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Kurt Fiebig
Kurt Fiebig (29 February 1908 – 12 October 1988) was a German composer, church musician and professor at the Hochschule für Musik und Theater Hamburg. Life and career Fiebig was born in Berlin as the son of a military musician. His parents, whose father was an oboist in the 2nd Guards Regiment on Foot, brought him into contact with music at an early age. From the age of six he received piano lessons and accompanied his father to the violin. He attended the traditional Berlinisches Gymnasium zum Grauen Kloster up to the Abitur. Fiebig gained important musical impressions as a choirboy in the under Hugo Rüdel. He returned from a concert tour of this choir in Switzerland with the decision to learn to play the organ and to become a church musician. In the church of St. Bartholomew in Berlin, he received lessons in music theory, harmony and counterpoint from the church musician Rudolf Fischer for which he was well known. Fiebig taught himself how to play the organ and soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Straube
Montgomery Rufus Karl Siegfried Straube (6 January 1873 – 27 April 1950) was a German church musician, organist, and choral conducting, conductor, famous above all for championing the abundant organ music of Max Reger. Career Born in Berlin, Straube studied organ under Heinrich Reimann there from 1894 to 1897 and became a widely respected concert organist. In 1897 he was appointed organist at Willibrordi-Dom (St Willibrord Cathedral) in Wesel, but left in 1902 to take up the position of organist at the Thomaskirche in Leipzig. He gave up his career as a performer relatively early in order to pursue teaching and publishing, particularly the music of Max Reger, though he still kept his position at the Thomaskirche. He was also appointed to the organ faculty of the Leipzig Conservatorium in 1907, receiving the title of "Royal Professor" in 1908. This most honorary title, which is seemingly astounding for a professor of only one year, reflects more on Straube's cleverness than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konzerthaus Berlin
The Konzerthaus Berlin is a concert hall in Berlin, the home of the Konzerthausorchester Berlin. Situated on the Gendarmenmarkt square in the central Mitte district of the city, it was originally built as a theater. It initially operated from 1818 to 1821 under the name of the Schauspielhaus Berlin, then as the Theater am Gendarmenmarkt and Komödie. It became a concert hall after the Second World War, and its name changed to its present one in 1994. The Konzerthausorchester Berlin is the resident orchestra of the Konzerthaus Berlin. The concert hall also hosts Young Euro Classic every summer, an international festival of youth orchestras. History National-Theater (1802–1817) The building's predecessor, the ''National-Theater'' in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans, and was inaugurated on 1 January 1802. Königliches Schauspielhaus (1817–1870) The new hall was designed by Karl Friedrich Schinkel betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internationale Gesellschaft Für Neue Musik
The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music. The organization was established in Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival. It was founded by the Austrian (later British) composer Egon Wellesz and the Cambridge academic Edward J Dent, who first met when Wellesz visited England in 1906. In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under Richard Strauss, was accused of furthering Nazi Party cultural ambitions in opposition to the non-political ISCM. British composer Herbert Bedford, acting as co-Secretary, defended its neutrality. Aside from hiatuses in 1940 and 1943-5 due to World War II and in 2020–21 due to the global COVID-19 pandemic, the ISCM's core activity has been an annual fes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Schmied Von Gent
''Der Schmied von Gent'' is a "Grand magical opera" in three acts by Franz Schreker with a German-language libretto by the composer after the story ''Smetse Smee'' by the Flemish author Charles de Coster. Composition history The work was composed between 1929 and 1932 and published by Universal Edition. It was the composer's final completed opera. Performance history The work was first performed at the Berlin Städtische Oper on 29 October 1932 conducted by Paul Breisach.Christopher Hailey: 'Franz Schreker: A cultural biography' (Cambridge University Press, 1993) The performance was marred by right-wing demonstrations directed at the composer due to his Jewish heritage. The first performance in modern times was at the Berlin Staatsoper in 1981 conducted by Rolf Reuter. Further productions have taken place at Bielefeld Opera (1991), Chemnitz Opera (2010), Flemish Opera (2020) and Theater Münster (2023). Synopsis Act 1 Smee owns a smithy on the banks of the River Leie in Ghent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mendelssohn Prize
