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Kurt Horres
Kurt Horres (28 November 1932 – 2 January 2023) was a German stage director, particularly of opera, and opera manager. He held positions as general manager at the Staatstheater Darmstadt, the Hamburg State Opera, and from 1986 to 1996 at the Deutsche Oper am Rhein. He focused on opera of the 20th century, including composers who had been banned during the Nazi regime, such as Korngold's ''Die tote Stadt'', and literature operas including Gottfried von Einem's ''Kabale und Liebe'', and the world premieres of Blacher's ''Yvonne, Prinzessin von Burgund,'' and Klebe's ''Das Mädchen aus Domrémy''. He taught stage direction at the Folkwang University. Life and career Horres was born in Düsseldorf on 28 November 1932. He studied German studies, theatre science, and art history at the University of Cologne and at the Robert Schumann Hochschule, Robert Schumann Conservatory in Düsseldorf. Horres began his career at the Komische Oper Berlin, assisting Walter Felsenstein. He worke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state and the seventh-largest city in Germany, with a population of 617,280. Düsseldorf is located at the confluence of two rivers: the Rhine and the Düssel, a small tributary. The ''-dorf'' suffix means "village" in German (English cognate: ''thorp''); its use is unusual for a settlement as large as Düsseldorf. Most of the city lies on the right bank of the Rhine. Düsseldorf lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Region. It neighbours the Cologne Bonn Region to the south and the Ruhr to the north. It is the largest city in the German Low Franconian dialect area (closely related to Dutch). Mercer's 2012 Quality of Living survey ranked Düsseldorf the sixth most livable city in the world. Düsse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Bonn
Theater Bonn (also known as the Stadttheater Bonn) is the municipal theatre company of Bonn, North Rhine-Westphalia, Germany. It is an organization that produces operas, musicals, ballets, plays, and concerts. It operates several performance venues throughout the town: for music theatre, the and for plays, and the Choreographisches Theater for ballet and dance. History The history of theatre in Bonn dates back to the time of the electors. End of the 17th century, a court theatre was established at the Electoral Palace, where French and Italian troupes played. In the 18th century, an amateur theatre was established for German plays (''Nationaltheater''), directed by Gustav Friedrich Wilhelm Großmann from 1778 to 1784, who staged the premiere of Schiller's '' Die Verschwörung des Fiesko zu Genua'' on 20 July 1783. The new French government destroyed the court theatre in 1797. In 1826, citizens built their own play house. A new building was opened in 1848, marked by Beeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Zender
Johannes Wolfgang Zender (22 November 1936 – 22 October 2019) was a German conductor and composer. He was the chief conductor of several opera houses, and his compositions, many of them vocal music, have been performed at international festivals. As a conductor, he worked at the Theater Freiburg, Theater Bonn, Opernhaus Kiel and Hamburg State Opera, and led the radio orchestra Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. He taught at the Musikhochschule Frankfurt. His opera '' Stephen Climax'' premiered in 1986 at the Oper Frankfurt, and his third opera, ''Chief Joseph'', premiered in 2005 at the Staatsoper Unter den Linden. Career Born in Wiesbaden, Zender attended the Maifestspiele at age 13, listening to concerts conducted by Carl Schuricht, Karl Böhm and Günter Wand, among others. He took piano lessons and learned to play the organ. From 1949, he went each year to the Darmstädter Ferienkurse, where he got to know trends in new music by Karlheinz Stockha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Drewanz
Hans Drewanz (2 December 1929 – 22 June 2021) was a German conductor and academic teacher. He was the Generalmusikdirektor (GMD) of Darmstadt for more than three decades, shaping musical life in the town especially at the Staatstheater Darmstadt. Life Hans Drewanz was born in Dresden on 2 December 1929. He grew up in Berlin with a brother named Hubertus. His father, Hanz Drewanz, was a Kapellmeister at a theatre; and his mother, Charlotte, was a kindergarten teacher. Drewanz was a pupil at the Musisches Gymnasium Frankfurt from 1940 until the end of World War II in 1945. Drewanz worked as an organist after 1945, and from 1947 as a répétiteur at the Oper Frankfurt. Simultaneously, he studied piano at the Musikhochschule Frankfurt with August Leopolder, while all other subjects had been previously covered by the Musisches Gymnasium. Although he did not complete his studies formally, he became personal assistant to Georg Solti at the Oper Frankfurt in 1953, and also worked wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fastnachtsbeichte (opera)
''Die Fastnachtsbeichte'', op. 90, (''Carnival Confession'') is an opera in two acts by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the novella of the same name by Carl Zuckmayer. The opera premiered on 20 December 1983 at the Staatstheater Darmstadt, directed by Kurt Horres and conducted by Hans Drewanz Hans Drewanz (2 December 1929 – 22 June 2021) was a German conductor and academic teacher. He was the Generalmusikdirektor (GMD) of Darmstadt for more than three decades, shaping musical life in the town especially at the Staatstheater Darmstad .... German-language operas Operas by Giselher Klebe Operas 1983 operas Operas based on novels {{German-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Wallat
