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Kyoto Photo Society (K
Kyoto Photo Society （キヨウト・ホト・ソサエテ）(1925-1960s) was an amateur group of photographers active in the Kyoto area. The ARS Camera Annual states that the organization was established in the 1925 by Motohiko Goto."List of photographic groups in Japan" in ARS Camera Annual 1926, p.17 Other members included Noboru Ueki and Yushi Kobayashi among others. Photography Historian Ryuichi Kaneko notes that there were various photography clubs emerging in the Kansai Area such as the Nihon Kōga Geijutsu Kyōkai (Japan Photographic Art Association, 日本光画芸術協会), Naniwa Photography Club, and the Tampei Photography Club The was a group based in Osaka from 1930 until 1941 that promoted avant-garde and, toward the end, socially concerned photography. The group was founded around the photographer Bizan Ueda, among photographers who bought their supplies from the T ..., but these focused around the Osaka-Kobe region. Although there were photographers from the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noboru Ueki
was a renowned Japanese photographer A photographer (the Greek language, Greek φῶς (''phos''), meaning "light", and γραφή (''graphê''), meaning "drawing, writing", together meaning "drawing with light") is a person who makes photographs. Duties and types of photographe .... He was born in Hiroshima Prefecture as the second son. His father operated a photography studio. He studied professional photography at a photo studio ran by photographer Ryutaro Kono in Kyoto city. With an investment from his wife's family, in 1934 he established Noboru Hiroi Photography Studio in the Karasuma district in Kyoto. The name of his photo studio paid homage to his family in law that invests in him but later in 1946, he renamed the studio the Noboru Ueki Photo Studio. For his photographs, Ueki used a Vestan camera which had been popular in Japan in the beginning of the Showa Era (1926-1989). This was a smaller version of thVest Pocket Cameramade by Kodak which was very popular duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yūshi Kobayashi
was a renowned Japanese photographer. Tokyo Metropolitan Museum of Photography, editor. . Kyoto: Tankōsha, 2000. He is known for his avantgarde style photographs and his participation in various art photography clubs and associations. His long career offers us glimpses of the various experimental techniques that were in vogue throughout the years of his life. Early life He was born in December of 1898 in Tokuyama city in Yamaguchi Prefecture. After losing his father when he was just nine years old, Kobayashi moved to Kyoto. He was left to the guardianship of his uncle, Juichi Kobayashi, who ran a photography studio named Kobayashi Photo Studio in the historical Teramachi area of Kyoto City. He graduated the Kyoto Prefectural Daiichi Junior High School. In 1918, he entered the photography department of the Tokyo Fine Arts School (presently-day Tokyo University of the Arts). There he studied portrait photography undeEzaki Kiyoshi After graduating in 1923, he returned to work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryūichi Kaneko
was a photography historian and critic, photobook collector, and curator. He also worked as a monk at the Shōgyōin () temple in the Taitō, Taitō district of Tokyo while he researched the history of Japanese photography. University days In 1967, Kaneko entered Rissho University, where he joined the photography club, affiliated with the All Japan Students Photo Association. Told by one of his university seniors to attend a lecture that the organization was holding, Kaneko went to the lecture hall to find :ja:福島辰夫, Tatsuo Fukushima, who had recently become the leader of the All Japan Students Photo Association. Though Fukushima’s lecture, Kaneko was exposed to works of western photographers like William Klein (photographer), William Klein's ''Life is Good & Good for You in New York: Trance Witness Revels''; Robert Frank's ''The Americans (photography), The Americans''; and Richard Avedon's ''Nothing Personal''; and also works of Japanese photographers like Shōmei Tō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naniwa Photography Club
The Naniwa Photography Club (浪華写真倶楽部) is an avant-garde amateur photography club that was established with the support of the Kuwata Photographic Materials company in 1904 in Osaka. It is the oldest amateur photography club in Japan. Key members were Kuwata Shozaburo, Ishii Yoshinosuke, Kometani Koro, Fukumori Hayuko, Yasui Nakaji, Yoho Tsuda, Hirai Terushichi, Kobayashi Meison, and Umesaka Ori. After establishment, the club began to exhibit their ''Nami-ten'' exhibition. This photography exhibition has been held almost every year since the club was established with several exceptions of the years during World War II. The clubs second exhibition was held in 1908 and kicked off major organized activities by the club. The central photographers in this exhibition were Kometani Koro, Yokoyama Kinkei and Kajiwara Keibun. These photographers used pigment printing process in their gum-bichromate prints. During the Taisho Era, the group's works were centered around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tampei Photography Club
The was a group based in Osaka from 1930 until 1941 that promoted avant-garde and, toward the end, socially concerned photography. The group was founded around the photographer Bizan Ueda, among photographers who bought their supplies from the Tampei Pharmacy (, ''Tanpei yakkyoku'') in Shinsaibashi, Osaka. The founding members included Terushichi Hirai, Kōrō Honjō and Tōru Kōno; these were soon augmented by Kaneyoshi Tabuchi, Nakaji Yasui, and others. The group's first exhibition was held in 1931 but it was the second exhibition, in 1932, that caused a stir, with avant-garde works. The club exhibited frequently; its first exhibition in Tokyo held in 1935. The club's 23rd exhibition, in March 1941, featured a series titled ''Refugee Jews'' (, ''Ryūbō Yudaya'') of 22 photographs depicted exiles from eastern Europe who were living in Kobe. Six of these were by Yasui, who had instigated two photography sessions for it earlier that month.''Tanjō hyakunen: Yasui Nakaji: Shash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Photography Organizations
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture In Kyoto
Culture () is an umbrella term which encompasses the social behavior, institutions, and Social norm, norms found in human Society, societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculturalism, monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
