Keytar
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Keytar
The keytar is a lightweight synthesizer that is supported by a strap around the neck and shoulders, similar to the way a guitar is supported by a strap. Keytars allow players a greater range of movement onstage, compared to conventional keyboards, which are placed on stationary stands or which are part of heavy, floor-mounted structures. The instrument has a musical keyboard for triggering musical notes and sounds. Various controls are placed on the instrument's "neck", including those for pitch bends, vibrato, portamento, and sustain. The term "keytar" is a portmanteau of the words "keyboard" and "guitar". This style of keyboard was mostly referred to by manufacturers as a " MIDI Controller", "Remote Keyboard", "Strap-on Keyboard", or variations thereof. Though the term "keytar" has been used since the introduction of the instrument, it was not used by a major manufacturer until 2012, when the Alesis company referred to the "Vortex", the company's first product of this typ ...
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Roland AX-Edge
The Roland AX-Edge is a keytar synthesizer, which was introduced and released by Roland Corporation in September 2018. Being an installment within Roland keytars#List of Roland keytars, Roland's keytar lineage, it is the successor to the Roland AX-Synth. Features The keytar synthesizer introduces customizable edge blades (a silver Edge Blade for the black model and a gold Edge Blade for the white model), which is a distinction from other keytars. The USB memory function and Bluetooth, along with MIDI are included. The keyboard has 49 full-sized keys with velocity and aftertouch, with 256 notes of polyphony. Vocoder, Mic Input, and 500 preset tones are present - which can be switched seamlessly without unnatural sound cut off. However, the synthesizer does not have the D-Beam controller, which was added to Roland's preceding keytars. References External links Roland AX Edge - Step into the spotlight
on YouTube {{Roland Roland Keytars Roland synthesizers Keytars MIDI controll ...
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Roland AX-7
The Roland AX-7 is a keytar that was manufactured by Roland Corporation from 2001 to 2007. This modern instrument contains many more advanced features than early keytars such as its predecessor, the Roland AX-1, and the Yamaha SHS-10. It runs on 6 AA batteries or an external power source. It has a 45 velocity sensitive keys (without aftertouch), and a 3-character LED display. Several features aimed towards stage performance are present, such as a pitch bend ribbon, touchpad-like expression bar, sustain switch, and volume control knob, all on the upper neck of the instrument. There is also a proprietary "D-Beam" interface, made up of infrared sensors that detect nearby motion. In 2007 the Roland AX-7 was discontinued and is succeeded by the Roland AX-Synth since 2009. MIDI functionality This instrument functions as a MIDI controller; it produces MIDI messages that are sent to an external synthesizer or sound module. (Thus it produces no sound on its own.) It is fully compatibl ...
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MIDI Controller
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface ( MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features. Features MIDI controllers usually do not create or produce musical sounds by themselves. MIDI controllers typically have some type of interface that the performer presses, strikes ...
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The Monster Ball Tour
The Monster Ball Tour was the second worldwide concert tour by American singer Lady Gaga. Staged in support of her first EP, '' The Fame Monster'' (2009) and comprising a set list of songs from that and her debut studio album, ''The Fame'' (2008), the tour visited arenas and stadiums from 2009 through 2011. It is the highest grossing tour for a debut headlining artist in history. Described as "the first-ever pop electro opera" by Gaga, the tour was announced in October 2009 after an intended joint concert tour with rapper Kanye West was suddenly cancelled. The Monster Ball Tour commenced four days after the release of ''The Fame Monster'' in November 2009. A revision of the tour occurred after only a few months of performances, due to Gaga's concern that the original version was constructed within a very short span of time. The stage of the original show looked like a frame, comparable to that of a hollowed-out television set. Since ''The Fame Monster'' dealt with the paranoias ...
