Königliches Hoftheater Dresden
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Königliches Hoftheater Dresden
The Königliches Hoftheater (Royal Court Theatre) in Dresden, Saxony, was a theatre for opera and drama in the royal seat of the Kingdom of Saxony from 1841 and 1869, designed by Gottfried Semper. It was the predecessor of today's Semperoper, and is therefore sometimes called Altes Hoftheater (Old Court Theatre). History From 1838 to 1841, the architect Gottfried Semper built a representative opera house, which replaced the previous Morettisches Opernhaus. He took the forum plan devised by Matthäus Daniel Pöppelmann as the basis for his well thought-out urban planning solution. The opening took place on 12 April 1841 with Carl Maria von Weber's ''Jubelouvertüre'' and Goethe's ''Torquato Tasso''. The circular building in the forms of the Italian early Renaissance was praised as one of the most beautiful European theatres. Semper's first theatre building was considerably closer to the castle than his second opera house, which still exists today; the forerunner of today's ...
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Album Von Dresden (ca
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance lasted be ...
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Malvina Schnorr Von Carolsfeld
Eugénia Malvina Garrigues (later Malvina Schnorr von Carolsfeld; 7 December 18258 February 1904), was a Danish-born Portuguese operatic soprano. Early life and education Eugénia Malvina Garrigues was born a Portuguese citizen in Copenhagen, Denmark, the daughter of the Portuguese consul there, João António Henriques Garrigues (Jean Antoine Henri Garrigues), and his German wife of French descent, Nanette Palmier. Portugal's Queen Maria II assigned her father as consul to Denmark by decree of 17 November 1825. She was great-grandniece of David Garrick. Her first cousin was the noted Danish-American medical doctor Henry Jacques Garrigues. Career She studied in Paris with Manuel Patricio Rodríguez García. She made her debut in Giacomo Meyerbeer's '' Robert le diable'' in Breslau in 1841, where she sang until 1849. From 1849 to 1853 she worked at the ducal Hoftheater at Coburg, and in Gotha and Hamburg. In 1854 she was engaged by the Karlsruhe Opera, where she met Ludw ...
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Ludwig Schnorr Von Carolsfeld
Ludwig Schnorr von Carolsfeld (2 July 183621 July 1865) was a German Heldentenor. He is best known creating the role of Tristan in Wagner's opera ''Tristan und Isolde'' at its 1865 premiere at the Bavarian court opera in Munich. His career was curtailed by a serious illness which killed him at the age of 29, after only four performances in the role of Tristan. Biography Ludwig Schnorr von Carolsfeld was born in Munich, a son of the famous painter Julius Schnorr von Carolsfeld, and nephew of artist Ludwig Ferdinand Schnorr von Carolsfeld. Later, he became a pupil of Kreuzschule in Dresden, home of the Dresdner Kreuzchor (choir). This may have influenced his decision not to follow the family tradition of becoming a professional painter but to study singing instead, and he took voice lessons at the Leipzig Conservatory. He made his début in 1858 at Karlsruhe. By 1860, he had also sung at the Semperoper in Dresden and the Bavarian State Opera in Munich, appearing in Bellini's '' ...
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Ernst Von Schuch
Ernst Edler von Schuch, born Ernst Gottfried Schuch (23 November 1846, Graz – 10 May 1914, Niederlößnitz/Radebeul Dresden) was an Austrian conductor who became famous through his working collaborations with Richard Strauss at the Dresden Court Opera. Schuch first studied law but then turned to music, trained at first by E. Stolz. He studied in Graz and later in Vienna, briefly with Felix Otto Dessoff, and started his conducting career in 1867 as Kapellmeister at Lobe's Theatre in Breslau while the Breslau Opera was out of action following a fire. Coincidentally, a father and son with the same family name Schuch had built and run the first opera theatre in Breslau 120 years earlier:North German Opera in the Age of Goethe - Page 83 Thomas Bauman - 1985 "Breslau in Silesia offered German companies an attractive alternative to Leipzig or Berlin. Like them, it could support a company from autumn ... the charming name Theater on the Cold Ashes. Schuch brought the first Hiller ...
