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Kyodai Hero
is a television subgenre in tokusatsu that involves Japanese superheroes or robots either with the ability to grow to immense heights to fight giant monsters or who are originally giant as a part of their lives. The Kyodai Hero is the mainstream superhero genre that is widely popular in Japan. The first and most famous Kyodai hero is Ultraman who made his debut in 1966. Since then, Ultraman has helped spawn the Kyodai hero genre with countless shows, franchises and films such as '' Go! Godman'' and ''Iron King''. 1960s The inception of the Kyodai hero genre initially began with Godzilla in the film ''Ghidorah, the Three-Headed Monster''. Godzilla is portrayed as a personified natural disaster at first but over the course of the film franchise's many monster battles, he is gradually put into the position of protector of the human race, a key trope of the Kyodai Hero genre. Though Godzilla established the minor concept of the Kyodai Hero, the genre technically began with P-Product ...
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Ultraman
''Ultraman'', also known as the , is the collective name for all media produced by Tsuburaya Productions featuring Ultraman, his many brethren, and the myriad monsters. Debuting with ''Ultra Q'' and then ''Ultraman'' in 1966, the series is one of the most prominent ''tokusatsu'' superhero genre productions from Japan, along with the Toei-produced series '' Kamen Rider'', ''Super Sentai'' and the ''Metal Heroes''. The series is also one of the most well-known examples of the '' kaiju'' genre, along with Toho's ''Godzilla'' series and Daiei Film's ''Gamera'' series. However, the series also falls into the ''Kyodai'' Hero subgenre of ''tokusatsu'', a subgenre it also helped popularise. In Japan, the Ultraman brand generated in merchandising revenue from 1966 to 1987, equivalent to more than adjusted for inflation. Ultraman was the world's third top-selling licensed character in the 1980s, largely due to his popularity in Asia. References to Ultraman are abundant in Japanese po ...
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Spectreman
is a tokusatsu science fiction superhero television series. Produced by P Productions and created by producer Souji Ushio, the series aired on Fuji TV in Japan from January 2, 1971 to March 25, 1972 with a total of 63 episodes (divided into three segments), not counting the pre-series pilot episode. This was the first major Japanese superhero show of the 1970s. Plot Banished from the peaceful and highly advanced simian Planet E in the Geisty Solar System, the mutant mad scientist Dr. Gori and his brutish gorilla-like assistant Karras (Ra in the Japanese version) search for a new world to rule after Gori's plot to conquer Planet E had been foiled by its government. Traveling to Earth in their flying saucer, the blond alien apeman is captivated by its beauty but appalled by its inhabitants' misuse of its environment, leading to severe pollution (a huge topic back when this series was made, since Tokyo in Japan was the most polluted city in the world at the time), so humankind mus ...
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Daitetsujin 17
is a 1977 ''tokusatsu'' series created by Shotaro Ishinomori and produced by Toei. It revolves around a giant battle robot commanded by a young boy who fights the giant robots of an evil organization bent on world conquest. It is similar to ''Giant Robo'' in premise and how it ends. Several episodes were edited into a TV movie shown in the United States under different titles, including ''The Defenders and the Great Brain'' and ''Brain 17'' (1982). The opening theme was performed by Ichirou Mizuki, Koorogi '73 and The Chirps. Popy manufactured several toys based on the series - notably a transforming Chogokin version of the robot One-Seven (later released in America for the ''Godaikin'' line), vehicles based on One-Seven's Flying Fortress mode, the Sub Machine Flying Car, the Shigcon Tank and the Shigcon Jet, and a three-inch version of One-Seven, which was later released as "17" in Mattel's '' Shogun Warriors'' line. Story Brain is the world's greatest computer, and also the ...
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Dawn Of The Monsters
''Dawn of the Monsters'' is a beat'em up video game developed by 13AM Games and published by WayForward. The game was released in March 2022 for Windows, Nintendo Switch, PlayStation 4, PlayStation 5, Xbox One, Xbox Series X and Series S, Xbox Series X/S, and Google Stadia. The game received generally positive reviews upon release. Premise The game begins in 2036, when enormous monsters known as the Nephilim invade Earth and cause massive destruction around the globe. Three decades later, humanity establishes the Defense Alliance Worldwide Network (DAWN), and recruits the help of four different guardian creatures (Megadon, Ganira, Aegis Prime, and Tempest Galahad) in an attempt to retake the planet from these beasts. Gameplay ''Dawn of the Monsters'' is a 2.5D side-scrolling beat'em up video game similar to ''Streets of Rage'' and ''Final Fight'', though the game also has features commonly found in fighting games. The player assumes control of one of four guardian creatures, and ...
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Scale Models
Scale or scales may refer to: Mathematics * Scale (descriptive set theory), an object defined on a set of points * Scale (ratio), the ratio of a linear dimension of a model to the corresponding dimension of the original * Scale factor, a number which scales, or multiplies, some quantity * Long and short scales, how powers of ten are named and grouped in large numbers * Scale parameter, a description of the spread or dispersion of a probability distribution * Feature scaling, a method used to normalize the range of independent variables or features of data * Scale (analytical tool) Measurements * Scale (map), the ratio of the distance on a map to the corresponding actual distance * Weighing scale, an instrument used to measure mass * Scale (ratio), the ratio of the linear dimension of the model to the same dimension of the original * Spatial scale, a classification of sizes * Scale ruler, a tool for measuring lengths and transferring measurements at a fixed ratio of length * Verni ...