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Bridgit Mendler
Bridgit Claire Mendler (born December 18, 1992) is an American singer and actress. In 2004, she began her career in the animated Indian film '' The Legend of Buddha'', later starring in the films '' Alice Upside Down'' (2007), '' The Clique'' (2008), '' Alvin and the Chipmunks: The Squeakquel'' (2009) and '' Labor Pains'' (2009) as a teenager. In 2009, Mendler signed with Disney Channel and played Juliet van Heusen on ''Wizards of Waverly Place''. Following the positive reception to her character, she landed the role of Teddy Duncan on the Disney series ''Good Luck Charlie'', which ran from April 2010 to February 2014. Mendler also starred in the Disney Channel Original Movie '' Lemonade Mouth'' in 2011. Subsequently, Mendler portrayed Candace in the NBC sitcom ''Undateable'' (2015–2016) and Ashley Willerman in the musical television series ''Nashville'' (2017). Mendler was featured on two singles released from the soundtrack of ''Lemonade Mouth'', with both charting on the ...
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Orphica
The orphica is a portable piano invented by Carl Leopold Röllig in the late 18th century. Like a guitar, the orphica could be held on a shoulder strap, thus being an early forerunner of the modern keytar. Only a few orphicas were made in Vienna from 1795 to 1810; about 30 orphicas are still in existence today. Beethoven's compositions for orphica Among the few composers writing for the orphica was Ludwig van Beethoven. According to a letter of Beethoven's friend Franz Gerhard Wegeler from December 23, 1827, Wegeler had ''2 Stückchen für die Orphica, die Bhven für meine Frau componirte'' ('2 small pieces for the orphica which Beethoven composed for my wife').''Beethoven aus der Sicht seiner Zeitgenossen'', ed. Klaus Martin Kopitz and Rainer Cadenbach, Munich 2009, vol. 2, p. 788 This refers to the two pieces of 1798, WoO. 51, formerly erroneously titled ''Leichte Klaviersonate''. Gallery File:Orphica.JPG, An orphica at the ''Museo Nazionale degli Strumenti Musicali di R ...
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Summer Tour (Bridgit Mendler)
The Summer Tour is the second concert tour by the American singer Bridgit Mendler. In 2013 the tour visited North America to support her debut album '' Hello My Name Is...'', where it started in Burlington, Iowa and ended in Arlington, Texas. The setlist included all the songs from '' Hello My Name Is...'', except "The Fall Song" and "Love Will Tell Us Where to Go". She also covered two songs in her performances: " Starry Eyed", by British singer Ellie Goulding, and "Animal", by American band Neon Trees. In 2014 Mendler announced the second leg of the tour. The leg started in Charlottetown, Canada, on June 28, 2014. Mendler kept the same setlist from their previous album and included two new songs, "Fly to You" and "Deeper Shade of Us", from her upcoming second studio album. She also changed the covers, including "Magic", by British band Coldplay, and "Latch", by Disclosure and Sam Smith. In November 2014 Mendler would travel for the first time outside of North America with the to ...
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The Resistance Tour
The Resistance Tour was a worldwide concert tour by English alternative rock band Muse in support of their fifth studio album '' The Resistance''. The opening European leg began on 22 October 2009 and ended on 4 December 2009, comprising 30 shows. The second leg, which began on 7 January 2010, included thirteen shows, seven of which were part of the Australasian Big Day Out shows. A North American leg of 26 shows took place in early 2010. Nine stadium shows took place in Europe in 2010, with three of those dates taking place at Wembley Stadium and Old Trafford Cricket Ground. A second round of North American concerts took place throughout September and October 2010. These dates focused on secondary markets and other areas not previously hit on the tour. A return to Australasia took place throughout December 2010 and Muse are confirmed as openers for U2's 360° Tour dates in South America in spring 2011 and also played further European shows in the summer of 2011. At the conclusi ...
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Keyboard Amplifier
A keyboard amplifier is a powered instrument amplifier, electronic amplifier and loudspeaker in a wooden speaker enclosure, speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of Instrument amplifier, amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid subwoofer, low-frequency sound reproduction for the deep basslines which keyboards can play ''and'' crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion (music), distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and sin ...
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ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 ...
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Portmanteau
A portmanteau word, or portmanteau (, ) is a blend of wordsGarner's Modern American Usage
, p. 644.
in which parts of multiple words are combined into a new word, as in ''smog'', coined by blending ''smoke'' and ''fog'', or ''motel'', from ''motor'' and ''hotel''. In , a portmanteau is a single morph that is analyzed as representing two (or more) underlying s. When portmanteaus shorte ...
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, ...
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