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Ken (unit)
The is a traditional Japanese unit of length, equal to six Japanese feet (''shaku''). The exact value has varied over time and location but has generally been a little shorter than .JAANUS It is now standardized as 1.82 m. Although mostly supplanted by the metric system, this unit is a common measurement in Japanese architecture, where it is used as a proportion for the intervals between the pillars of traditional-style buildings. In this context, it is commonly translated as "bay". The length also appears in other contexts, such as the standard length of the '' bō'' staff in Japanese martial arts and the standard dimensions of the tatami mats. As these are used to cover the floors of most Japanese houses, floor surfaces are still commonly measured not in square meters but in "tatami" which are equivalent to half of a square ken. Word Among English loanwords of Japanese origin, both ''ken'' and '' ma'' are derived from readings of the same character . This kanji graphic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma (negative Space)
is a Japanese reading of a Sino-Japanese character, which is often used to refer to what is claimed to be a specific Japanese concept of negative space. In modern interpretations of traditional Japanese arts and culture, is taken to refer to an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity as opposed the absence of such a principle in a correlated 'Japanese' notion of space. Though commonly used to refer to literal, visible negative space, may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. This results in the concept of being less reliant on the existence of a gap, and more closely related to the perception of a gap. The existence of in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honden
In Shinto shrine architecture, the , also called , or sometimes as in Ise Shrine's case, is the most sacred building at a Shinto shrine, intended purely for the use of the enshrined ''kami'', usually symbolized by a mirror or sometimes by a statue.JAANUS The building is normally in the rear of the shrine and closed to the general public. In front of it usually stands the ''Haiden (Shinto), haiden'', or Public speaking, oratory. The ''haiden'' is often connected to the ''honden'' by a ''Heiden (Shinto), heiden'', or hall of offerings. Physically, the ''honden'' is the heart of the shrine complex, connected to the rest of the shrine but usually raised above it, and protected from public access by a fence called ''tamagaki''. It usually is relatively small and with a gabled roof. Its doors are usually kept closed, except at matsuri, religious festivals. Kannushi, Shinto priests themselves enter only to perform rituals. The rite of opening those doors is itself an important part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kasuga Taisha
is a Shinto shrine in Nara, Nara Prefecture, Japan. It is the shrine of the Fujiwara family, established in 768 CE and rebuilt several times over the centuries. The interior is famous for its many bronze lanterns, as well as the many stone lanterns that lead up the shrine. The architectural style ''Kasuga-zukuri'' takes its name from Kasuga Shrine's ''honden'' (sanctuary). The Torii at Kasuga-taisha is one of the oldest in Shinto and helped influence the style of Torii seen across much of Japan. Kasuga Shrine, and the Kasugayama Primeval Forest near it, are registered as a UNESCO World Heritage Site as part of the "Historic Monuments of Ancient Nara". The path to Kasuga Shrine passes through a deer park. In the park, deer are able to roam freely and are believed to be sacred messengers of the Shinto gods that inhabit the shrine and surrounding mountainous terrain. Kasuga Shrine and the deer have been featured in several paintings and works of art of the Nambokucho Period. Ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hisashi (architecture)
In Japanese architecture the term has two meanings: # As more commonly used, the term indicates the eaves of a roof, that is, the part along the edge of a roof projecting beyond the side of the building to provide protection against the weather. # The term is however also used in a more specialized sense to indicate the area surrounding the '' moya'' (the core of a building) either completely or on one, two, or three sides.Iwanami Japanese dictionary, 6th Edition (2008), DVD version It is common in ''Zen'' Buddhist temples where it is a 1 ''ken'' wide aisle-like area and at the same level as the ''moya''. Pagodas called ''tahōtō'' also have a ''hisashi''. Open corridors or verandas under extended or additional roofs are also sometimes referred to as ''hisashi''. In temples constructed in the hip-and-gable style (''irimoya-zukuri''), the gabled part usually covers the '' moya'' while the hipped part covers the ''hisashi''. The ''hisashi'' can be under the same roof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moya (architecture)
