty towns in Lebanon, the Armenian population gradually grew and expanded until Beirut (and Lebanese towns like Anjar) became a center of Armenian culture. The Armenians became one of Lebanon’s most prominent and productive communities. History Armenians first established contact with Lebanon when Tigranes the Great conquered Phoenicia from the Seleucids and made it part of his short-lived Armenian Empire. When the Roman Empir ...
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The Lost Opera
''The Lost Opera'' (also stylized ''The Lost O?era'') is an album by the Korean soprano Kimera and the Operaiders with the London Symphony Orchestra. Consisting of snatches of popular operatic arias and choruses against a disco beat, in the style of the '' Hooked on Classics'' album, it was released in 1984 by the record label Red Bus. Whilst not a major UK success, it spent some sixteen weeks in the French charts. It was repackaged in a style more disco than classical in 1985 and reissued with the more descriptive title ''Hits on Opera'', and with a more techno-style cover illustration, but it gained little additional interest. Being neither one thing nor the other, however, its audience was bound to be divided and it may be regarded as an experiment belonging to its time. Track listing Side One # "Caro nome" (Verdi from ''Rigoletto'') # "Operature 1" (J. Fiddy from "The Lost Opera") # " Overture - ''Madame Butterfly''" (Puccini) # "Ah non giunge" ( Bellini from ''La Sonnambula' ...
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