Kwitra
The kwitra (also '' quwaytara'', ''kouitra'' and ''quitra''); Arabic الكوترة or عود أندلسي (literally Andalusian oud); is an Algerian stringed instrument, sometimes referred to as the Algerian lute. The instrument is tied to Andalusian musical traditions of Moorish people who were pushed out of the Iberian peninsula in the 15th century. That tradition has shrunk further; where the kwitra was once seen in Algeria, today it is mainly an Algerian instrument. The literal meaning of kwitra in Algerian Arabic (and possibly in the extinct Andalusian Arabic) is "small guitar". It is a regional instrument in the lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can ref ... family of instruments, related to Italian chitarra. It has eight strings in four courses. It is tuned G3 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chitarra Italiana
Chitarra Italiana (; 'Italian guitar') is a lute-shaped plucked instrument with four or five single (sometimes double) strings, in a tuning similar to that of the guitar. It was common in Italy during the Renaissance era. According to Renato Meucci, the designation of 'Italiana' followed the introduction to Italy of the flat-backed development of the instrument – referred to as ''chitarra alla spagnola '' (literally 'Spanish guitar'); to distinguish between the two versions. It is believed to have descended from panduras, the Mediterranean lutes of Antiquity, and to be related to North African quitra (or kwitra). Its bass variety was known as chitarrone. Musicologist Laurence Wright talked about the chitarrone in a letter to the ''Early Music'' journal (October 1976), saying it implied "large guitar", that it had a rounded back and was likely to be taken for a smaller lute, and that it was found from the 13th century to the 18th century, but was much rarer in the later centu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tree Of Life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.Giovino, Mariana (2007). ''The Assyrian Sacred Tree: A History of Interpretations'', page 129. Saint-Paul. The concept of the tree of life may have originated in Central Asia, and absorbed by other cultures, such as Scandinavian mythology and Altai shamanism. The tree of knowledge, connecting to heaven and the underworld, and the tree of life, connecting all forms of creation, are both forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree. Religion and mythology Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chordophone
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togethe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mandolute
The Weymann Mandolute was one of the products sold under Weymann, the Philadelphia-based brand of Weymann and Sons, established 1864. The 'mandolutes' were actually mandolins with eight strings and tuned exactly the same. The scale length is also within the standard mandolin scale; between 13 inches (330 mm) and 13-7/8 inches (352 mm). They advertised using scientific principles to create vibrations, power and volume as well as sustained sweet and mellow tones, all in the same instrument. History Weymann and Son was a Philadelphia company, manufacturers of Weymann and Keystone State musical instruments. They manufactured the mandolute during the early 20th century. They also had a retail store on 1010 Chestnut Street. They advertised in the Philadelphia papers, with advertisements pushing culture. Young men and women, sitting around in a formal parlor setting, playing music together on Weymann Mandolins, dancing together around a Victrola record player. The Mandolute ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andalusian Classical Music
Andalusi classical music ( ar, طرب أندلسي, ṭarab ʾandalusī; es, música andalusí), also called Andalusi music or Arab-Andalusian music, is a genre of music originally developed in al-Andalus by the Muslim population of the region and the Moors. It then spread and influenced many different styles across the Maghreb The Maghreb (; ar, الْمَغْرِب, al-Maghrib, lit=the west), also known as the Arab Maghreb ( ar, المغرب العربي) and Northwest Africa, is the western part of North Africa and the Arab world. The region includes Algeria, ... (Algeria, Morocco, Tunisia, and Libya) after the Expulsion of the Moriscos. It originated in the music of al-Andalus (Muslim Iberia) between the 9th and 15th centuries. Some of its poems derive from famous authors such as al-Mu'tamid ibn Abbad, Ibn Khafaja, Abu al-Hasan al-Shushtari, al-Shushtari, and Ibn al-Khatib. Origins Andalusi music was allegedly born in the Caliph of Cordoba, Emirate of Cordoba (Al-A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Moors
The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or self-defined people. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." Europeans of the Middle Ages and the early modern period variously applied the name to Arabs and North African Berbers, as well as Muslim Europeans. The term has also been used in Europe in a broader, somewhat derogatory sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in Spain or North Africa. During the colonial era, the Portuguese introduced the names " Ceylon Moors" and "Indian Moors" in South Asia and Sri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Algerian Arabic
Algerian Arabic (natively known as Dziria) is a dialect derived from the form of Arabic spoken in northern Algeria. It belongs to the Maghrebi Arabic language continuum and is partially mutually intelligible with Tunisian and Moroccan. Like other varieties of Maghrebi Arabic, Algerian has a mostly Semitic vocabulary. It contains Berber, Punic and Latin (African Romance) influences and has numerous loanwords from French, Andalusian Arabic, Ottoman Turkish and Spanish. Use Algerian Arabic is the native dialect of 75% to 80% of Algerians and is mastered by 85% to 100% of them. It is a spoken language used in daily communication and entertainment, while Modern Standard Arabic (MSA) is generally reserved for official use and education. As in the rest of the Arab world, this linguistic situation has been described as diglossia: MSA is nobody's first acquired language; it is learned through formal instruction rather than transmission from parent to child. Besides informal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andalusian Arabic
Andalusi Arabic (), also known as Andalusian Arabic, was a variety or varieties of Arabic spoken mainly from the 9th to the 17th century in Al-Andalus, the regions of the Iberian Peninsula (modern Spain and Portugal) once under Muslim rule. It became an extinct language in Iberia after the expulsion of the former Hispanic Muslims, which took place over a century after the Granada War by the Catholic Monarchs of Spain. Once widely spoken in Iberia, the expulsions and persecutions of Arabic speakers caused an abrupt end to the language's use on the peninsula. Its use continued to some degree in North Africa after the expulsion, although Andalusi speakers were rapidly assimilated by the Maghrebi communities to which they fled. Origin and history The Muslim forces that conquered Iberia in 711, about a century after the death of prophet Muhammad, were composed of a small group of Arabic speakers and a majority of Amazigh people, of whom many spoke little or no Arabic. According to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |