Khandoba Mandir
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Khandoba Mandir
Khandoba temple of Jejuri is a Hindu temple dedicated to the god Khandoba, located on a hill in the town of Jejuri, Maharashtra, India. It is one of the most prominent Hindu pilgrimage places of Maharashtra. Jejuri's Khandoba is a clan-deity of many herding (Dhangar) and farming families of the Maharashtra and Deccan region. History The worship of Khandoba began in the 12th to 13th century. The Khandoba temple was rebuilt during the reign of the Peshwas. In 1737–1739, Chimaji Appa, brother of Peshwa Baji Rao I, gifted Portuguese church bells from Vasai to the temple. He and his Maratha soldiers took the bells from Portuguese churches as conquest memorabilia, after defeating them in the Battle of Vasai (1737). Deity The central deity Khandoba, also called ''Malhari-Martand'', ''Mallukhana'', and ''Khanderaya'', is one of the most popular deities of Maharashtra. Khandoba is regarded as a manifestation of the god Shiva. Khandoba is the Kuladevata (ancestral tutelary d ...
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Purandar Taluka
Purandar taluka is a taluka of Pune district of state of Maharashtra in India.Talukas in Pune district


See also

* Talukas in Pune district


References

{{coord missing, Maharashtra Talukas in Pune district Talukas in Maharashtra ...
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Vasai
Vasai (Konkani and Marathi pronunciation: əsəi formerly and alternatively Mahratti; ''Bajipur'', English: Bassein; Portuguese: Baçaim), is a historical place and City near Mumbai (Bombay)'s western suburbs, located in Palghar district which was partitioned from the Thane district in 2014. It also forms a part of Vasai-Virar twin cities in the Konkan division of Maharashtra, India. The Portuguese in Goa and Damaon built the Vasai Fort to defend their colony and participate in the lucrative spice trade and the silk route that converged in the area. Much of Portuguese Bombay and Vasai was seized by Marathas during the period of Peshva rule, after the Battle of Vasai in 1739. The British East India Company then took over the territory from the Maratha Empire in 1780 during the First Anglo-Maratha War. Etymology The present name ''Vasai'' is derived from the Sanskrit word ''Waas'', meaning 'dwelling' or 'residence'. The name was changed to ''Basai'', which wa ...
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Brass
Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other within the same crystal structure. Brass is similar to bronze, another copper alloy, that uses tin instead of zinc. Both bronze and brass may include small proportions of a range of other elements including arsenic (As), lead (Pb), phosphorus (P), aluminium (Al), manganese (Mn), and silicon (Si). Historically, the distinction between the two alloys has been less consistent and clear, and modern practice in museums and archaeology increasingly avoids both terms for historical objects in favor of the more general "copper alloy". Brass has long been a popular material for decoration due to its bright, gold-like appearance; being used for drawer pulls and doorknobs. It has also been widely used to make utensils because of its low melting ...
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Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ...
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Hill Fort
A hillfort is a type of earthwork used as a fortified refuge or defended settlement, located to exploit a rise in elevation for defensive advantage. They are typically European and of the Bronze Age or Iron Age. Some were used in the post-Roman period. The fortification usually follows the contours of a hill and consists of one or more lines of earthworks, with stockades or defensive walls, and external ditches. Hillforts developed in the Late Bronze and Early Iron Age, roughly the start of the first millennium BC, and were used in many Celtic areas of central and western Europe until the Roman conquest. Nomenclature The spellings "hill fort", "hill-fort" and "hillfort" are all used in the archaeological literature. The ''Monument Type Thesaurus'' published by the Forum on Information Standards in Heritage lists ''hillfort'' as the preferred term. They all refer to an elevated site with one or more ramparts made of earth, stone and/or wood, with an external ditch. M ...
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Banai (goddess)
Banai ( mr, बाणाई , sometimes बानाई), also known as Banu (Bāṇu, बानू) and Banu- bai (Bāṇu-bāī, बानू-बाई), is a Hindu goddess and the second wife of Khandoba, a form of the god Shiva worshipped in the Deccan – predominantly in the Indian states of Maharashtra and Karnataka. Khandoba is portrayed as a king of Jejuri, where his chief temple stands. Some traditions do not give her the status of a legal wife and treat her as a concubine of Khandoba. While scriptures related to Khandoba do not mention Banai, she is a central subject of folk songs. Banai is considered a Dhangar, a sheep herding caste, and is sometimes regarded to be of celestial origin. Oral traditions chiefly discuss the tale of her marriage to Khandoba and her conflicts with his first wife Mhalsa. Banai is an antithesis of Mhalsa; together they complete the god. Banai is generally depicted with Khandoba and often is also accompanied by Mhalsa. Banai does not e ...
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Deep Jyoti Stambh
Deep or The Deep may refer to: Places United States * Deep Creek (Appomattox River tributary), Virginia * Deep Creek (Great Salt Lake), Idaho and Utah * Deep Creek (Mahantango Creek tributary), Pennsylvania * Deep Creek (Mojave River tributary), California * Deep Creek (Pine Creek tributary), Pennsylvania * Deep Creek (Soque River tributary), Georgia * Deep Creek (Texas), a tributary of the Colorado River * Deep Creek (Washington), a tributary of the Spokane River * Deep River (Indiana), a tributary of the Little Calumet River * Deep River (Iowa), a minor tributary of the English River * Deep River (North Carolina) * Deep River (Washington), a minor tributary of the Columbia River * Deep Voll Brook, New Jersey, also known as Deep Brook Elsewhere * Deep Creek (Bahamas) * Deep Creek (Melbourne, Victoria), Australia, a tributary of the Maribyrnong River * Deep River (Western Australia) People * Deep (given name) * Deep (rapper), Punjabi rapper from Houston, Texas * Ravi Deep (bor ...
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Temple Of Kundoba Jajoori
A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temples are called Mandir), Buddhism, Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Islam (whose temples are called mosques), Judaism (whose temples are called synagogues), Zoroastrianism (whose temples are sometimes called Agiary), the Baha'i Faith (which are often simply referred to as Baha'i House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are sometimes called Jinja), Confucianism (which are sometimes called the Temple of Confucius), and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion. The form and function of temples are thus very variable, though they are often considered by believers to be, in some sense, the "house" of ...
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Avatar
Avatar (, ; ), is a concept within Hinduism that in Sanskrit literally means "descent". It signifies the material appearance or incarnation of a powerful deity, goddess or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The ''Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, though th ...
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Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ...
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Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ...
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Tutelary Deity
A tutelary () (also tutelar) is a deity or a spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of "tutelary" expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the ''genius'', functions as the personal deity or ''daimon'' of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore. Ancient Greece Socrates spoke of hearing the voice of his personal spirit or ''daimonion'': The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Ancient Rome Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperia ...
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