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Khalili Collection Of Japanese Art
The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. Its 1,400 art works include metalwork, enamels, ceramics, lacquered objects, and textile art, making it comparable only to the collection of the Japanese imperial family in terms of size and quality. The Meiji era was a time when Japan absorbed some Western cultural influences and used international events to promote its art, which became very influential in Europe. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. Some of the works were made by artists of the imperial court for the Great Exhibitions of the late 19th century. The collection is one of eight assembled, published, and exhibited by Khalili. Although the collection is not on permanent public display, its objects are ...
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Nasser Khalili
Sir Nasser David Khalili ( fa, ناصر داوود خلیلی, born 18 December 1945) is a British-Iranian scholar, collector, and philanthropist based in London. Born in Iran and educated at Queens College, City University of New York and the School of Oriental and African Studies in London, he is now a British citizen."Biographical Notes" in Earle, Joe (ed.) ''Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection''. London: Kibo Foundation, 1997. p. 80. Khalili has assembled eight art collections—the Khalili Collections—each considered among the most important in its field. These collections total 35,000 artworks and include the largest private collection of Islamic art and a collection of Japanese art rivalling that of the Japanese imperial family. He has spent tens of millions of pounds on conserving, researching, and documenting the collections, publishing more than seventy volumes of catalogues and research so far. Exhibitions drawn from the coll ...
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Balance Of Trade
The balance of trade, commercial balance, or net exports (sometimes symbolized as NX), is the difference between the monetary value of a nation's exports and imports over a certain time period. Sometimes a distinction is made between a balance of trade for goods versus one for services. The balance of trade measures a flow of exports and imports over a given period of time. The notion of the balance of trade does not mean that exports and imports are "in balance" with each other. If a country exports a greater value than it imports, it has a trade surplus or positive trade balance, and conversely, if a country imports a greater value than it exports, it has a trade deficit or negative trade balance. As of 2016, about 60 out of 200 countries have a trade surplus. The notion that bilateral trade deficits are bad in and of themselves is overwhelmingly rejected by trade experts and economists. Explanation The balance of trade forms part of the current account, which include ...
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World's Fair
A world's fair, also known as a universal exhibition or an expo, is a large international exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specific site for a period of time, typically between three and six months. The term "world's fair" is commonly used in the United States, while the French term, ("universal exhibition") is used in most of Europe and Asia; other terms include World Expo or Specialised Expo, with the word expo used for various types of exhibitions since at least 1958. Since the adoption of the 1928 Convention Relating to International Exhibitions, the Paris-based Bureau International des Expositions has served as an international sanctioning body for international exhibitions; four types of international exhibition are organised under its auspices: World Expos, Specialised Expos, Horticultural Expos (regulated by the International Association of Horticultural ...
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Emperor Meiji
, also called or , was the 122nd emperor of Japan according to the traditional order of succession. Reigning from 13 February 1867 to his death, he was the first monarch of the Empire of Japan and presided over the Meiji era. He was the figurehead of the Meiji Restoration, a series of rapid changes that witnessed Japan's transformation from an isolationist, feudal state to an industrialized world power. At the time of Emperor Meiji's birth in 1852, Japan was a feudal pre-industrial country dominated by the isolationist Tokugawa shogunate and the ''daimyō'' subject to it, who ruled over the country's 270 decentralized domains. By the time of his death, Japan had undergone an extensive political, economic, and social revolution and emerged as one of the great powers on the world stage. ''The New York Times'' summarized this transformation at the emperor's funeral in 1912: "the contrast between that which preceded the funeral car and that which followed it was striking indeed ...
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Khalili Collection Japanese Meiji Art M159
Khalili ( ar, خلیلي) is a common Arabic-based surname, meaning "originating from Al-Khalil also known as Hebron". It is composed of root word Khalil (meaning "companion" or "friend") plus the Arabic suffix "i" meaning "from" or "of". Khalili is also commonly used in Persian, Afghani and other Muslim surnames. Khalili may refer to: Persons Khalili * Abbas Khalili, also known as Abbas al-Khalili (1896–1972), Iraqi-born Iranian diplomat, newspaper publisher * Abdul Khalili (born 1992), full name Abdul Rahman Khalili, Swedish football player of Palestinian origin *Anousheh Khalili (born 1983), Iranian-American singer-songwriter *Aram Khalili (born 1989), Norwegian football player of Iranian Kurdish origin * Fowzieh Khalili (born 1958), Indian female cricketer *Imad Khalili (born 1987), Swedish football player of Palestinian origin *Karim Khalili, Afghani politician, Vice President of Afghanistan * Khalilullah Khalili (1907–1987), alternative spellings Khalilollah, Khalil ...
