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Königliche Kunstgewerbeschule München
The Königliche Kunstgewerbeschule München (abbreviation KGS) was founded October 1, 1868 in Maxvorstadt, Munich after a formal decision of King Maximilian II of Bavaria dated June 29, 1868. Along with the Munich Academy of Fine Arts and the Nuremberg School of Arts and Crafts, founded 1854, it was the most important artistic training institution in Bavaria, especially under the direction of Richard Riemerschmid Richard Riemerschmid (20 June 1868 – 13 April 1957) was a German architect, painter, designer and city planner from Munich. He was a major figure in ''Jugendstil'', the German form of Art Nouveau, and a founder of architecture in the s ... from 1913 to 1924. It was renamed "Staatliche Kunstgewerbeschule München" after the end of the monarchy in 1918, "Staatsschule für angewandte Kunst" in 1928 and "Akademie für angewandte Kunst" in 1937. The Kunstgewerbeschule or Academy of Applied Arts was incorporated into the Akademie der Bildenden Künste München i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxvorstadt
Maxvorstadt (Central Bavarian: ''Maxvorstod'') is a central borough of Munich, Bavaria, Germany and forms the Stadtbezirk (borough) 3 Maxvorstadt. Since 1992, this borough comprises the former boroughs 5, 6 and 7 (Maxvorstadt-Universität, Maxvorstadt-Königsplatz-Marsfeld and Maxvorstadt-Josephsplatz). Location The borough is next to the north-western part of the Old City. The Englischer Garten is the Eastern border, Schwabing is in the North, Neuhausen-Nymphenburg in the North-West. The borough Schwanthalerhöhe is its south-western neighbor and Ludwigsvorstadt-Isarvorstadt is in the south. The Eastern parts of Maxvorstadt are often mistakenly attributed to the borough of Schwabing. Traffic The Maxvorstadt is drafted as a quadratical grid and is shaped by the north-south axes Schleißheimer Straße and Ludwigstraße; the parallel streets Amalienstraße, Türkenstraße, Barer Straße, Schraudolphstraße, Arcisstraße, Luisenstraße and Augustenstraße run between them. These ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximilian II Of Bavaria
Maximilian II (28 November 1811 – 10 March 1864) reigned as King of Bavaria between 1848 and 1864. Unlike his father, King Ludwig I, "King Max" was very popular and took a greater interest in the business of Government than in personal extravagance. Ascending the throne during the German Revolution of 1848, King Maximilian restored stability in his kingdom. The rest of his reign was characterized by attempts to maintain Bavarian independence during the wars of German Unification and to transform his capital city of Munich into a cultural and educational city. Crown Prince He was born in Munich and was the eldest son of the Crown Prince of Bavaria (later King Ludwig I) and his wife Therese of Saxe-Hildburghausen. After studying at Göttingen and Berlin and travelling in Germany, Italy and Greece, he was introduced by his father into the council of state (1836). From the first he showed a studious disposition, declaring on one occasion that had he not been born in a royal crad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Fine Arts, Munich
The Academy of Fine Arts, Munich (german: Akademie der Bildenden Künste München, also known as Munich Academy) is one of the oldest and most significant art academies in Germany. It is located in the Maxvorstadt district of Munich, in Bavaria, Germany. History The history of the academy goes back to the 18th century, before the 1770 founding by Elector Maximilian III. Joseph, the so-called "drawing school", which already bore the name "academy" in its name ("Zeichnungs Schule respective Maler und Bildhauer academie"). The Academy of Fine Arts was enhanced in 1808 by King Maximilian I Joseph of Bavaria as Royal Academy of Fine Arts. The Munich School refers to a group of painters who worked in Munich or were trained at the Academy between 1850 and 1918. The paintings are characterized by a naturalistic style and dark chiaroscuro. Typical painting subjects included landscape, portraits, genre, still-life, and history. From 1900 to 1918 the academy's director was Ferdinand Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Riemerschmid
Richard Riemerschmid (20 June 1868 – 13 April 1957) was a German architect, painter, designer and city planner from Munich. He was a major figure in ''Jugendstil'', the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the ''Vereinigte Werkstätte für Kunst im Handwerk'' (United Workshops for Art in Handcrafts) and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects. Life and career Riemerschmid was born in Munich, the sixth of nine children of Eduard Riemerschmid, who headed the Munich distillery founded by his father Anton Riemerschmid,Winfried Nerdinger, ''Richard Riemerschmid, vom Jugendstil zum Werkbund: Werke und Dokumente. Eine Ausstellung der Architektursammlung der Technischen Universität München, des Münchner Stadtmuseums und des Germanischen Nationalmuseums Nürnberg'', Ausste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Munich
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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