Karma (Pharoah Sanders Album)
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Karma (Pharoah Sanders Album)
''Karma'' is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label, with catalog number AS 9181. A pioneering work of the spiritual jazz style, it has become Sanders' most popular and critically acclaimed album. Background The social and political upheavals of the 1960s have been cited as a major factor in the emergence of a new stylistic trend in jazz, with a very different emphasis to the forms of the music which emerged earlier. Many of the artists involved in the making of this new music, variously called "free jazz", "the new thing", or "energy music", recorded for the Impulse! label. Ashley Kahn writes that several musicians, often those who had either played with or been influenced by John Coltrane, such as his widow Alice Coltrane, Archie Shepp, Pharoah Sanders, and Leon Thomas, began exploring new thematic and musical ideas, often associated with non-western religious and musical traditions.Ashley Kahn, ''The House ...
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Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Ascension (John Coltrane Album)
''Ascension'' is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde". Background At the time of the ''Ascension'' recording session, Coltrane was one of the world's most successful jazz artists in both the artistic and commercial sense. His best-selling album ''A Love Supreme'' was nominated for a Grammy Award, and was voted "album of the year" by Jazz and DownBeat magazines. In addition, Coltrane was elected to DownBeat's Hall of Fame, putting him in the company of Coleman Hawkins and Lester Young. At the same time, in the months since ''A Love Supreme'' was recorded, Coltrane's music had be ...
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Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's "Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed record ...
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Richard Davis (double Bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's ''Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Colleg ...
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Reggie Workman
Reginald "Reggie" Workman (born June 26, 1937 in Philadelphia, Pennsylvania) is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey. Career Early in his career, Workman worked in jazz groups led by Gigi Gryce, Donald Byrd, Duke Jordan and Booker Little. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis (bassist), Steve Davis. He was present for the saxophonist's ''Live at the Village Vanguard'' sessions, and also recorded with a second bassist (Art Davis) on the 1961 album, ''Olé Coltrane''. Workman left Coltrane's group at the end of the year, following a European tour. In 1962, Workman joined Art Blakey's The Jazz Messengers, Jazz Messengers (replacing long-time Blakey bassist Jymie Merritt), and worked alongside Freddie Hubbard, Wayne Shorter, and Cedar Walton for most of his time in the Jazz Messengers. Workman left Blakey's group in 1964. Workman also played with James Moody (saxo ...
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Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Charle ...
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James Spaulding
James Ralph Spaulding Jr. (born July 30, 1937) is an American jazz saxophonist and flutist. Born in Indianapolis, Indiana, United states, Spaulding attended the Chicago Cosmopolitan School of Music. Between 1957 and 1961, he was a member of Sun Ra's band. In the 1960s, he worked as a studio musician at Blue Note Records, recording with Wayne Shorter, Horace Silver, and Stanley Turrentine. He was also a member of Freddie Hubbard's quintet and the World Saxophone Quartet. He went on to work with some post-bop musicians such as Max Roach, Randy Weston and Woody Shaw. Under the leadership of Mercer Ellington, in the 1970s, Spaulding played in the Duke Ellington Orchestra. In the 1980s, Spaulding worked with Ricky Ford and, as part of an octet, with David Murray. Discography As leader * 1976: ''James Spaulding Plays the Legacy of Duke Ellington'' ( Storyville) * 1988: '' Gotstabe a Better Way!'' (Muse) * 1988: ''Brilliant Corners'' (Muse) * 1991: '' Songs of Courage'' (Muse) * 1993 ...
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Lonnie Liston Smith
Lonnie Liston Smith Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres. Early career (1963–73) Smith was born and raised in Richmond, Virginia, United States to a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four, and he remembered groups such as the Swan Silvertones and the Soul Stirrers (featuring a young Sam Cooke) as regular visitors to the house when he was a child. He studied piano, tuba and trumpet in high school and college before receiving a B.S. in music education from Morgan State University in Baltimore in 1961. Smith has cited Charlie Parker, John Coltrane and Miles Davis as major influences in his youth. While still a teenager, Smith became well known locally as a backi ...
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A Love Supreme
''A Love Supreme'' is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. ''A Love Supreme'' was released by Impulse! Records in January 1965. One of Coltrane's bestselling albums, it is widely considered his masterpiece. Composition ''A Love Supreme'' is a through-composed suite in four parts: "Acknowledgement" (which includes the oral chant that gives the album its name), "Resolution", "Pursuance", and "Psalm". Coltrane plays tenor saxophone on all parts. One critic has written that the album was intended to represent a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's talent comes from a higher power. Coltrane's home in Dix Hills, Long Island, may have inspired the album.Kahn 2002 Another influence may have been Ahmadiyya Islam. T ...
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Pygmies
In anthropology, pygmy peoples are ethnic groups whose average height is unusually short. The term pygmyism is used to describe the phenotype of endemic short stature (as opposed to disproportionate dwarfism occurring in isolated cases in a population) for populations in which adult men are on average less than tall. The term is primarily associated with the African Pygmies, the hunter-gatherers of the Congo Basin (comprising the Bambenga, Bambuti and Batwa). The terms "Asiatic Pygmies" and "Oceanian pygmies" have been used to describe the Negrito populations of Southeast Asia and Australo-Melanesian peoples of short stature. The Taron people of Myanmar are an exceptional case of a "pygmy" population of East Asian phenotype. Etymology The term ''pygmy'', as used to refer to diminutive people, derives from Greek πυγμαῖος ''pygmaios'' via Latin ''Pygmaei'' (sing. ''Pygmaeus''), derived from πυγμή – meaning a short forearm cubit, or a measure of length corres ...
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