The Lost Opera
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''The Lost Opera'' (also stylized ''The Lost O?era'') is an album by the
Korea Korea ( ko, 한국, or , ) is a peninsular region in East Asia. Since 1945, it has been divided at or near the 38th parallel, with North Korea (Democratic People's Republic of Korea) comprising its northern half and South Korea (Republic o ...
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soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
Kimera and the Operaiders with the
London Symphony Orchestra The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's ...
. Consisting of snatches of popular operatic arias and choruses against a disco beat, in the style of the '' Hooked on Classics''
album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ...
, it was released in 1984 by the record label Red Bus. Whilst not a major UK success, it spent some sixteen weeks in the French charts. It was repackaged in a style more disco than classical in 1985 and reissued with the more descriptive title ''Hits on Opera'', and with a more
techno Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often ch ...
-style cover illustration, but it gained little additional interest. Being neither one thing nor the other, however, its audience was bound to be divided and it may be regarded as an experiment belonging to its time.


Track listing


Side One

# "Caro nome" (
Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
from ''
Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
'') # "Operature 1" (J. Fiddy from "The Lost Opera") # " Overture - ''Madame Butterfly''" (
Puccini Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long lin ...
) # "Ah non giunge" ( Bellini from ''
La Sonnambula ''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eug ...
'') # "Nun's Chorus" ( J. Strauss from ''Casanova'') # "
La Donna è Mobile "" (; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera ''Rigoletto'' (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera' ...
" (Verdi from ''Rigoletto'') # "Excerpt -
Vesti La Giubba "" (, "Put on the costume", often referred to as "On With the Motley", from the original 1893 translation by Frederic Edward Weatherly) is a tenor aria from Ruggero Leoncavallo's 1892 opera '' Pagliacci''. "" is sung at the conclusion of the fi ...
" (
Leoncavallo Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera ''Pagliacci'' (1892) that remained his ...
from ''
I Pagliacci ''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who mu ...
'') # " Holle rache" (
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
from ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
'') # "
Largo al Factotum "" (Make way for the factotum) is an aria from ''The Barber of Seville'' by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of oper ...
" (
Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
from ''
The Barber of Seville ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...
'') # "Chanson Boheme" (
Bizet Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become on ...
from ''
Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first perfo ...
'') # "J'ai Perdu Mon Eurydice" (
Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
from ''
Orpheus Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jaso ...
'') # "Couplets - Escamillo's song" (Bizet from ''Carmen'') # "Operature 2" (J. Fiddy from "The Lost Opera") # "Air des Clochettes" ( Delibes from ''
Lakmé ''Lakmé'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in P ...
'') # "Reprise - Caro Nome" (Verdi from ''Rigoletto'')


Side Two

# "Operature 3" (J. Fiddy from "The Lost Opera") # "Sempre libera" (Verdi from ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
'') # "Humming chorus" (Puccini from ''Madame Butterfly'') # " L'Amour est un Oiseau (Habanera)" (Bizet from ''Carmen'') # "Operature 4" (J. Fiddy from "The Lost Opera") # "The Flower Duet" (Delibes from ''Lakmé'') # " Va pensiero" (Verdi from ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
'') # "Prelude Nº 1" ( J.S Bach) # "
Ave Maria The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's s ...
" (
Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wor ...
/Storck) # "
Ave Maria The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's s ...
" (
J.S. Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late baroque music, Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suite ...
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Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
) # "Un Bel Di" (Puccini from ''Madame Butterfly'')


Personnel

*Kimera - Lead Vocals *John Fiddy - ArrangerThe Milarus Mansion - John Fiddy
/ref> * Steve Rowland - Producer *
The Ambrosian Singers The Ambrosian Singers are an English choral group based in London. History They were founded after World War II in England. One of their co-founders was Denis Stevens (1922–2004), a British musicologist and viola player who joined the BBC Mu ...
-
Chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...


References

{{DEFAULTSORT:Lost Opera 1984 albums 1980s classical albums Classical crossover albums