|
Karina Flores
Karina Flores, also known as Karina Grigoryan, is a Russian opera singer who has sung leading soprano roles with companies in her native Russia as well as in other European countries. For eight seasons she was a soloist with Helikon Opera in Moscow and has gone on to sing at the Teatro Regio di Torino, Teatro Regio in Turin, the Teatro Filarmonico in Verona, the Teatro San Carlo in Naples, and the Tyrolean State Theatre in Innsbruck, amongst others. She made her American debut in 2018 as the soprano soloist in a performance of the ''War Requiem'' at the Kennedy Center conducted by Gianandrea Noseda. On disc Flores appears as Lisa in Israeli Opera's 2012 recording of ''The Queen of Spades (opera), Pique Dame'' conducted by Vladimir Jurowski. Life and career Flores was born in the Russian city of Shakhty to parents of Armenian descent. She began her musical education at the conservatory in Shakhty and went on to study at the Rostov-on-Don, Rostov State Conservatory from 1999 to 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakhty
Shakhty ( rus, Шахты, p=ˈʂaxtɨ) is a city in Rostov Oblast, Russia, located on the southeastern spur of the Donetsk mountain ridge, northeast of Rostov-on-Don. As of the 2010 Census, its population was 239,987. It was previously known as ''Alexandro-Grushevskaya'' (until 1867), ''Gornoye Grushevskoye Poseleniye'' (until 1881), ''Alexandrovsk-Grushevsky'' (until 1920). History In the beginning of the 19th centuryPospelov, p. 26 sergeant-major Popov founded on the Grushevka River a Cossack ''stanitsa'' of Alexandro-Grushevskaya (). While the exact reasoning behind this name is unclear, it is possible that the name was given in honor of Emperor Alexander I. Twelve Cossacks and fourteen peasant serfs lived in the ''stanitsa'' at that time. By the mid-19th century, fifty-seven coal mines operated in this area. In 1867, it was granted town status and renamed Gornoye Grushevskoye Poseleniye (). The name was changed to Alexandrovsk-Grushevsky () in 1881. By 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart Requiem
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinchas Steinberg
Pinchas Steinberg (born 13 December 1945 ) is a conductor born in mandatory Palestine. He is currently the Chief Conductor of the Budapest Philharmonic Orchestra. Early career Steinberg studied violin in the USA under Jascha Heifetz and Joseph Gingold. Pinchas studied composition under Boris Blacher in Berlin. His conducting debut was in 1974 with the Radio Symphony Orchestra in Berlin, followed by invitations to conduct the Philharmonia Orchestra London, Royal Philharmonic and London Symphony Orchestra. Guest Conducting Steinberg was the Guest Conductor of the major European and American orchestras, including the Berlin Philharmonic, Czech Philharmonic, Orchestre de Paris, Orchestre National de France, Santa Cecilia Orchestra in Rome, Budapest Festival Orchestra, Israel Philharmonic, NHK Symphony Orchestra (Tokyo), Munich Philharmonic, Cleveland Orchestra, Boston Symphony Orchestra & Dallas Symphony Orchestra, Royal Stockholm Philharmonic, among many others. Festival A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A German Requiem (Brahms)
''A German Requiem, to Words of the Holy Scriptures'', Op. 45 (german: Ein deutsches Requiem, nach Worten der heiligen Schrift, links=no) by Johannes Brahms, is a large-scale work for chorus, orchestra, a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms's longest composition. ''A German Requiem'' is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, ''A German Requiem'', as its title states, is a ''Requiem'' in the German language. History Brahms's mother died in February 1865, a loss that caused him much grief and may well have inspired ''Ein deutsches Requiem''. Brahms's lingering feelings over Robert Schumann's death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain. His original conception was for a work of six movements; according to their eventual places in the final version, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kennedy Center
The John F. Kennedy Center for the Performing Arts (formally known as the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is the United States National Cultural Center, located on the Potomac River in Washington, D.C. It was named in 1964 as a memorial to Assassination of John F. Kennedy, assassinated President John F. Kennedy. Opened on September 8, 1971, the center hosts many different genres of performance art, such as theater, dance, orchestras, jazz, Pop music, pop, psychedelic, and folk music. Authorized by the 1958 National Cultural Center Act of Congress, which requires that its programming be sustained through private funds, the center represents a public–private partnership. Its activities include educational and outreach initiatives, almost entirely funded through ticket sales and gifts from individuals, corporations, and private foundations. The original building, designed by architect was constructed by Phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suor Angelica
''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its world premiere at the Metropolitan Opera on December 14, 1918. Roles Synopsis :Place: A convent in Italy :Time: The latter part of the 17th century The opera opens with scenes showing typical aspects of life in the convent – all the sisters sing hymns, the Monitor scolds two lay-sisters, everyone gathers for recreation in the courtyard. The sisters rejoice because, as the mistress of novices explains, this is the first of three evenings that occur each year when the setting sun strikes the fountain so as to turn its water golden. This event causes the sisters to remember Bianca Rosa, a sister who has died. Sister Genevieve suggests they pour some of the "golden" water onto her tomb. The nuns discuss their desires. While the Moni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriana Lecouvreur
''Adriana Lecouvreur'' () is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play ''Adrienne Lecouvreur'' by Eugène Scribe and Ernest Legouvé. It was first performed on 6 November 1902 at the Teatro Lirico in Milan. Background The same play by Scribe and Legouvé which served as a basis for Cilea's librettist was also used by at least three different librettists for operas carrying exactly the same name, ''Adriana Lecouvreur'', and created by three different composers. The first was an opera in three acts by Tomaso Benvenuti (premiered in Milan in 1857). The next two were lyric dramas in 4 acts by Edoardo Vera (to a libretto by Achille de Lauzières) which premiered in Lisbon in 1858, and by Ettore Perosio (to a libretto by his father), premiered in Genoa in 1889. After Cilea created his own ''Adriana'', however, none of those by others were performed anymore and they remain largely unknown today. The opera is based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heidenheim An Der Brenz
Heidenheim an der Brenz, or just Heidenheim (; Swabian: ''Hoidna'' or ''Hoirna''), is a town in Baden-Württemberg in southern Germany. It is located near the border with Bavaria, approximately 17 km south of Aalen and 33 km north of Ulm. Heidenheim is the largest town and the seat of the district of Heidenheim, and ranks third behind Aalen and Schwäbisch Gmünd in size among the towns in the region of East Württemberg. Heidenheim is the economic center for all the communities in Heidenheim district and is the headquarters of the Voith industrial company. The town's population passed the 20,000 mark in 1925. Heidenheim collaborates with the town of Nattheim in administrative matters. The residents of Heidenheim and its surrounding area speak the distinct German dialect of Swabian. Geography Heidenheim is situated between Albuch and the Härtsfeld region in the northeast corner of the Swabian Alb where the valley of the Brenz meets the Stubental at the foot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
