|
Kebagh
Kebagh dance or formerly known as the Semban Bidodari is a traditional Palembang dance originating from Pagaralam, South Sumatra, Indonesia. This dance is characterized by the movement of opening both hands, such as spreading wings, usually performed to welcome distinguished guests in traditional ceremonies. Kebaghl is the oldest traditional dance that is very popular in the Besemah area since ancient times. Although it was banned until the 1940s by the Dutch colonial government, this dance is still preserved and taught from generation to generation. Etymology The word ''kebagh'' comes from the Besemah language, which means to spread wings, while ''semban bidodari'' refers to the large scarf worn by dancers. Performance Kebagh dance is the oldest traditional Basemah art in Pagar Alam. The dancer is a girl. Kebagh dance is held at the time of welcoming the great guest/guest of honor at an official event or a wedding reception ceremony. Kebagh dance in ancient times was categ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Sumatra
South Sumatra ( id, Sumatra Selatan) is a province of Indonesia. It is located on the southeast of the island of Sumatra, The province spans and had a population of 8,467,432 at the 2020 Census. The capital of the province is Palembang. The province borders the provinces of Jambi to the north, Bengkulu to the west and Lampung to the south. The Bangka Strait in the east separates South Sumatra and the island of Bangka, which is part of the Bangka Belitung Islands province. This province is rich in natural resources, such as petroleum, natural gas and coal. The province is inhabited by many different ethnic groups, with Palembang people the largest ethnic group. Most speak Palembang language, which is mutually unintelligible to both Indonesian and local Malay. Other ethnic groups include the Javanese, Sundanese, Minangkabau and Chinese. Most are concentrated in urban areas and are largely immigrants from other parts of Indonesia. From the 7th century to the late 14th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gending Sriwijaya
is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia. Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally. Etymology The word of derived from the word in jv, ꦒꦼꦤ꧀ꦝꦶꦁ, gendhing which refer to the used in — the classical music and performance practice, it is later adapted in Malay and Indonesian languages which means "the song (of )". While the word of refer to the empire of Srivijaya that once ruled the Maritime Southeast Asia, which the capital took place in present-day Palembang, South Sumatra, Indonesia. Thus the can be roughly translated as "the performance of Srivijaya", which in fact this performance (music, song, and dance) mainly tell or invoked the splendor of Srivijaya empi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Dance
Sacred dance is the use of dance in religious ceremonies and rituals, present in most religions throughout history and prehistory. Its connection with the human body and fertility has caused it to be forbidden by some religions; for example, some branches of Christianity and Islam have prohibited dancing. Dance has formed a major element of worship in Hindu temples, with strictly formalized styles such as Bharatanatyam, which require skilled dancers and temple musicians. In the 20th century, sacred dance has been revived by choreographers such as Bernhard Wosien as a means of developing community spirit. Purposes The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses Demeter and Persephone; making the body suitable as a temporary dwelling-place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasambahan
''Pasambahan'' dance is a Minangkabau traditional dance that has developed in various regions in the province of West Sumatra, Indonesia. ''Pasambahan'' dance is usually performed as a ceremonial welcoming dance to honor the guests and elders to a traditional ceremony. However, in nowadays, this dance is performed not only in ceremonial welcoming events, but also as performance art at public. ''Pasambahan'' dance is performed in some cases—that are when the guests come from afar or when the groom arrives at the bride's house.www.west-sumatra.coPagelaran Seni Minangkabau Gallery File:Tari Pasambahan Dari Minang.jpg File:Budaya Menyambut Tamu di Minangkabau.jpg File:Tari Pasambahan UNP Penyambutan Rektor UI.jpg See also * Dance in Indonesia * Indang * Lilin * Piring * Zapin , image = Zapin.jpg , image_size = , caption = Schoolchildren performing Zapin in Batu Pahat, Johor. , genre = , signature = , instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melinting
Melinting is one of the traditional Lampungese dances originating from the Lampung province, Indonesia. The Melinting dance was originally called the Cetik Kipas dance. The name was later replaced with the Melinting dance which refers to the origin of this dance, namely the ''Melinting area''. The name change was at the suggestion of President Sukarno who asked the Central Lampung Regional Government to perform the dance at Istora Senayan Jakarta on August 17, 1965. Melinting is a dance inherited from Ratu Melinting which is estimated to have existed in the sixteenth century. This dance is performed at traditional events when welcoming guests, and the dancers are members of the Queen's family or Melinting nobles. This dance was danced outside a traditional event for the first time in 1930 in Teluk Betung at the invitation of the Resident of Lampung to Pesirah Marga in Lampung. History The Melinting dance originates from Lampung, and is thought to have developed since Islam gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenong
The Kenong is a musical instrument of Indonesia used in the gamelan. It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch. Its sound stands out because of its unique timbre. The kenong sticks are taller than that of the bonang. The kenong is sometimes played by the same player as the kempyang and ketuk. Most of the instruments in the gamelan 'family'. are originally from Java, Indonesia but spread to Southeast Asia. The kenong usually has a specific part in the colotomic structure of the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike of the gong). The interval of each part between strikes of a kenong is called a . In a fast, short structure these can only last a second or so; in a longer gendhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Dance
Sacred dance is the use of dance in religious ceremonies and rituals, present in most religions throughout history and prehistory. Its connection with the human body and fertility has caused it to be forbidden by some religions; for example, some branches of Christianity and Islam have prohibited dancing. Dance has formed a major element of worship in Hindu temples, with strictly formalized styles such as Bharatanatyam, which require skilled dancers and temple musicians. In the 20th century, sacred dance has been revived by choreographers such as Bernhard Wosien as a means of developing community spirit. Purposes The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses Demeter and Persephone; making the body suitable as a temporary dwelling-place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagar Alam
Pagar Alam (sometimes written as Pagaralam, Jawi: ), is a city in South Sumatra, Indonesia. Before established as a definitive city, Pagaralam was an administrative city in Lahat Regency. It has an area of 633.66 km² and a population of 126,181 at the 2010 Census and 143,844 at the 2020 Census. Pagaralam is located by the Bukit Barisan Mountains, at the feet of Mount Dempo, a volcano and the highest mountain in South Sumatra. It is 298 km southwest from the province capital city of Palembang and 60 km southwest of Lahat. The city is bounded by Bengkulu Province to the south, Jarai District to the north, Kota Agung District to the east and Tanjung Sakti Pumi District to the west. Pagaralam is the one of the main suppliers of vegetables in Palembang. Its location in the highland makes the city slightly cooler than many of the other South Sumatra cities; this, together with its astounding landscape, makes the city one of the main tourist destinations in South Sumatra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenong
The Kenong is a musical instrument of Indonesia used in the gamelan. It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch. Its sound stands out because of its unique timbre. The kenong sticks are taller than that of the bonang. The kenong is sometimes played by the same player as the kempyang and ketuk. Most of the instruments in the gamelan 'family'. are originally from Java, Indonesia but spread to Southeast Asia. The kenong usually has a specific part in the colotomic structure of the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike of the gong). The interval of each part between strikes of a kenong is called a . In a fast, short structure these can only last a second or so; in a longer gendhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Dance In Indonesia")
.png "Click for more on -> Rebab")
