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Kuningas Lähtee Ranskaan
''Kuningas lähtee Ranskaan'' ( en, The King Goes Forth to France) is an opera in three acts by Aulis Sallinen, based on the novel of the same title by Paavo Haavikko, who also wrote the libretto. The English singing version is by Stephen Oliver. Background ''Kuningas lähtee Ranskaan'' was first performed on 7 July 1984 by the Savonlinna Opera Festival,Arni E. The King Goes Forth to France. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. and revived at the festival in the three years that followed. Later performances have taken place at the Kiel Opera House (1986, in a cut version not approved by the composerMilnes R. Awaiting the King. ''About the House'', Christmas 1986, 48–51.), the Santa Fe Opera Festival (1986) and the Royal Opera House, Covent Garden (1987).Arni E. The King's Story. Article in Royal Opera programme for ''The King Goes Forth to France'', London, 9 April 1987. A concert performance of the opera in Helsinki in 2005 was re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulis Sallinen
Aulis Sallinen (born 9 April 1935) is a Finnish contemporary classical music composer. His music has been variously described as "remorselessly harsh", a "beautifully crafted amalgam of several 20th-century styles", and "neo-romantic". Sallinen studied at the Sibelius Academy, where his teachers included Joonas Kokkonen. He has had works commissioned by the Kronos Quartet, and has also written seven operas, eight symphonies, concertos for violin, cello, flute, horn, and English horn, as well as several chamber works. He won the Nordic Council Music Prize in 1978 for his opera ''Ratsumies'' ('' The Horseman''). Childhood and studies Sallinen was born in Salmi. During his childhood the family moved several times for his father's work, and during Evacuation of Finnish Karelia in 1944 the family relocated to Uusikaupunki, where Aulis Sallinen attended his schools. His first instruments were violin and piano. He would play both jazz and classical music. He was known to be extremely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Symphony Orchestra (United States)
The National Symphony Orchestra (NSO) is an American symphony orchestra based in Washington, D.C. Founded in 1930, its principal performing venue is the John F. Kennedy Center for the Performing Arts. It also performs for the annual National Memorial Day Concert and ''A Capitol Fourth'' celebrations. History For the first period of its history, the NSO performed in Constitution Hall. During the tenure of the first music director, Hans Kindler, the musicians received a salary of $40.00 per week, for three rehearsals and one concert, for five months of the year. The first female member of the NSO was a harpist, Sylvia Meyer, who joined in 1933. Kindler and the NSO made several 78-rpm recordings for RCA Victor, including the two Roumanian Rhapsodies by George Enescu; much later, in 1960, the NSO would perform the first of these works under the baton of the visiting Romanian conductor George Georgescu, a close associate and favored exponent of the composer.Programme for National S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hundred Years War
The Hundred Years' War (; 1337–1453) was a series of armed conflicts between the kingdoms of England and France during the Late Middle Ages. It originated from disputed claims to the French throne between the English House of Plantagenet and the French royal House of Valois. Over time, the war grew into a broader power struggle involving factions from across Western Europe, fuelled by emerging nationalism on both sides. The Hundred Years' War was one of the most significant conflicts of the Middle Ages. For 116 years, interrupted by several truces, five generations of kings from two rival dynasties fought for the throne of the dominant kingdom in Western Europe. The war's effect on European history was lasting. Both sides produced innovations in military technology and tactics, including professional standing armies and artillery, that permanently changed warfare in Europe; chivalry, which had reached its height during the conflict, subsequently declined. Stronger na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Edward III
Edward III (13 November 1312 – 21 June 1377), also known as Edward of Windsor before his accession, was King of England and Lord of Ireland from January 1327 until his death in 1377. He is noted for his military success and for restoring royal authority after the disastrous and unorthodox reign of his father, Edward II. EdwardIII transformed the Kingdom of England into one of the most formidable military powers in Europe. His fifty-year reign was List of monarchs in Britain by length of reign#Ten longest-reigning British monarchs, one of the longest in English history, and saw vital developments in legislation and government, in particular the evolution of the English Parliament, as well as the ravages of the Black Death. He outlived his eldest son, Edward the Black Prince, and the throne passed to his grandson, Richard II. Edward was crowned at age fourteen after his father was deposed by his mother, Isabella of France, and her lover Roger Mortimer, 1st Earl of March, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helena Salonius
Helena Salonius (17 March 1930 — 24 September 2012) was a Finnish operatic soprano and actress. Early life and education Salonius was born into a musical family: her mother was the singer Helmi Frilander-Salonius, a close friend of the opera diva Aino Ackté, while her aunt was the opera singer . She never knew her father, who died only months after her birth. She went to school at '' Helsingin Suomalainen Yhteiskoulu'', which has a strong tradition of artistic and cultural education, and this is likely to have influenced her career choice. After graduation, she continued in 1950 to drama school (now part of Helsinki Theatre Academy). Salonius married the actor Saulo Haarla, whom she had met at drama school, and together they had two children: their son (b. 1955) became an artist, and their daughter, Iro Haarla (b. 1956), a jazz musician. Career After working for some years as a stage and film actor, appearing in three feature-length films in the 1950s, Salonius turned her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorma Hynninen
Jorma Kalervo Hynninen (born 3 April 1941) is a Finnish baritone who performs regularly with the world's major opera companies. He has also worked in opera administration. Hynninen was born on 3 April 1941 in Leppävirta, Finland. He studied from 1966 to 1970 at the Sibelius Academy in Helsinki and also took lessons from Luigi Ricci in Rome and Kurt Overhoff in Salzburg. In 1969 he won first prize the Lappeenranta Solo Voice Competition and made his opera debut with the Finnish National Opera as Silvio in Leoncavallo's ''Pagliacci''. Hynninen sang his first public concert in 1970 in Helsinki and made his debut the same year with the Finnish National Opera, where he was a permanent member until 1990. In 1971 he took first prize in the Scandinavian Singing Competition in Helsinki and in 1996 won the Cannes Classical Award. On the opera stage, his notable roles have included Count Almaviva in Mozart's '' Le nozze de Figaro'', Tchaikovsky's ''Eugene Onegin'', and Pelléas in Deb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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