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Kalkabrino
''Kalkabrino'' is a ballet in three acts and three scenes, with choreography by Marius Petipa and music by Léon Minkus. Première performance The ballet was first presented by the Imperial Russian Ballet on 13 February 1891, on the Julian calendar (25 February 1891 in the Gregorian calendar) at the Imperial Mariinsky Theatre in Saint Petersburg, Russia. Original cast The principal dancers at the première were: *Carlotta Brianza — as Marietta/Draginiatza *Enrico Cecchetti — as Reuben *Pavel Gerdt — as Kalkabrino *Felix Kschessinsky — as René, Marietta's father *Nikolai Legat — as Olivier *Marie Petipa — as Cigala. Production notes *This work was not produced with the participation of Minkus, who had already retired to Vienna in 1886. Instead, the score was a pastiche of airs extracted from several ballets. See also *Russian ballet Russian ballet (russian: Русский балет) (french: Ballet russe) is a form of ballet characteristic of or originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the ben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Ludwig Minkus
Ludwig Minkus (russian: link=no, Людвиг Минкус), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was a Jewish-Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is noted for the music he composed while serving as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. During his long career, he wrote for the original works and numerous revivals staged by the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions was his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and ''La Bayadère'' (1877). Minkus also wrote supplemental material for insertion into already existing ballets. The most famous and enduring of these pieces is the ''Grand Pas classique'' from the ballet ''Paquita'', which was added by Marius Petipa especially for a revival of the ballet staged for the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Ballet
Russian ballet (russian: Русский балет) (french: Ballet russe) is a form of ballet characteristic of or originating from Russia. Imperial Russian Ballet Until 1689, ballet in Russia was nonexistent (ballet has its origins in the courts of the Italian Renaissance in the 15th and 16th centuries.) The Tsarist control and isolationism in Russia allowed for little influence from the West. It wasn't until the rise of Peter the Great that Russian society opened up to the West. St. Petersburg was erected to embrace the West and compete against Moscow's isolationism. Peter the Great created a new Russia which rivaled the society of the West with magnificent courts and palaces. His vision was to challenge the west. Classical ballet entered the realm of Russia not as entertainment, but as a “standard of physical comportment to be emulated and internalized - an idealized way of behaving.”Homans (2010), 244. The aim was not to entertain the masses of Russians, but to cultivate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Petipa
Marie Mariusovna Petipa (russian: Мари́я Ма́риусовна Петипа́; 17 (29) October 1857 – 16 January 1930) was a noted Russian ballerina. She was born in St. Petersburg, the daughter of Marius Petipa (under whom she studied) and Maria Petipa. Her debut was at the Mariinsky Theatre in 1875 in '' Le Dahlia bleu'' and her dancing career, mainly in the character dance repertoire, lasted until 1907, although she performed on rare occasions through 1911. At the height of her career, Petipa was one of the most known ballerinas in St. Petersburg.Дунаева unayeva/ref> Her portraits were drawn by the well-known artists (a portrait of her by Konstantin Makovsky has survived), her private life was discussed in the newspapers, and her 25th career anniversary in 1901 was widely celebrated in St. Petersburg. Vlas Doroshevich wrote a lengthy article on this occasion titled ''Goddess of Joy and Merriment'' (). Petipa went on many tours abroad and was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Legat
Nikolai Gustavovich Legat (russian: Никола́й Густа́вович Лега́т) (30 December 1869, Moscow – 24 January 1937, London) was a premier dancer with the Russian Imperial Ballet from 1888 to 1914, and also with the Mariinsky Ballet. Both he and his younger brother, Sergey, became ballet masters and caricaturists. Legat is considered to be the main successor to Pavel Gerdt. Legat later served as a balletmaster in Russia, teaching and passing on the repertoire of the Imperial ballet company, whose groundwork was the legacy of the great choreographer-balletmaster, Marius Petipa. He left Russia with his third wife, Nadine, in 1922 and eventually settled in England in 1926. The couple opened their first ballet school in Kent. They were later able to start classes in Hammersmith, London. Among their notable pupils were Ninette de Valois and Margot Fonteyn. Legat's wife, Nadine Nicolaeva, was a ballerina of the Imperial and State theatres of Moscow and St. Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Kschessinsky
Felix may refer to: * Felix (name), people and fictional characters with the name Places * Arabia Felix is the ancient Latin name of Yemen * Felix, Spain, a municipality of the province Almería, in the autonomous community of Andalusia, Spain * St. Felix, Prince Edward Island, a rural community in Prince County, Prince Edward Island, Canada. * Felix, Ontario, an unincorporated place and railway point in Northeastern Ontario, Canada * St. Felix, South Tyrol, a village in South Tyrol, in northern Italy. * Felix, California, an unincorporated community in Calaveras County Music * Felix (band), a British band * Felix (musician), British DJ * Félix Award, a Quebec music award named after Félix Leclerc Business * Felix (pet food), a brand of cat food sold in most European countries * AB Felix, a Swedish food company * Felix Bus Services of Derbyshire, England * Felix Airways, an airline based in Yemen Science and technology * Apache Felix, an open source OSGi framewor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Gerdt
Pavel Andreyevich Gerdt (russian: Па́вел Андре́евич Ге́рдт), also known as Paul Gerdt (near Saint Petersburg, Russia, 22 November 1844 – Vamaloki, Finland, 12 August 1917), was the ''Premier Danseur Noble'' of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elisaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa ( Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in '' The Sleeping Beauty'' and Pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Page and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Brianza
Carlotta Brianza (1867–1930) was an Italian prima ballerina, dancing with La Scala in Milan and later with the Mariinsky Theatre in Saint Petersburg. Biography Born in Milan, Brianza studied at the ballet school of La Scala under Carlo Blasis. She went on to dance as the company's prima ballerina in Luigi Manzotti's ''Excelsior''. She toured the United States with the ballet in 1883 and danced it in Saint Petersburg in 1887. Thanks to her popularity there, in 1889 she was hired by the Mariinsky Theatre where she danced with Enrico Cecchetti in Lev Ivanov's '' The Tulip of Haarlem'' in 1889. On 15 January 1890, she danced Aurora in the premiere of Marius Petipa's ''Sleeping Beauty''. She continued her dancing career in Vienna, Italy, Paris and London before returning to Paris where she taught until she retired. In 1921, Sergei Diaghilev brought her out of retirement to dance (as the 'bad fairy', Carabosse) in ''The Sleeping Beauty''. She died in Paris in 1930. Notable pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Principal Dancer
A principal dancer (often shortened to principal) is a dancer at the highest rank within a professional dance company, particularly a ballet company. A principal may be male or female. The position is similar to that of '' soloist''; however, principals regularly perform not only solos, but also pas de deux. Principal dancers can be hired into a dance company or can also be a company dancer that is a corps de ballet dancer that gets promoted from within the company. That process can take multiple performance seasons or even years to achieve based on skill level and company interest. It is a coveted position in the company and the most prominent position a dancer can receive. The term is used mostly in ballet but can be used in other forms as well, such as modern dance. They are usually the star of the ballet. The term ''senior principal dancer'' is sometimes used as well. Synonyms and origin The Italian derived term ''prima ballerina'' (female dancers) (''primo ballerino'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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