Kali Bannerjee
   HOME
*





Kali Bannerjee
Kali Banerjee (20 November 1920 – 5 July 1993) was an Indian actor, who worked in the 1950s–1970s in Bengali cinema. He is best known for his work with film directors like Satyajit Ray in ''Parash Pathar'' (1958) and Ritwik Ghatak in ''Nagarik'' (1952) and ''Ajantrik'' (1958). Career Starring in many commercial ventures in the 1960s, his association with the serious film-makers is what has given the actor an imperishable place in the history of Bengali cinema. He starred first in the movie named '''Tatinir Bichar''' and Barmar Pathe''' (On the way to Burma). Further he brought out a convincing portrayal of a young Chinese vendor Lu Wang in the street of Kolkata in time of India's freedom struggle in Mrinal Sen's ''Neel Akasher Neechey'' (1959).Kali Banerjee - the legend of reali ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kali S
Kali (; sa, काली, ), also referred to as Mahakali, Bhadrakali, and Kalika ( sa, कालिका), is a Hinduism, Hindu goddess who is considered to be the goddess of ultimate power, time, destruction and change in Shaktism. In this tradition, she is considered as a ferocious form of goddess Mahadevi, the supreme of all powers, or the ultimate reality. She is the first of the ten Mahavidyas in the Hindu Tantras (Hinduism), tantric tradition. Kali's earliest appearance is when she emerged from Shiva. She is regarded as the ultimate manifestation of Shakti, and the mother of all living beings. The goddess is stated to destroy evil in order to protect the innocent. Over time, Kali has been worshipped by devotional movements and Tàntric sects variously as the Divine Mother, Mother of the Universe, Principal energy Adi Shakti. Shaktism, Shakta Hindu and Tantra, Tantric sects additionally worship her as the ultimate reality or ''Brahman''. She is also seen as the divi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Mrinal Sen
Mrinal Sen (''Beng.'' মৃণাল সেন; 14 May 1923 – 30 December 2018) was an Indian film director, and screenwriter known for his work primarily in Bengali, and few Hindi and Telugu language films. Regarded as one of the finest Indian filmmakers, along with his contemporaries Satyajit Ray, Ritwik Ghatak, and Tapan Sinha, Sen played major role in the New Wave cinema of eastern India. Sen has received various national and international honors including eighteen Indian National Film Awards. The Government of India honored him with the Padma Bhushan, and the Government of France honored him with the Ordre des Arts et des Lettres, while Russian Government honored him with the Order of Friendship. Sen was also awarded the Dadasaheb Phalke Award, the highest award for filmmakers in India. He was one of the few Indian filmmakers having won awards at the big three film festivals viz., Cannes, Venice and the Berlinale. Sen was a self described "private Marxist". Influenc ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Putul Nacher Itikatha
Putul Nacher Itikatha ( eng ''The puppet's tale'') is the third novel and the fourth printed book written by Bengali writer Manik Bandyopadhyay published in book form in 1936. It is one of the outstanding works of Manik Bandopadhyay. In one of his letters he wrote that this novel was a humble protest against those who tend to play with the lives of humans as if they were puppets.It introduces writer 's socialist mentality. History The novel was published continuously in Bharatvarsha Patrika from Poush 1341 BS to Agrahayan 1342 BS. It was later published in book form in 1936. The novel introduces Manik Bandyopadhyay 's socialist mentality. Summary The central character of the novel is village doctor Shashi. He has no faith in God. The story and setting of the novel is based on the complex social relationships that exist between the other characters including Shashi, Shashi's father, and Kusum in the village background. Written on the premise of love, estrangement, envy and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Hrishikesh Mukherjee
Hrishikesh Mukherjee (30 September 1922 – 27 August 2006) was an Indian film director, editor and writer. He is regarded as one of the greatest filmmakers of Indian cinema. Popularly known as ''Hrishi-da'', he directed 42 films during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. Renowned for his social films that reflected the changing middle-class ethos, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art film, art cinema". He is known for a number of films, including ''Anari (1959 film), Anari'', ''Satyakam'', ''Chupke Chupke (film), Chupke Chupke'', ''Anupama (1966 film), Anupama'', ''Anand (1971 film), Anand'', ''Abhimaan (1973 film), Abhimaan'', ''Guddi (1971 film), Guddi'', ''Gol Maal'', ''Majhli Didi'', ''Chaitali (film), Chaitali'', ''Aashirwad (film), Aashirwad'', ''Bawarchi'', ''Khubsoorat'', ''Kissi Se Na Kehna'', and ''Namak Haraam.'' He also remained the cha ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bawarchi
''Bawarchi'' (translation: ''The Chef'') is a 1972 Indian Hindi musical comedy-drama film directed by Hrishikesh Mukherjee starring Rajesh Khanna and Jaya Badhuri with Asrani, A.K. Hangal, Usha Kiran and Durga Khote in supporting roles. This was a remake of Rabi Ghosh starrer Bengali film ''Galpo Holeo Satti'' (1966) by Tapan Sinha. The film was ranked the eight highest-grossing film of the year 1972. In an interview, Khanna quoted "In 'Bawarchi' I did exactly the opposite of what Hrishida had made me do in ' Anand'. He allowed me to interpret the role and perform my way. I had done enough intense roles, and 'Bawarchi' gave me the opportunity to interpret and perform the role the way I wanted. So I let myself go." Mukherjee's style here is typical, in that the film contains no violence, and focuses rather on "the milieu of the Indian middle-class who have larger-than-life foibles and whose major concern is to survive the day ..:which ''bahu'' will cook, which brother will use ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hindi
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the '' lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several ot ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Kabuliwala (1957 Film)
''Kabuliwala'' ( bn, কাবুলিওয়ালা ''Kābuli'ōẏālā'', "Kabul wallah") is a 1957 Bengali film directed by Tapan Sinha and based on the eponymous 1892 short story by the Bengali writer Rabindranath Tagore. Plot Rahmat (Chhabi Biswas), a middle-age fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise. He befriends a small Bengali girl called Mini (Oindrila Tagore aka Tinku Tagore) who reminds him of his daughter back in Afghanistan. He stays at a boarding house with his countrymen. One day, Rahmat receives a letter with news of his daughter's illness; he decides to leave for his country. Since he is short of money he sells his goods on credit to increase his business. Later, when he goes to collect his money, one of his customers abuses him. In the fight that ensues, Rahmat warns that he will not tolerate abuse and stabs the guy when he does not stop. In the court Rahmat's lawyer tries to obfuscate the facts but, in his characteris ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]