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Kasen Hills
, or , is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ''ushin'' renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially ''haikai no renga'' distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term ''renku'' gained currency after 1904, when Kyoshi Takahama started to use it. Development The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the ''Tsukubashū'' (1356–57).Shirane, Haruo (2012). ''Traditional Japanese Literature: An Anthology, Beginnings to 1600''. Columbia University Press. p. 522. Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in response to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haibun
is a prosimetric literary form originating in Japan, combining prose and haiku. The range of ''haibun'' is broad and frequently includes autobiography, diary, essay, prose poem, short story and travel journal. History The term "''haibun''" was first used by the 17th-century Japanese poet Matsuo Bashō, in a letter to his disciple Kyorai in 1690.Shirane, Haruo. ''Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashō''. Stanford University Press, 1998. . p212 Bashō was a prominent early writer of ''haibun'', then a new genre combining classical prototypes, Chinese prose genres and vernacular subject matter and language. He wrote some ''haibun'' as travel accounts during his various journeys, the most famous of which is ''Oku no Hosomichi'' (''Narrow Road to the Interior''). Bashō's shorter ''haibun'' include compositions devoted to travel and others focusing on character sketches, landscape scenes, anecdotal vignettes and occasional writings written to honor a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haikai Forms
''Haikai'' (Japanese 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of atsuo Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to encourage the writing of stand-alone Hokku. Danrin School The Danrin schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winter Days
is a 2003 Japanese anime film directed by Kihachirō Kawamoto. It is based on one of the ''renku'' ( collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names of animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuri Norstein's, though, is nearly two minutes long). The released film consists of the 40-minute animation, followed by an hour-long 'Making of' documentary, including interviews with the animators. ''Winter Days'' won the Grand Prize of the Japan Media Arts Festival in 2003. Bashō's hokku, or opening verse, of the 36-verse poem:Horton, H. Mack. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarumino
is a 1691 anthology, considered the ''magnum opus'' of Bashō-school poetry.Shirane 1998, 20 It contains four kasen renku as well as some 400 hokku, collected by Nozawa Bonchō and Mukai Kyorai under the supervision of Matsuo Bashō.Mayhew 1985, 15 ''Sarumino'' is one of the ''Seven Major Anthologies of Bashō (Bashō Shichibu Shū),''Yuasa 1966, 40Shirane 1998, 33 and, together with the 1690 anthology, ''Hisago (The Gourd),'' it is considered to display Bashō's mature style (''Shōfū'') at its peak. Bashō's influence on all four of the kasen in ''Sarumino'' was profoundMayhew 1985, 17 and when he sat with Bonchō, Okada Yasui and Kyorai at Yoshinaka Temple to write "Kirigirisu", he extolled them, "Let's squeeze the juice from our bones." Contents * Preface by Takarai Kikaku * Hokku ** Book 1: Winter (94 hokku) ** Book 2: Summer (94 hokku) ** Book 3: Autumn (76 hokku) ** Book 4: Spring (118 hokku) * Book 5: Kasen ** Hatsushigure (Winter Rain), by Kyorai, Bonchō, Bashō, Fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renshi
is a form of collaborative poetry pioneered by Makoto Ōoka in the 1980s.The Japan Foundation's profile of Makoto Ōoka It is a development of traditional Japanese renga and renku, but unlike these it does not adhere to traditional strictures on length, rhythm, and diction. Renshi are typically composed by a group of Japanese and foreign poets collaborating in the writing process in sessions lasting several days.Look Japan: Volume 48, Issues 553–564. 2002, p4 In addition to Ooka, poets who have participated in renshi include James Lasdun, Charles Tomlinson, Hiromi Itō, Shuntarō Tanikawa, Jerome Rothenberg, Joseph Stanton, Wing Tek Lum, Karin Kiwus and Mikirō Sasaki is a Japanese poet and travel author, winner of the 2003 Yomiuri Prize for travel essays. Sasaki won the award for his book ''Ajia kaidō kikō: umi wa toshi de aru (A Travel Journal of the Asian Seaboard, 2002)''. He has published more than a .... Notes {{Authority control Japanese poetry Collaborative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renga
''Renga'' (, ''linked verse'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres ''haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology Tsukubashū () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessions known as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
born then was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. He is quoted as saying, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickly became we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Japanese Poetry Anthologies
This is a list of significant Japanese poetry anthologies. Waka Starting with the ''Kokin Wakashū'', there were 21 official anthologies, known collectively as the . Nara period chronicles (710 to 794) *''Man'yōshū'' the oldest anthology in Japanese, c.785, 20 manuscript scrolls, 4,516 poems (when the tanka envoys to the various chōka are numbered as separate poems), Ōtomo no Yakamochi was probably the last to edit the ''Man'yōshū''. It is not organized in any particular way (most metadata is supplied by headnotes), and the poems are written in a Japanese version of the Chinese monosyllabic pronunciation for the Chinese characters. Heian period (794 to 1185) *Imperial waka anthologies: anthologies as a national project. Each anthology reflected the taste of time and with loyal dignity became canons for contemporaries and those who followed. The earliest three anthologies are often called ''Sandaishū'', Three Major Anthologies, and earliest eight ''Hachidaishū'', Eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kigo
is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. History Although the term ''kigo'' was coined as late as 1908, representation of, and reference to, the seasons has long been important in Japanese culture and poetry. The earliest anthology of Japanese poetry, the mid-8th century , contained several sections devoted to the seasons. By the time of the first imperial Japanese anthology, the a century and a half later (AD 905), the seasonal sections had become a much larger part of the anthology. Both of these anthologies had sections for other categories such as love poems and miscellaneous () poems. The writing of the linked-verse form renga dates to the middle of the Heian period (roughly AD 1000) and developed through the mediev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
