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Ketty Lapeyrette
Catherine Julie "Ketty" Lapeyrette (23 July 1884 – 2 October 1960) was a French contralto opera singer. She remained with the Paris Opera for 30 years, seldom performing outside France. From 1944, she taught at the Paris Conservatory. Biography Born on 23 July 1884 at Oloron-Sainte-Marie in south-western France, Catherine Julie Lapeyrette studied at the Paris Conservatory under Jean Ernest Masson, Amédée Louis Hettich and Max Bouvet. In 1908 at the Paris Opera, after her début as Dalila in Camille Saint-Saëns' ''Samson et Dalila'', she went on to sing in the premières of Wagner's ''Götterdämmerung'' (1908), '' Rheingold'' (1909) and ''Parsifal'' (1914). Lapeyrette also appeared at the Opéra-Comique in December 1918 as Amaranthe in Charles Lecocq's ''La fille de Madame Angot'' and played Marthe in Charles Gounod's ''Faust''. In 1923, she appeared as Annina in the French première of ''Der Rosenkavalier'', in 1921 in that of Gabriel Dupont's ''Antar'' and in 1923 in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oloron-Sainte-Marie
Oloron-Sainte-Marie (; oc, Auloron e Senta Maria; eu, Oloroe-Donamaria) is a commune in the Pyrénées-Atlantiques department, region of Nouvelle-Aquitaine (before 2015: Aquitaine), southwestern France. History The town was founded by the Romans in the 1st century, then known as ''Illoronensium''. Situated on the Roman way between the important towns of Dax and Saragossa, its position was strategic. Today known as Saint-Great, Gratus of Oloron became in 506 the first known archbishop of the Ancient Diocese of Oloron then known as "Iluro". The history of the town during the Migration Period is little known. In 1080, the viscount Centule V, Viscount of Béarn built the new city of "Oloron" (medieval version of the Roman name Iluro) on the opposite side of the river from the diocese center. Centule V restored the Roman walls and founded the strong city of Oloron that was to be used as a base to retake Aragon held by the Moors. The Oloron Cathedral was built at the begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Canteloube
Marie-Joseph Canteloube de Malaret (; 21 October 18794 November 1957) was a French composer, musicologist, and author best known for his collections of orchestrated folksongs from the Auvergne region, ''Chants d'Auvergne''. Biography Canteloube was born in Annonay, Ardèche, into a family with deep roots in the Auvergne region of France. He studied piano from the age of six with Amélie Doetzer, a friend of Frédéric Chopin. After earning his ''baccalauréat'', he worked at a bank in Bordeaux. He returned to his family home in Malaret (Annonay) upon his father's death in 1896, remaining there until his mother's death in 1899 and then beyond as sole owner of the estate. After a period of silence and mourning, in 1901 Canteloube married Charlotte Marthe Calaret, who gave birth to twins Pierre and Guy in 1903. He began studying with Vincent d'Indy via correspondence in 1901, reluctant to leave Malaret. Upon d'Indy's constant urging, he finally entered the Schola Cantorum in 1907 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercœur
''Guercœur'' is an opera in three acts by the French composer Albéric Magnard to his own libretto. It was first performed posthumously at the Paris Opéra on 24 April 1931, though it had mostly been written between 1897 and 1901. The composer died trying to save his house from the invading Germans at the beginning of World War I in 1914 and the score was partially destroyed in the resulting fire. Magnard's friend Guy Ropartz reconstructed the missing sections so the opera could be staged. The music shows the strong influence of Wagner. The opera received its first staging for over 80 years when it was produced in Osnabrück in June 2019 with Rhys Jenkins in the title role, conducted by Andreas Hotz. Roles Synopsis Guercœur, the wise ruler of a medieval city-state, has died in battle defending his people. In Heaven, he begs to be allowed to return to earth to save his city. His wish is granted but he finds his best friend, Heurtal, has become the lover of his widow, Giselle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albéric Magnard
Lucien Denis Gabriel Albéric Magnard (; 9 June 1865 – 3 September 1914) was a French composer, sometimes referred to as a "French Bruckner", though there are significant differences between the two composers. Magnard became a national hero in 1914 when he refused to surrender his property to German invaders and died defending it. Biography Magnard was born in Paris, the son of , a bestselling author and editor of ''Le Figaro''. Albéric could have chosen to live the comfortable life that his family's wealth afforded him, but he disliked being called ''"fils du Figaro"'' and decided to make a career for himself in music, based entirely on his own talent and without any help from family connections. After military service and graduating from law school, he entered the Paris Conservatoire, where he studied counterpoint with Théodore Dubois and went to the classes of Jules Massenet. There he met Vincent d'Indy, with whom he studied fugue and orchestration for four years, writing h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco Malipiero