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Guimet Museum
The Guimet Museum (full name in french: Musée national des arts asiatiques-Guimet; MNAAG; ) is an art museum located at 6, place d'Iéna in the 16th arrondissement of Paris, France. Literally translated into English, its full name is the National Museum of Asian Arts-Guimet, or Guimet National Museum of Asian Arts. The museum has one of the largest collections of Asian art outside of Asia. History Founded by Émile Étienne Guimet, an industrialist, the museum first opened at Lyon in 1879 but was later transferred to Paris, opening in the place d'Iéna in 1889. Devoted to travel, Guimet was in 1876 commissioned by the minister of public instruction to study the religions of the Far East, and the museum contains many of the fruits of this expedition, including a fine collection of Chinese and Japanese porcelain and objects relating not merely to the religions of the East, but also to those of ancient Egypt, Greece and Rome. One of its wings, the Panthéon Bouddhique, display ...
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House Of Fabergé
The House of Fabergé (; Russian: Дом Фаберже) was a jewellery firm founded in 1842 in Saint Petersburg, Russia, by Gustav Faberge, using the accented name ''Fabergé''. Gustav's sons – Peter Carl and Agathon – and grandsons followed him in running the business until it was nationalised by the Bolsheviks in 1918. The firm was famous for designing elaborate jewel-encrusted Fabergé eggs for the Russian Tsars, and for a range of other work of high quality and intricate detail. In 1924, Peter Carl's sons Alexander and Eugène Fabergé opened a firm called Fabergé & Cie in Paris, France, making similar jewellery items and adding the name of the city to their firm's stamp, styling it ''FABERGÉ, PARIS''. In 1951, rights to the Fabergé brand name for the marketing of perfume were bought by Samuel Rubin. In 1964, Rubin sold his Fabergé Inc. company to cosmetics firm Rayette Inc., which changed its name to Rayette-Fabergé Inc. As the brand was resold more times, com ...
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Khalili Collection Of Enamels Of The World
The Khalili Collection of Enamels of the World is a private collection of enamel artworks from the period 1700 to 2000, assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. It is one of the eight Khalili Collections, each of which is considered among the most important in its field. The most extensive private collection of its kind, it consists of over 1,300 pieces and showcases the evolution of enamelling over a 300-year period. By including objects from Western Europe, Russia, Islamic countries, China, Japan, and America, it shows how these centres of enamel production influenced each other's styles. The best-known European enamellists are represented, including Peter Carl Fabergé, Cartier, and René Lalique, along with the Meiji-era Japanese artists who perfected the firing process. The collection illustrates the role of patronage in enamelling as many of its objects were created for royal or imperial households. These include the en ...
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Khalili Collection Of Kimono
The Khalili Collection of Kimono is a private collection of Japanese kimono assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili, containing more than 450 items. It is one of eight collections assembled, published and exhibited by Khalili, each of which is considered to be among the most important collections within their respective fields. The Khalili Collection of Kimono includes formal, semi-formal, and informal kimono made for men, women, and children, illustrating the evolution of the kimono through cut, construction, materials, and decorative techniques from the 17th through the 20th centuries, with kimono representing the Edo period, the Meiji period, the Taishō period, and the Shōwa period. The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow and the Victoria and Albert Museum in London. Khalili, who also owns a ...
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Louisiana Purchase Exposition
The Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, was an World's fair, international exposition held in St. Louis, Missouri, United States, from April 30 to December 1, 1904. Local, state, and federal funds totaling $15 million were used to finance the event. More than 60 countries and 43 of the then-45 American states maintained exhibition spaces at the fair, which was attended by nearly 19.7 million people. Historians generally emphasize the prominence of the themes of Race (human categorization), race and imperialism, and the fair's long-lasting impact on intellectuals in the fields of history, art history, architecture and anthropology. From the point of view of the memory of the average person who attended the fair, it primarily promoted entertainment, consumer goods and popular culture. The monumental Greco-Roman architecture of this and other fairs of the era did much to influence permanent new buildings and master plans of major cities. ...
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Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_total ...
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World's Columbian Exposition
The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian Exposition was, in large part, designed by John Wellborn Root, Daniel Burnham, Frederick Law Olmsted and Charles B. Atwood. It was the prototype of what Burnham and his colleagues thought a city should be. It was designed to follow Beaux-Arts principles of design, namely neoclassical architecture principles b ...
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