|
Kuningas Lear
''Kuningas Lear'' (King Lear) is an opera in two acts by Aulis Sallinen, with a libretto by the composer, based on the play by William Shakespeare and premiered in 2000; it was Sallinen's sixth opera. Background ''Kuningas Lear'' was commissioned by and first performed by Finnish National Opera on 15 September 2000 at the Finnish National Opera House. Sallinen has spoken of the major thought that went into recreating the dramaturgy of the piece, shortening sections and deleting characters from the cast. His aim was in general to remove as much as possible of the narrative elements and mainly concentrate on the "very strong poetical scenes". He insisted that the work requires "big singing". Sallinen was particularly inspired by knowing the cast from the start, especially leading Finnish singers Matti Salminen and Jorma Hynninen Jorma Kalervo Hynninen (born 3 April 1941) is a Finnish baritone who performs regularly with the world's major opera companies. He has also worked i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulis Sallinen
Aulis Sallinen (born 9 April 1935) is a Finnish contemporary classical music composer. His music has been variously described as "remorselessly harsh", a "beautifully crafted amalgam of several 20th-century styles", and "neo-romantic". Sallinen studied at the Sibelius Academy, where his teachers included Joonas Kokkonen. He has had works commissioned by the Kronos Quartet, and has also written seven operas, eight symphonies, concertos for violin, cello, flute, horn, and English horn, as well as several chamber works. He won the Nordic Council Music Prize in 1978 for his opera ''Ratsumies'' ('' The Horseman''). Childhood and studies Sallinen was born in Salmi. During his childhood the family moved several times for his father's work, and during Evacuation of Finnish Karelia in 1944 the family relocated to Uusikaupunki, where Aulis Sallinen attended his schools. His first instruments were violin and piano. He would play both jazz and classical music. He was known to be extremely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilli Paasikivi
Lilli Katriina Paasikivi-Ilves (born in 1965 in Imatra, Finland) is the artistic director of the Finnish National Opera since 2013 and a mezzo-soprano. In her work, Paasikivi has set out to reshape the structures of opera and to find ways to combine technology with opera. In 2019, Paasikivi launched Opera Beyond – a project which aims to apply new technological possibilities and tools in opera and ballet. Her roles have included Marguerite (in Opera North's ''La damnation de Faust'' ) and Octavian (in ''Der Rosenkavalier''). She has also performed as Fricka in ''Das Rheingold'' with the Berlin Philharmonic under Sir Simon Rattle. In 2007, she performed as Ariel in Sibelius's incidental music to ''The Tempest'' at the Royal Albert Hall, London, in the 42nd BBC Prom. In April 2008, she performed Ernest Chausson's '' Poème de l'amour et de la mer'' with the Melbourne Symphony Orchestra. In November 2008, she sang Elgar's ''Sea Pictures'' and ''The Dream of Gerontius'' with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish-language Operas
Finnish (endonym: or ) is a Uralic language of the Finnic branch, spoken by the majority of the population in Finland and by ethnic Finns outside of Finland. Finnish is one of the two official languages of Finland (the other being Swedish). In Sweden, both Finnish and Meänkieli (which has significant mutual intelligibility with Finnish) are official minority languages. The Kven language, which like Meänkieli is mutually intelligible with Finnish, is spoken in the Norwegian county Troms og Finnmark by a minority group of Finnish descent. Finnish is typologically agglutinative and uses almost exclusively suffixal affixation. Nouns, adjectives, pronouns, numerals and verbs are inflected depending on their role in the sentence. Sentences are normally formed with subject–verb–object word order, although the extensive use of inflection allows them to be ordered differently. Word order variations are often reserved for differences in information structure. Finnish orthog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakespearean Fool
The Shakespearean fool is a recurring character type in the works of William Shakespeare. Shakespearean fools are usually clever peasants or commoners that use their wits to outdo people of higher social standing. In this sense, they are very similar to the real fools, and jesters of the time, but their characteristics are greatly heightened for theatrical effect. The "groundlings" (theatre-goers who were too poor to pay for seats and thus stood on the 'ground' in the front by the stage) that frequented the Globe Theatre were more likely to be drawn to these Shakespearean fools. However they were also favoured by the nobility. Most notably, Queen Elizabeth I was a great admirer of the popular actor who portrayed fools, Richard Tarlton. For Shakespeare himself, however, actor Robert Armin may have proved vital to the cultivation of the fool character in his many plays. The Fools Fools have entertained a varied public from Roman through Medieval times. The fool perhaps reached i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Of Albany
Duke of Albany is a peerage title that has occasionally been bestowed on the younger sons in the Scottish and later the British royal family, particularly in the Houses of Stuart and Hanover. History The Dukedom of Albany was first granted in 1398 by King Robert III of Scotland on his brother, Robert Stewart, the title being in the Peerage of Scotland. "Albany" was a broad territorial term representing the parts of Scotland north of the River Forth, roughly the former Kingdom of the Picts. The title (along with the Dukedom of Rothesay) was the first Dukedom created in Scotland. It passed to Robert's son Murdoch Stewart, and was forfeited in 1425 due to the attainder of Murdoch. The title was again created in 1458 for Alexander Stewart but was forfeit in 1483. His son John Stewart was restored to the second creation in 1515 but died without heirs in 1536. In 1541 Robert, second son of James V of Scotland, was styled Duke of Albany, but he died at less than a month old. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regan (King Lear)
Regan is a fictional character in William Shakespeare's tragic play ''King Lear'', named after a king of the Britons recorded by the medieval scribe Geoffrey of Monmouth. Shakespeare based the character on Regan, a personage described by Geoffrey of Monmouth in his pseudo-historical chronicle ''Historia regum Britanniae'' ("History of the Kings of Britain", ) as one of the British king Lear's three daughters, alongside Goneril and Cordelia (the source for Cordelia), and the mother of Cunedagius. Role in play She is the middle child of King Lear's daughters and is married to the Duke of Cornwall. Similarly to her older sister Goneril, Regan is attracted to Edmund. Both sisters are eager for power and convince their father with false flattery to hand over his kingdom. "Sir, I am made Of the self same metal that my sister is, And prize me at her worth. In my true heart, I find she names my very deed of love; Only she comes too short, that I profess Myself an enemy to all other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Goneril
Goneril is a character in William Shakespeare's tragic play ''King Lear'' (1605). She is the eldest of King Lear's three daughters. Along with her sister Regan, Goneril is considered a villain, obsessed with power and overthrowing her elderly father as ruler of the kingdom of Britain. Shakespeare based the character on Gonorilla, a personage described by Geoffrey of Monmouth in his pseudo-historical chronicle ''Historia regum Britanniae'' ("History of the Kings of Britain", ) as the eldest of the British king Lear's three daughters, alongside Regan and Cordeilla (the source for Cordelia) and the mother of Marganus. Role in play Goneril is the oldest daughter of King Lear. She is married to the Duke of Albany. She is also one of the play's principal villains. In the first scene, her father asks each of his daughters to profess their love for him to receive their portion of the kingdom. Goneril's speech, while flattering, is not genuine as she only wishes to accrue power. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