Hans Wallat (18 October 1929 – 11 December 2014) was a German conductor, GMD in Bremen, at the Nationaltheater Mannheim, Theater Dortmund and Deutsche Oper am Rhein. A specialist for the stage works of Richard Wagner, he appeared at the Bayreuth Festival and internationally. Career Born in Berlin, he studied with Rudolf Neuhaus in Schwerin. He worked at theatres in Schwerin, Stendal, the Meiningen Court Theatre and in Cottbus. In 1958, Wallat was appointed ''Erster Kapellmeister'' at the Leipzig Opera. He left the GDR shortly before the Wall was built, and was ''Erster Kapellmeister'' at the Deutsche Oper Berlin from 1964. Wallat specialised in German opera, focussed on the works of Richard Wagner. In 1965 he became Generalmusikdirektor (GMD) in Bremen. In 1968, he stepped in for Karl Böhm to conduct performances of ''Die Meistersinger von Nürnberg'' and ''Der fliegende Holländer'' at the Bayreuth Festival. He was the regular conductor of the ''Meistersinger'' in 1970 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannheim National Theatre
The Mannheim National Theatre (german: Nationaltheater Mannheim) is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It was founded in 1779 and is one of the oldest theatres in Germany. History In the 18th century Mannheim was the capital of the Electoral Palatinate and the residence city of the reigning prince-electors. When Charles Theodore also became the Duke of Bavaria in 1777, he moved to Munich and brought the theatre company of Theobald Marchand with him from Mannheim. In 1778 he instructed the courtier Wolfgang Heribert von Dalberg—the brother of Prince-Elector and Grand Duke Karl Theodor von Dalberg—to establish a new theatre in Mannheim. At first Dalberg contracted Abel Seyler's theatre company with performing in Mannheim on an occasional basis from 1778 to 1779. Performances included Shakespeare plays such as ''Hamlet'' and '' Macbeth''. In the autumn of 1779 Seyler moved permanently to Mannheim with the remaining members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Jüngste Tag
''Der Jüngste Tag'', op.82, (''Judgment Day'') is an opera in three acts composed by Giselher Klebe. His wife, Lore Klebe, wrote the libretto based on the play of the same name by Ödön von Horváth. The opera premiered in 1980 at the Nationaltheater Mannheim, directed by Kurt Horres and conducted by Hans Wallat. External linksEssay by Klebe on this opera German-language operas Operas by Giselher Klebe Operas 1980 operas Operas based on plays {{German-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatstheater Stuttgart
The Staatstheater Stuttgart (Stuttgart State Theatre) is a theatre with three locations, Oper Stuttgart (Opera Stuttgart), Stuttgarter Ballett (Stuttgart Ballet), and Schauspiel Stuttgart (Stuttgart Drama Theatre), in Stuttgart, Germany. The state that its name refers to is Baden-Württemberg. Architecture Designed by the noted Munich architect Max Littmann, who won a competition to create new royal theatres, the building was constructed between 1909 and 1912 as the Königliche Hoftheater, royal theatre of the Kingdom of Württemberg with a Grosses Haus (large house) and a Kleines Haus (small house). In 1919, the theatres were renamed to Landestheater, and later Staatstheater. The house for drama theatre, Kleines Haus, was destroyed by bombing during World War II, and today, the site is occupied by a new Kleines Haus, designed by Hans Volkart, which opened in 1962. The Opera House (Grosses Haus), is one of only a few German opera houses to survive the bombing of World War II. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death In Venice (opera)
''Death in Venice'', Op. 88, is an opera in two acts by Benjamin Britten, his last. The opera is based on the novella ''Death in Venice'' by Thomas Mann. Myfanwy Piper wrote the English libretto. It was first performed at Snape Maltings, near Aldeburgh, England, on 16 June 1973. The often acerbic and severe score is marked by some haunting soundscapes of "ambiguous Venice". The boy Tadzio is portrayed by a silent dancer, to gamelan-like percussion accompaniment. The music of the opera is precise, direct and movingly understated. Composition history Britten had been contemplating the novella for many years and began work in September 1970 with approaches to Piper and to Golo Mann, son of the author. Because of agreements between Warner Brothers and the estate of Thomas Mann for the production of Luchino Visconti's 1971 film, Britten was advised not to see the movie when it was released.Strode, Rosamund "A 'Death in Venice chronicle" in ''Benjamin Britten: Death in Venice.'' (Camb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pina Bausch
Philippine "Pina" Bausch (27 July 1940 – 30 June 2009) was a German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as . Bausch's approach was noted for a stylized blend of dance movement, prominent sound design, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece, and her work had an influence on modern dance from the 1970s forward. Her work, regarded as a continuation of the European and American expressionist movements, incorporated many expressly dramatic elements and often explored themes connected to trauma, particularly trauma arising out of relationships. She created the company Tanztheater Wuppertal Pina Bausch, which performs internationally. Early life Bausch was born in Solingen, the daughter of August and Anita Bausch, who owned a restaurant with guest rooms which is where she was born. The restaurant provided Pina with a venue to start performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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