In Japanese architecture, the is the core of a building. Originally, the central part of a residential building was called ''omoya''. After the introduction of Buddhism to Japan in the 6th century, ''moya'' has been used to denote the sacred central area of a temple building. It is generally surrounded by aisle like areas called ''hisashi''. In temples constructed in the hip-and-gable style (''irimoya-zukuri''), the gabled part usually covers the ''moya'' while the hipped part covers the aisles. A ''butsuden's'' floor plan The drawing shows the floor plan of a typical Zen main ''butsuden'' such as the one in the photo above at Enkaku-ji in Kamakura. The core of the building (''moya'') is 3 x 3 ken wide and is surrounded on four sides by a 1-ken wide ''hisashi'', bringing the external dimensions of the edifice to a total of 5 x 5 ken. Because the ''hisashi'' is covered by a pent roof of its own, the ''butsuden'' seems to have two stories, but in fact has only one. This decorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rōmon
The is one of two types of two-storied gate used in Japan (the other one being the ''nijūmon'', see photo in the gallery below). Even though it was originally developed by Buddhist architecture, it is now used at both Buddhist temples and Shinto shrines. Its otherwise normal upper story is inaccessible and therefore offers no usable space. It is in this respect similar to the ''tahōtō'' (a two-storied pagoda) and the multi-storied pagoda, neither of which offers, in spite of appearances, usable space beyond the first story. In the past, the name also used to be sometimes applied to double-roof gates. This extremely common single-roof gate was developed from the double-roofed ''nijūmon'', replacing the flanking roof above the first floor with a very shallow balcony with a balustrade that skirts the entire upper story. Therefore, while the ''nijūmon'' has a series of brackets ('' tokyō'') supporting the roof's eaves both at the first and at the second story, in the ''rōmon' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Hall (Japanese Buddhism)
Main hall is the building within a Japanese Buddhist temple compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for example Hōryū-ji's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enryaku-ji
is a Tendai monastery located on Mount Hiei in Ōtsu, overlooking Kyoto. It was first founded in 788 during the early Heian period (794–1185) by Saichō was a Japanese Buddhist monk credited with founding the Tendai school of Buddhism based on the Chinese Tiantai school he was exposed to during his trip to Tang China beginning in 804. He founded the temple and headquarters of Tendai at Enryaku-j ... (767–822), also known as Dengyō Daishi, who introduced the Tendai sect of Mahayana Buddhism to Japan from China. The temple complex has undergone several reconstruction efforts since then, with the most significant (that of the main hall) taking place in 1642 under Tokugawa Iemitsu. Enryaku-ji is the headquarters of the Tendai sect and one of the most significant monasteries in Japanese history. As such, it is part of the UNESCO World Heritage Site "Historic Monuments of Ancient Kyoto (Kyoto, Uji and Otsu Cities)". The founders of Jōdo-shū, Jōdo Shinshū, Sōtō, Sōt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kan (unit)
The kan () is a traditional unit of measurement used in Korean architecture still found in use today primarily to describe palaces, Buddhist temples and shrines, and Confucian school buildings, from the Joseon era. A Kan is the distance between two support beams or pillars. 1 Kan is defined as being a space of about two meters, or 6–8 feet. Kan is also used to define an area in a traditional building, referring to the square space enclosed by 4 wooden pillars. See also * Korean units * Ken Ken or KEN may refer to: Entertainment * ''Ken'' (album), a 2017 album by Canadian indie rock band Destroyer. * ''Ken'' (film), 1964 Japanese film. * ''Ken'' (magazine), a large-format political magazine. * Ken Masters, a main character in ..., its Japanese equivalent References Architecture in Korea Units of length {{Korea-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tōdai-ji Kon-dō
is a Buddhist temple complex that was once one of the powerful Seven Great Temples, located in the city of Nara, Japan. Though it was originally founded in the year 738 CE, Tōdai-ji was not opened until the year 752 CE. The temple has undergone several reconstructions since then, with the most significant reconstruction (that of the Great Buddha Hall) taking place in 1709. Its Great Buddha Hall (大仏殿 ''Daibutsuden'') houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese as '' Daibutsu'' (大仏). The temple also serves as the Japanese headquarters of the Kegon school of Buddhism. The temple is a listed UNESCO World Heritage Site as one of the " Historic Monuments of Ancient Nara", together with seven other sites including temples, shrines and places in the city of Nara. History Origins The beginning of building a temple where the Kinshōsen-Ji complex sits today can be dated to 728 CE, when Emperor Shōmu established Kinshōsen-Ji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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