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Suitmation
Creature suits are realistic costumes used to disguise a performer as an animal, monster, or other being. They are used in film, television, or as costumed characters in live events. Unlike mascots, they are often made with a high degree of realism. In contrast with prosthetic makeup, which is applied to an actor's skin, the wearer is not normally visible outside their movements controlling the costume, although in some cases, part of the wearer's body is still visible (such as in the case of mermaids or other half-human monsters). History Creature suits have been used since before movies were invented. As part of his circus sideshow in London in 1846, P. T. Barnum had an actor wearing a fur suit of an "ape-man", and continued to dress actors in similar costumes as attractions. They were used starting from the early days of film as practical effects, to represent animals that were too prohibitive to train or use, such as gorillas. Some films even tried to pass off costumes as rea ...
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Kamen Rider
The , also known as ''Masked Rider Series'' (until Decade), is a Japanese superhero media franchise consisting of tokusatsu television programs, films, manga, and anime, created by manga artist Shotaro Ishinomori. ''Kamen Rider'' media generally features a motorcycle-riding superhero with an insect motif who fights supervillains, often known as . The franchise began in 1971 with the '' Kamen Rider'' television series, which followed college student Takeshi Hongo and his quest to defeat the world-conquering Shocker organization. The original series spawned television and film sequels and launched the Second Kaiju Boom (also known as the Henshin Boom) on Japanese television during the early 1970s, impacting the superhero and action-adventure genres in Japan. Bandai owns the toy rights to Kamen Rider Japan (and some Asia regions). Bluefin Distribution, a subsidiary of Bandai Namco, distributes Kamen Rider merchandise in North America. Series overview The ''Kamen Rider'' franchi ...
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The Super Inframan
''The Super Inframan'' (, translated literally as ''Chinese Superman'') is a 1975 Hong Kong science fiction action film produced by Shaw Brothers Studio in 1975. Inspired by the huge success of the Japanese tokusatsu franchises such as ''Ultraman'' and ''Kamen Rider'' in Hong Kong, this film features the same type of "henshin"/transformation, monster/robot action and costumed heroics, coupled with Chinese kung fu action. Plot In 2015, Demon Princess Elzebub (also translated as Princess Dragon Mom) awakens from 10 million years of dormancy and plots to conquer the Earth. She destroys a few major cities in China to prove her power to humanity, who react in shock. Returning to her lair in Inner-Earth, she awakens her army of Skeleton Ghosts and various mutant humanoids to wreak havoc on the surface. The head of the Science Headquarters, Professor Liu Ying-de, has completed the BDX Project, a potential countermeasure against Elzebub. In the HQ's secret laboratory, he transforms Le ...
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Shaw Brothers Studio
Shaw Brothers (HK) Ltd. () was the largest film production company in Hong Kong, and operated from 1925 to 2011. In 1925, three Shaw brothers— Runje, Runme, and Runde—founded Tianyi Film Company (also called "Unique") in Shanghai, and established a film distribution base in Singapore, where Runme and their youngest brother, Run Run Shaw, managed the precursor to the parent company, Shaw Organisation. Runme and Run Run took over the film production business of its Hong Kong-based sister company, Shaw & Sons Ltd, and in 1958 a new company, "Shaw Brothers," was set up. In the 1960s, Shaw Brothers established what was once the largest privately owned studio in the world, Movietown. The company's most famous works include ''The Love Eterne'', ''The One-Armed Swordsman'', ''Come Drink with Me'', ''King Boxer'', ''Executioners from Shaolin'', '' Five Deadly Venoms'', and ''The 36th Chamber of Shaolin''. Over the years the film company produced around 1,000 films, some ...
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Ike! Greenman
is a tokusatsu television series Kyodai Hero kaiju produced by Toho in 1973. It ran from November 12, 1973, to September 27, 1974. It emerged as a follow-up series to ''Ike! Godman'', but the two share no continuity. Compared to the anthology-like storylines of ''Ike! Godman'', ''Go! Greenman'' has a single overarching plot. Synopsis Deep beneath Japan, a demonic orange, fang-faced creature with glowing red eyes called Maoh awakes in Hell and plots his escape after being imprisoned there by God. But, in order to do this, he has to obtain the blood of human children and summons his cowardly purple jellyfish-like female servant Tonchiki to assist him. Through her he uses beak-faced, pointy-headed clay doll phantom warriors called Maoh-no Teshita ("Minions of Maoh") that can be transformed into hideous kaiju to complete his task. A set of four special minions, dubbed the 'Kaijin', appeared towards the end of the series, each bearing unique abilities and fighting without the requirem ...
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Megaloman
is the name and titular superhero of a tokusatsu science fiction, SF/superhero/kaiju/Kyodai Hero TV series. Created by Tetsu Kariya, the show was produced by Toho, Toho Company Ltd., and aired on Fuji TV from May 7 to December 24, 1979, with a total of 31 half-hour episodes. Starting with Episode 14, the show's title became ''Flaming Superman Megaloman'' (炎の超人メガロマン - ''Honô no Chôjin Megaroman''). Like Toho's ''Meteor Man Zone'', the series mixes elements of the Kyodai Hero genre with those of the Sentai Series (''Battle Fever J'', the first "Super Sentai", had premiered on TV around the same time). This series features a superhero quintet similar to those seen in the Super Sentai Series, but just like in ''Zone Fighter'', the team's leader/main character Takashi Shishidou transforms into a giant long-haired Ultraman-like colossus, Megaloman. The Story The planet Rosetta has been taken over by the Black Star army led by Captain Dagger. Takashi Shishido and ...
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Godzilla Vs
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ...
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