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Carl Gottlieb Reißiger
Carl Gottlieb Reißiger (also ''Karl Reissiger'', ''Carl Reissiger'', ''Karl Reißiger'') (31 January 1798 – 7 November 1859) was a German Kapellmeister and composer. Biography Born in Belzig, Reissiger attended the Thomasschule zu Leipzig and was the pupil of Johann Gottfried Schicht and Peter von Winter. In 1821, he followed the example of the young Beethoven and went to Vienna to study with Antonio Salieri and also studied theology at the University of Leipzig. Reissiger continued his musical studies in France and Italy in 1824, under the sponsorship of the Prussian Ministry of Cultural Affairs. After working for two years as the musical director of the Dresden Opera, he succeeded Carl Maria von Weber as the Kapellmeister of the Dresden Court in 1828, and would hold this office until his death in 1859. A famous piece known as ''Weber's Last Waltz'' was actually written by Reissiger (one of his ''Danses brillantes'', op. 26) and is mentioned in Edgar Allan Poe's ''The Fall o ...
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Ernst Rietschel
Ernst Friedrich August Rietschel (15 December 180421 January 1861) was a German sculptor. Life Rietschel was born in Pulsnitz in Saxony the third child of Friedrich Ehrgott Rietschel and his wife Caroline. From the age of 20 he became an art student at Dresden, and from 1826 was a pupil of Rauch in Berlin. He there gained an art studentship, and studied in Rome in 1827–28. After returning to Saxony, he soon brought himself into notice by a colossal statue of Frederick Augustus, King of Saxony; was elected a member of the academy of Dresden, and became one of the chief sculptors of his country. In 1832 he was elected to the Dresden professorship of sculpture, and had many foreign orders of merit conferred on him by the governments of different countries. He died in Dresden in 1861 aged 56. He is buried in the Trinitatisfriedhof, north-east of the city centre. Family He married three times. Firstly in 1832 to Albertine Trautscholdt. In 1836 he married Charlotte Carus dau ...
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Bautzen
Bautzen () or Budyšin () is a hill-top town in eastern Saxony, Germany, and the administrative centre of the district of Bautzen. It is located on the Spree river. In 2018 the town's population was 39,087. Until 1868, its German name was ''Budissin''. In 1945 the Battle of Bautzen was Hitler’s last victory against the Soviet Union during the Battle of Berlin . Bautzen is often regarded as the unofficial, but historical capital of Upper Lusatia. The town is also the most important cultural centre of the Sorbian minority, which constitutes about 10 percent of Bautzen's population. Asteroid '' 11580 Bautzen'' is named in honour of the city. Names Like other cities and places in Lusatia, Bautzen has several different names across languages. Its German name was also officially changed in 1868. As well as ''Bautzen'' (German) and ''Budyšin'' (Upper Sorbian), the town has had the following names: * German: ''Budissin'' (variants used from c. 11th century onwards; Saxon governme ...
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Spolia
''Spolia'' (Latin: 'spoils') is repurposed building stone for new construction or decorative sculpture reused in new monuments. It is the result of an ancient and widespread practice whereby stone that has been quarried, cut and used in a built structure is carried away to be used elsewhere. The practice is of particular interest to historians, archaeologists and architectural historians since the gravestones, monuments and architectural fragments of antiquity are frequently found embedded in structures built centuries or millennia later. The archaeologist Philip A. Barker gives the example of a late Roman period (probably 1st-century) tombstone from Wroxeter that could be seen to have been cut down and undergone weathering while it was in use as part of an exterior wall and, possibly as late as the 5th century, reinscribed for reuse as a tombstone. Overview The practice was common in late antiquity. Entire obsolete structures, including underground foundations, are known to ...
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Villa Meißner Straße 244 (Radebeul)
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country sea ...
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Johann Christian Friedrich Gutkaes Senior
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed for ...
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Joseph Tichatschek
Josef Aloys Tichatschek (11 July 1807 – 18 January 1886), originally Ticháček, was a Bohemian opera singer highly regarded by Richard Wagner. He created the title roles in Wagner's operas ''Rienzi'' and ''Tannhäuser''. As the first of the great Wagnerian tenors, he effectively was the original Heldentenor, although it is unlikely that his voice was as powerful as that of 20th-century Heldentenors such as Lauritz Melchior or Jon Vickers, given the smaller volume of sound produced by orchestras in his heyday. Outline Born in Weckelsdorf (now part of Teplice nad Metují, Náchod District, Bohemia), Tichatschek originally studied medicine, but he abandoned this career path for professional singing. He received voice lessons in Vienna from the Italian tenor Giuseppe Ciccimarra (1790–1836)Information from German Wikipedia. and joined the chorus of the Kärntnertortheater in 1830. He advanced to chorus-inspector, and began to take small solo roles. Rising to the status o ...
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