Gian Francesco Malipiero (; 18 March 1882 – 1 August 1973) was an Italian composer, musicologist, music teacher and editor. Life Early years Born in Venice into an aristocratic family, the grandson of the opera composer Francesco Malipiero, Gian Francesco Malipiero was prevented by family troubles from pursuing his musical education in a consistent manner. His father separated from his mother in 1893 and took Gian Francesco to Trieste, Berlin and eventually to Vienna. The young Malipiero and his father broke up their relationship bitterly, and in 1899 Malipiero returned to his mother's home in Venice, where he entered the Venice ''Liceo Musicale'' (now the Conservatorio di Musica Benedetto Marcello di Venezia).John C.G. Watherhouse (1993). "Gian Francesco Malipiero (1883–1973)". In Symphonies nos.3 and 4 · Sinfonia del mare (pp. 3–5) D booklet Germany: Naxos. After stopping counterpoint lessons with the composer, organist and pedagogue Marco Enrico Bossi, Malipiero continu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Bloch (composer)
André Bloch (14 January 1873, in Wissembourg – 7 August 1960, in Paris) was a French composer and music educator. Biography Bloch studied with André Gedalge, Ernest Guiraud, and Jules Massenet at the Conservatoire de Paris. In 1893 he won the Prix de Rome for his cantata ''Antigone'' which used a text by Ferdinand Beissier. The prize enabled him to pursue further studies at the French Academy in Rome. In 1898 he joined the faculty of the Conservatoire de Paris as a professor of harmony. One of his notable pupils at that school was Jehan Alain. He later taught at American Conservatory in Fontainebleau. His private students included the composer Fernand Oubradous. Bloch was known primarily as an opera composer. His first opera, ''Maïda'', premiered in 1909, and his last opera, ''Guignol'', was created in 1939 and premiered in 1949 at the Opéra-Comique in Paris. He also composed symphonic works, ballets, chamber music, piano works and chanson A (, , french: chanson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max D'Ollone
Maximilien-Paul-Marie-Félix d'Ollone (13 June 1875 – 15 May 1959) was a 20th-century French composer. Life and career Born in Besançon, d'Ollone started composing very early, entering the Paris Conservatoire at 6, winning many prizes, receiving the encouragement of Gounod, Saint-Saëns, Massenet, Thomas and Delibes. His teachers at the Conservatoire were Lavignac, Massenet, Gédalge and Lenepveu; he won the Prix de Rome in 1897. He was director of music in Angers, professor at the Paris Conservatoire and director of the Opéra-Comique. His work was part of the music event in the art competition at the 1912 Summer Olympics. In 1932 he wrote three important articles for ''Le Ménestrel'' (29 July, 9 and 16 December) arguing for a more populist approach to composition.Landormy (1943) In addition to the works listed below, d'Ollone produced a number of song cycles (including "Les Chants d'Ailleurs"; " Les Chants d'Exil"; "Impressions d'Automne"), which demonstrate a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Jardin Du Paris
''Le Jardin du Paradis'' is an opera in four acts by Alfred Bruneau to a libretto by Robert de Fiers and Gaston Arman de Caillavet after Hans Christian Andersen. It premiered at the Opéra de Paris The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ... 29 October 1923 and ran for 27 performances.Jean-Max Guieu Le théâtre lyrique d'Émile Zola 1983 - Page 72 " avec R. de Fiers et G. A. de Caillavet (Le Jardin du Paradis, opéra en quatre actes et huit tableaux d'après Hans Christian Andersen, créé à l'Opéra de Paris le 29 octobre 1923, vingt-sept représentations)" References Operas 1923 operas French-language operas Operas by Alfred Bruneau Operas set in France Operas based on works by Hans Christian Andersen {{French-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bruneau
Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera. Life Born in Paris, Bruneau studied the cello as a youth at the Paris Conservatory and played in the Pasdeloup orchestra. He soon began to compose, writing a cantata, ''Geneviève de Paris'', while still a young man. In 1884, his ''Ouverture héroïque'' was performed, followed by the choral symphonies '' Léda'' (1884) and '' La Belle au bois dormant'' (1886). In 1887, he produced his first opera, ''Kérim''. The following year, Bruneau met Émile Zola, launching a collaboration between the two men that would last for two decades. Bruneau's 1891 opera '' Le Rêve'' was based on the Zola story of the same name, and in the coming years Zola would provide the subject matter for many of Bruneau's works, including ''L'attaque du moulin'' (1893). Zola himself wrote the libretti for the operas ''Messidor'' (1897) and '' L'Ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmâvatî
''Padmâvatî'' is an opera in two acts by the French composer Albert Roussel. The libretto, by Louis Laloy, is based on Théodore-Marie Pavie's ''La légende de Padmanî, reine de Tchitor'', which retells the legend recounted in Malik Muhammad Jayasi's poem ''Padmavat'' (1540). It was first performed at the Paris Opéra on June 1, 1923. Roussel styled the work an opéra-ballet and there are many dance numbers and opportunities for spectacle. The composer was inspired by his visit to the ruined city of Chittor in Rajputana (now Rajasthan) and he incorporated many features of Indian music into the score. Roles Synopsis Place: Chittor, India Time: around 1300 Act One The sultan of Khilji Dynasty Alaouddin is besieging the city of Chittor. He comes to its ruler, Ratan-Sen, asking for peace negotiations. Ratan-Sen shows him around the city. Alaouddin also asks to be granted a glimpse of Ratan-Sen's wife, Padmâvatî, who is legendary for her beauty. Ratan-Sen reluctantly agrees. Alao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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