KVVZ
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KVVZ
KVVZ (100.7 MHz) is a commercial FM radio station licensed to San Rafael, California, and serving the San Francisco area. The station is owned by TelevisaUnivision, through licensee Univision Radio Bay Area, Inc. It simulcasts a Spanish Contemporary radio format with sister station 105.7 KVVF Santa Clara. The studios are in San Jose. KVVZ has an effective radiated power (ERP) of 6,000 watts. The transmitter is on Robert Dollar Drive in San Rafael. History KTIM-FM The station first signed on the air on August 23, 1961. The original call sign was KTIM-FM, and it broadcast at 100.9 MHz.History Cards for KVVZ
fcc.gov. Retrieved June 16, 2018.
The station was owned by Marin Broadcasting Co. In the early 1970s, the station sim ...
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KVVF
KVVF (Latino Mix 105.7 FM) is a commercial radio station licensed to Santa Clara, California, and is simulcast on 100.7 KVVZ San Rafael. They are owned by Univision Communications, with studios at 1940 Zanker Road in San Jose. They serve the San Francisco Bay Area with a Spanish CHR radio format, using the slogan "Reggaeton y más." KVVF and KVVZ are the San Jose affiliates for the Uforia Audio Network. KVVF has an effective radiated power (ERP) of 50,000 watts. The transmitter is off California State Route 130 in San Jose, near Mount Hamilton. KVVF broadcasts using HD Radio technology. History Early years (1964–2002) On September 25, 1964, the station signed on as KREP, owned by Robert E. Podesta and his wife Marcella. In 1972, Bob Kieve and Santa Clara Broadcasters bought KREP for $470,000 and changed the call sign to KARA, with an English-language adult contemporary format. From 1997 to 2000, KARA was the flagship station for the San Jose Sharks NHL hockey team ...
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KSFN
KSFN (1510 kHz) is a commercial AM radio station broadcasting a Spanish Regional Mexican music radio format. Licensed to Piedmont, California, the station serves the San Francisco Bay Area. The station is currently owned by Alfredo Plascencia's Lazer Broadcasting, through licensee Lazer Licenses, LLC. KSFN's transmitter is in an industrial section of West Oakland, California. History The station was first licensed June 4, 1947, to San Rafael, California, with its transmitter in Kentfield, California, and was owned by Marin Broadcasting Co. The station was originally licensed to broadcast 1,000 watts during daytime hours only. In the station's early years, it aired a full service format, with an hour of jazz weekday afternoons. By 1957, the station aired popular music from the 1930s and 1940s, and an hour of classical music in the morning and afternoon, along with local news and other local programming. The station's transmitter was moved to San Rafael, California in 1960. In ...
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KSQL
KSQL (99.1 MHz, "Qué Buena 98.9 y 99.1") is a Spanish language radio station in Santa Cruz, California. The station simulcasts the signal of KSOL (98.9 MHz) in San Francisco. KSOL and KSQL program a format consisting of Regional Mexican music and some comedy talk shows. Both stations are owned by TelevisaUnivision. The radio studios and offices are in the Financial District of San Francisco. The KSQL transmitter is in Loma Prieta. There are two booster stations for KSOL: KSOL-FM2 in Sausalito since 1992, and KSOL-FM3 in Pleasanton since 1997. History KSQL was originally built in 1962 as KSCO-FM, owned by the Santa Cruz Sentinel newspaper. Due to close-spacing of 99.1 to San Francisco's 98.9, interference between the stations had been a longtime problem. When Viacom bought 98.9 in San Francisco, they also bought KSCO-FM 99.1 and began simulcasting the stations. They also began using similar callsigns. The 98.9 MHz frequency in San Francisco is the third ...
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KBRG
KBRG (100.3 FM ''Amor 100.3'') is a commercial radio station licensed to San Jose, California, with a Spanish AC radio format. The station is owned by TelevisaUnivision. Its studios are located at 1940 Zanker Road in San Jose, and the transmitter is on Loma Prieta Peak on the Santa Clara/Santa Cruz County line. History KEEN-FM and KBAY KEEN-FM came to air March 4, 1963, after rushing to meet FCC deadlines and fix issues with its problematic transmitter. It was owned by United Broadcasting as the FM counterpart to KEEN AM 1370, but it offered easy listening music instead of KEEN's characteristic country format. In 1967, KEEN-FM became KBAY, an easy listening station that remained as such for decades. In the early 1980s, it moved toward a soft adult contemporary sound. KBRG comes to 100.3 In 1997, the Snell family, owners of United Broadcasting, sold their holdings. The buyer for KBAY was American Radio Systems. American Radio Systems immediately swapped with EXCL Communic ...
