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Khol
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< + , ), not to be confused with ''''. It originates from the Indian states of , and . The drum is played with palms and fingers of both hands. Description The khol is regarded as resembling to the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridanga Parts By Jan Kraus
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< + , ), not to be confused with ''''. It originates from the Indian states of , and . The drum is played with palms and fingers of both hands. Description The khol is regarded as resembling to the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridanga 2
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< + , ), not to be confused with ''''. It originates from the Indian states of , and . The drum is played with palms and fingers of both hands. Description The khol is regarded as resembling to the ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern India
East India is a List of regions of India, region of India consisting of the Indian states of Bihar, Jharkhand, Odisha and West Bengal and also the union territory of the Andaman and Nicobar Islands. The region roughly corresponds to the historical region of Magadha from which it inherits its various Eastern Indo-Aryan languages. The states of Bihar and West Bengal lie on the Indo-Gangetic plain. Jharkhand is situated on the Chota Nagpur Plateau. Odisha lies on the Eastern Ghats and the Deccan Plateau. West Bengal's capital Kolkata is the largest city of this region. The Kolkata Metropolitan Area is the country's third largest. The region is bounded by Bhutan, Nepal and the state of Sikkim in the north, the states of Uttar Pradesh and Chhattisgarh on the west, the state of Andhra Pradesh in the south and the country of Bangladesh in the east. It is also bounded by the Bay of Bengal in the south-east. It is connected to the Seven Sister States of Northeast India by the narrow Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattriya
''Sattriya'' ( as, সত্ৰীয়া), or ''Sattriya Nritya'', is a major Indian classical dance. This dance was initially created as part of Bhaona which are performances of ''Ankiya Nat'', one-act plays, originally created by Sankardev, the 15th-16th century polymath from Assam.Ankiya Nat UNESCO: Asia-Pacific Database on Intangible Cultural Heritage (ICH), Japan These dances are part of the living traditions today of Sattras, which are communities of live-in devotees belonging to the , the religion established by Sankardev. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayan-bayan
In Assam, north India, gayan-bayan (''gāyan-bāyan'') is a religious dance performed by disciples of Sankardev in ''satra''s. The phrase ''gāyan-bāyan'' comes from ''gāyan'' (‘singer’) and ''bāyan'' (‘drummer’). The drums used by the ''bayan'' are mainly khols and cymbals are used. The Gayan bayan may differ according to the different Satras Satras are institutional centers associated with the Ekasarana tradition of Vaishnavism, largely found in the Indian state of Assam and neighboring regions. Numbering in the hundreds, these centers are generally independent of each other an ... and sects. See also References Bhakti movement Cultural history of Assam Vaishnavism {{hinduism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syahi
Syahi (also known as gaab, ank, satham or karanai) is the tuning paste applied to the head of many South Asian percussion instruments like the dholki, jori, tabla, madal, mridangam, khol and pakhavaj. Overview Syahi is usually black in colour, circular in shape and is made of a mixture of flour, water and iron filings. Originally, syahi was a temporary application of flour and water. Over time it has evolved into a permanent addition. Function Syahi functions by loading only a portion of the stretched skin with weight. In the higher-pitched (usually right-hand) drum (for instance, the tabla proper) this has the effect of altering the resonance frequency of some lower order vibrations more than others. The action on the left hand drum is a little different. On other side (for instance, the bāyāñ in the tabla), its position is offset and serves simply to lower the resonance frequency. Application The application of the syahi is very involved. It starts with a base ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhaona
Bhaona ( as, ভাওনা) is a traditional form of entertainment, with religious messages, prevalent is Assam, India. It is a creation of Mahapurusha Srimanta Sankardeva, written in the early sixteenth century. He created the form to convey religious messages to villagers through entertainment. Later Srimanta Madhavdeva also wrote some plays. The plays of bhaona are popularly known as Ankiya Nats and their staging is known as bhaona. Bhaona is generally staged at xatras and namghars in Assam. There are some special characteristics of Bhaona like the plays, dialogues, costumes, ornaments, entry and foot-steps of the characters. These characteristics helps to differentiate Bhaona from other plays. The bhaonas are written in the Assamese and Brajavali languages. In order to witness the Bhaona culture and traditions, one ought to visit Majuli, the largest river island in the world. Majuli receives a huge footfall of foreign tourists from all over the world every year. The n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandidas
Chandidas (born 1408) was a medieval poet of Bengal, or possibly more than one. Over 1250 poems related to the love of Radha and Krishna in Bengali with the ''bhanita'' of Chandidas are found with three different sobriquets along with his name, ', ''Dvija'' and ''Dina'' as well as without any sobriquet also. It is not clear whether these ''bhanita''s actually refer to the same person or not. It is assumed by some modern scholars that the poems which are current in the name of Chandidas are actually the works of at least four different Chandidas, who are distinguished from each other by their sobriquets found in the ''bhanita''s. It is also assumed that the earliest of them was Ananta Chandidas, who has been more or less identified as a historical figure born in the 14th century in Birbhum district of the present-day West Bengal state and wrote the lyrical ''Srikrishna Kirtan'' (Songs in praise of Krishna). ''Srikrishna Kirtan'' In 1916, the Bangiya Sahitya Parishad published t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arati
''Arti'' (Sanskrit: Ārātrika, Hindi: Ārtī) is a Hindu ritual employed in worship, often part of '' puja'', in which light (usually from a flame) is offered to one or more deities. ''Arti(s)'' also refers to the songs sung in praise of the deity, when the light is being offered. Origin Arti is derived from the Sanskrit word () which means something that removes , darkness (or light waved in darkness before an icon). A Marathi language reference says it is also known as ( sa, महानीराञ्जना). ''Arti'' is said to have descended from the Vedic concept of fire rituals, or '' homa/yajna''. In the traditional ''arti'' ceremony, the flower represents the earth (solidity), the water and accompanying handkerchief correspond with the water element (liquidity), the ghee or oil lamp represents the fire component (heat), the peacock fan conveys the precious quality of air (movement), and the yak-tail fan represents the subtle form of ether (space). The incense rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ek Saran Naam Dharma
Ekasarana Dharma (literally: ''Shelter-in-One religion'') is a neo-Vaishnavite monolithic religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It reduced focus on vedic ritualism and focuses on devotion (''bhakti'') to Krishna in the form of congregational listening (''sravan'') and singing his name and deeds ('' kirtan''). The simple and accessible religion attracted already Hindu as well as non-Hindu populations into its egalitarian fold. The neophytes continue to be inducted into the faith via an initiation ceremony called ''xoron-lowa'' (literally: take-shelter), usually conducted by ''Sattradhikars'', heads of monastic institutions called Sattras, who generally draw apostolic lineage from Sankardev. Some Sattradhikars, especially those from the Brahma-sanghati, reject apostolic lineage from Sankardev due to an early schism with the order. Some modern reformation institutions conduct ''xoron-lowa'' outside the ''sattra'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Aarti_Thali%2C_Prayer_Plate_India.jpg "Click for more on -> Arati")
