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Kylix 61
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylix 61
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little-Master Cup
Little-master cups are a type of Attica, Attic black-figure vase painting, black-figure cups, produced around the middle and third quarter of the sixth century BC. Their name is based on their fine small-format decoration. Little-master cups are later in origin than Siana cups, but both types were produced over a considerable period of time. The Little Masters (Greek vase painting), Little masters painted only the small upper frieze above the carination of the cup, at times also the lip or handle areas. It is probably that only few of the painters of Siana cups also painted Little-master cups. One of the first artists to introduce the Little-master cup in Athens was Kleitias. The change in decoration went along with a lengthening of the cup foot. The dedicated painters of Little-master cups rarely painted larger formas, whereas painters primarily specialised in large vases are known to also have painted Little-master cups. Stylistic comparison between larger and smaller formats of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colmar Painter - Running Warrior - Walters 481920 - Detail(1)
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the '' Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thespiae
Thespiae ( ; grc, Θεσπιαί, Thespiaí) was an ancient Greece, ancient Greek city (''polis'') in Boeotia. It stood on level ground commanded by the low range of hills which run eastward from the foot of Mount Helicon to Thebes, Greece, Thebes, near modern Thespies. History In the ancient Greece#History, history of ancient Greece, Thespiae was one of the cities of the federal league known as Boeotia, the Boeotian League. Several traditions agree that the Boeotians were a people expelled from Ancient Thessaly, Thessaly some time after the mythical Trojan War, and who colonised the Boeotian plain over a series of generations, of which the occupation of Thespiae formed a later stage. Other traditions suggest that they were of Mycenaeans, Mycenean origin. Archaic period In the Archaic period the Thespian nobility was heavily dependent on Thebes. This possibly reflected that land ownership was concentrated in the hands of a small number of nobles, and therefore there was difficul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boeotian Alphabet
The history of the Greek alphabet starts with the adoption of Phoenician letter forms in the 9th–8th centuries BC during early Archaic Greece and continues to the present day. The Greek alphabet was developed during the Iron Age centuries after the loss of Linear B, the syllabic script that was used for writing Mycenaean Greek until the Late Bronze Age collapse and Greek Dark Age. This article concentrates on the development of the alphabet before the modern codification of the standard Greek alphabet. The Phoenician alphabet was strictly speaking one that was consistently explicit only about consonants, though even by the 9th century BC it had developed ''matres lectionis'' to indicate some, mostly final, vowels. This arrangement is much less suitable for Greek than for Semitic languages, and these ''matres lectionis'', as well as several Phoenician letters which represented consonants not present in Greek, were adapted according to the acrophonic principle to represent Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merrythought Cup
The term Merrythought cup is used by scholars to describe a specific type of Attic ''kylix''. The Merrythought cup, named after the British word for "wishbone," probably developed as a refined form of a rural cup type normally made of wood. The shape features several peculiarities. It is the first Attic cup shape that lacks a distinctive break between lip and vessel body. The shape of the handles, which give the vessel its name, are in the oblong wishbone shape, with a knob shape on the curve of the handle. Rather than forming a semi-circle, as is the case in virtual all other cup shapes. Equally unusual, the handles extend beyond the height of the vessel body. The cups, mostly covered in black slip, occasionally feature thin stripes of red paint on the foot or the interior. This resembles East Greek and other Attic decorative styles. The vase body is nearly hemispherical. The first Attic artist to decorate Merrythought cups in the black-figure style was the C Painter The C Painter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lip Cup
Lip cups are a type of ancient Greek Attic Little-master cups. Lip cups were produced from the middle of the sixth century BC in Athens. They resemble Gordion cups, but their lips or rims were more clearly distinguished from the rest of the body. They had high feet on broad bases. Early specimens in particular feature hollow conical feet with walls of even thickness. This cup type was painted on the lip/rim. Usually, one to three figures are placed at the centre of the front and back, painted directly onto the base clay. Complete mythical scenes were rare. Often, the lip remained completely undecorated. Further decorations were painted in the handle zone. They nearly always included inscriptions between the handle palmettes, as well as a painted strip near the upper edge. Rarely, the palmettes are replaced with animal or human figures. The inscriptions can be of mottos or toasts, or simply be meaningless arrays of letters, suggesting a mostly ornamental function. The cup interior fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komast Cup
The Komast cup (also Comast cup) is a cup shape at the beginning of the development of Attic drinking cups. Komast cups were widespread especially in Ionia and Corinth. Like other vase painters of the time, the Attic painters were under strong influence from Corinthian vase painting. The name is derived from the artists’ preferred theme, the ''komos'', a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, kōmastaí). This is a motif closely connected with Etruscan vase painting. The typical hemispherical shape with an angled "offset" lip and a low foot of only 1–2 cm height was an Attic development. The interior of the cups is black, only a narrow stripe or band below the lip is left in the base clay colour. The foot and the exterior of the handles are also black. The first specimens were quite large, but throughout the period of their production, the cups became gradually smaller. The mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kassel Cup
Kassel cups are a specific type of Attic Little-master cups, produced in Athens around 540 to 520 BC. Kassel cups are quite similar to Band cups, but shallower and usually rather small. The lip and body of the vase are usually decorated with simple band patterns. Normally, there are flame motifs on the lip and rays on the body. Some painters added silhouette-like figures in the handle zone. The decorations suggest a link with Siana cups. The name is derived from a piece found on Samos in 1898, and on display in Kassel Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name and had 201,048 inhabitants in December 2020 ... until its destruction in 1945. Bibliography * John Boardman: ''Schwarzfigurige Vasen aus Athen. Ein Handbuch'', Mainz 1977, , p. 69 * Berthold Fellmann, in: ''Kunst der Schale – Kultur des Trinkens'', Münche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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