The Mendelssohn Scholarship (german: Mendelssohn-Stipendium) refers to two scholarships awarded in Germany and in the United Kingdom. Both commemorate the composer Felix Mendelssohn, and are awarded to promising young musicians to enable them to continue their development. History Shortly after Mendelssohn's death in 1847, a group of his friends and admirers formed a committee in London to establish a scholarship to enable musicians to study at the Leipzig Conservatoire, which Mendelssohn had founded in 1843. Their fundraising included a performance of Mendelssohn's ''Elijah'' in 1848, featuring Jenny Lind. The link between London and Leipzig fell through, resulting in two Mendelssohn Scholarships.''A Dictionary of Music and Musicians'' Sir George Grove, Vol. 2, London, 1900, New York Times, 7 November 1895 Mendelssohn Scholarship in Germany In Germany, the Mendelssohn Scholarship was established in the 1870s as two awards of 1500 Marks, one for composition and one for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Joachim Moser
Hans Joachim Moser (25 May 1889, Berlin''Die kleine Enzyklopädie'', Encyclios-Verlag, Zurich, 1950, Vol. 2, p. 202. – 14 August 1967, Berlin) was a German musicologist, composer and singer. Moser was the son of the music-professor Andreas Moser (1859–1925), a pupil and important early biographer of Joseph Joachim. He studied the History of Music (mainly with Gustav Jenner and Robert Kahn), German philology and Philosophy in Marburg, Berlin and Leipzig, and studied violin with his father. With the work Musical Confederations in the German Middle Ages he obtained his doctorate in 1910 at Rostock. He took part as a lieutenant during the First World War, was officially accepted as part of the University of Halle in 1919, and in 1922 became extraordinary Professor. In 1925 he followed a call to Heidelberg. From 1927 to 1933 he was Director of the State Academy for Church and School Music in Berlin. In 1933 Moser was forcibly pensioned off on political grounds. In 1938 he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheet Music
Sheet music is a handwritten or printed form of musical notation that uses List of musical symbols, musical symbols to indicate the pitches, rhythms, or chord (music), chords of a song or instrumental Musical composition, musical piece. Like its analogs – printed Book, books or Pamphlet, pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter Computer program, computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instrumentation, virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, compact cassette, cassette, Compact disc, CD), radio or Telev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Szell
George Szell (; June 7, 1897 – July 30, 1970), originally György Széll, György Endre Szél, or Georg Szell, was a Hungarian-born American conductor and composer. He is widely considered one of the twentieth century's greatest conductors. He is remembered today for his long and successful tenure as music director of the Cleveland Orchestra of Cleveland, Ohio, and for the recordings of the standard classical repertoire he made in Cleveland and with other orchestras. Szell came to Cleveland in 1946 to take over a respected if undersized orchestra, which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into "what many critics regarded as the world's keenest symphonic instrument." Through his recordings, Szell has remained a presence in the classical music world long after his death, and his name remains synonymous with that of the Cleveland Orchestra. Whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Seiffert
Maximilian Seiffert (9 February 1868 – 15 April 1948) was a German musicologist and editor of Baroque music. Biography Seiffert was born in Beeskow an der Spree, Germany, the son of a teacher. He was first educated at the Joachimsthal Gymnasium, in Berlin, where he studied under Philipp Spitta, and then at the University of Berlin where he received a Ph.D. in 1891 for his dissertation '' J. P. Sweelinck und seine direkten deutschen Schüler (Jan Pieterszoon Sweelinck and his German pupils)''. He died in Schleswig, Germany on the fifteenth, of April, 1948. Career As well as producing modern editions of organ pieces by Bach and Buxtehude, Seiffert was responsible for the following: *Making piano transcriptions of some of Bach's works (in association with Max Schneider). *Assisting with the editing of the Händel-Gesellschaft. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curt Sachs
Curt Sachs (; 29 June 1881 – 5 February 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments). Among his contributions was the Hornbostel–Sachs system, which he created with Erich von Hornbostel. Biography Born in Berlin, Sachs studied piano, music theory and composition as a youth in that city. However, his doctorate from Berlin University (where he was later professor of musicology) in 1904 was on the history of art, with his thesis on the sculpture of Verrocchio. He began a career as an art historian, but promptly became more devoted to music, eventually being appointed director of the Staatliche Instrumentensammlung, a large collection of musical instruments. He reorganised and restored much of the collection, and his career as an organologist began. In 1913, Sachs saw the publication of his book ''Real-Lexicon der Musikinstrumente'', probably the most comprehensive survey of musical instruments in 200 years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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