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Uforia Audio Network
Uforia Audio Network () is the radio broadcasting and music events division of TelevisaUnivision USA. Formerly known as Hispanic Broadcasting Corporation and Univision Radio, it is the eighth-largest radio broadcaster in the United States, and the largest specifically catering to Hispanic and Latino Americans. The company is headquartered in Los Angeles. History Univision, previously known as Hispanic Broadcasting Corp. (between 2000 and September 22, 2003) and Heftel Broadcasting Corp, was the result of a February 14, 1997 merger of Tichenor Media System, Inc., a private company based in Dallas, Texas, and Heftel Broadcasting, a public company based in Las Vegas, Nevada. Tichenor had been in broadcasting since the 1940s. McHenry Tichenor operated a station (KGBS on 1240, later KGBT on 1530) in Harlingen, Texas. In 1950, they added KUNO Corpus Christi, Texas. Later station purchases were KIFN in Phoenix, Arizona; WGMA in Hollywood, Florida; & WACO-AM-FM and TV (construction ...
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KSOL
KSOL (98.9 FM "Que Buena 98.9 y 99.1") is a Spanish language radio station in San Francisco, California. KSQL (99.1 FM) simulcasts the station in Santa Cruz. KSOL and KSQL program a format consisting of regional Mexican music and talk shows. Both stations are owned by TelevisaUnivision USA. Its studios are located at 1940 Zanker Road in San Jose, and the KSOL transmitter is on Mount Sutro. The 98.9 frequency is the third station in the San Francisco market to use the callsign KSOL. The first was the AM rhythm and blues station at 1450 AM (the current KEST). Sly Stone was influential in guiding KSOL into soul music and started calling the station K-SOUL. The second was a popular soul music station (sans the K-SOUL moniker), at 107.7 FM (now known as KSAN). The current KSOL is unrelated to the previous two stations. History The station at 98.9 was established in February 1948 as the FM simulcast component of KJBS 1100 (now KFAX) by Julius Brunton & Sons, transmitting from th ...
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Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. Du ...
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Broadcasting & Cable
''Broadcasting & Cable'' (or ''Broadcasting+Cable'') is a weekly telecommunications industry trade magazine published by Future US. Previous names included ''Broadcasting-Telecasting'', ''Broadcasting and Broadcast Advertising'', and ''Broadcasting''. ''B&C'', which was published biweekly until January 1941, and weekly thereafter, covers the business of television in the U.S.—programming, advertising, regulation, technology, finance, and news. In addition to the newsweekly, ''B&C'' operates a comprehensive website that provides a roadmap for readers in an industry that is in constant flux due to shifts in technology, culture and legislation, and offers a forum for industry debate and criticism. History ''Broadcasting'' was founded in Washington, D.C., by Martin Codel, Sol Taishoff, and former National Association of Broadcasters president Harry Shaw, and the first issue was published on October 15, 1931. Originally, Shaw was publisher, Codel editor, and Taishoff managi ...
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Sister Station
In broadcasting, sister stations or sister channels are radio or television stations operated by the same company, either by direct ownership or through a management agreement. Radio sister stations will often have different formats, and sometimes one station is on the AM band while another is on the FM band. Conversely, several types of sister-station relationships exist in television; stations in the same city will usually be affiliated with different television networks (often one with a major network and the other with a secondary network), and may occasionally shift television programs between each other when local events require one station to interrupt its network feed. Sister stations in separate (but often nearby) cities owned by the same company may or may not share a network affiliation. For example, WNYW and WWOR-TV, in New York City and Secaucus, New Jersey, are both owned by Fox Corporation. WNYW is a Fox owned-and-operated station; WWOR-TV is a MyNetworkTV o ...
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Album-oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated w ...
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Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played beautiful music during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from related soft adult contemporary and smooth jazz stations. Soft rock groups like the Association, the 5th Dimension, and Simon & Garfunkel i ...
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Call Sign
In broadcasting and radio communications, a call sign (also known as a call name or call letters—and historically as a call signal—or abbreviated as a call) is a unique identifier for a transmitter station. A call sign can be formally assigned by a government agency, informally adopted by individuals or organizations, or even cryptographically encoded to disguise a station's identity. The use of call signs as unique identifiers dates to the landline railroad telegraph system. Because there was only one telegraph line linking all railroad stations, there needed to be a way to address each one when sending a telegram. In order to save time, two-letter identifiers were adopted for this purpose. This pattern continued in radiotelegraph operation; radio companies initially assigned two-letter identifiers to coastal stations and stations onboard ships at sea. These were not globally unique, so a one-letter company identifier (for instance, 'M' and two letters as a Marconi sta ...
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