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Kulintang A Kayo 01
Kulintang ( id, kolintang, ms, kulintangan) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Indonesia, Southern Philippines, Eastern Malaysia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles. Technically, ''kulintang'' is the Ternate, Mollucas, Maguindanaon, Lumad and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tifa Totobuang
A ''tifa totobuang'' is a music ensemble from the Maluku Islands, related to the ''kulintang'' orchestra. It consists of a set of a double row of gong chimes known as the ''totobuang'' (similar to set of '' bonang gong chimes'') and a set of '' tifa'' drums. It can also include a large gong. The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. The custom dates back at least to the late 17th or early 18th century. Gong-chime and drum ensembles, labeled ''tifa totobuang'', were mentioned by François Valentijn, a Dutch army cleric who served in the Dutch army in Ambon, Maluku in two tours, 1686-1994 and 1703-1713. Valentijn talked about hearing "some Javanese lasses sing to the sound of a gong and a tifa (i.e. drum) and of a native zither...a large number of gongs and tifas." Instruments Tifa The tifa drums used for the tifa totobuang have been classed into five sizes. These include, from smallest to largest: *tif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Timor
East Timor (), also known as Timor-Leste (), officially the Democratic Republic of Timor-Leste, is an island country in Southeast Asia. It comprises the eastern half of the island of Timor, the exclave of Oecusse on the island's north-western half, and the minor islands of Atauro and Jaco. Australia is the country's southern neighbour, separated by the Timor Sea. The country's size is . Dili is its capital and largest city. East Timor came under Portuguese influence in the sixteenth century, remaining a Portuguese colony until 1975. Internal conflict preceded a unilateral declaration of independence and an Indonesian invasion and annexation. Resistance continued throughout Indonesian rule, and in 1999 a United Nations–sponsored act of self-determination led to Indonesia relinquishing control of the territory. On 20 May 2002, as ''Timor-Leste'', it became the first new sovereign state of the 21st century. The national government runs on a semi-presidential system, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babandil
The babandil is a single, narrow-rimmed Philippine gongBenitez, Kristina. The Maguindanaon Kulintang: Musical Innovation, Transformation and the Concept of Binalig. Ann Harbor, MI: University of Michigan, 2005. used primarily as the “timekeeper” of the Maguindanao kulintang ensemble. Description The babendil usually has a diameter of roughly one foot making it larger than the largest kulintang gong and comparable to the diameter of the agung or gandingan. However, unlike the gandingan or the agong, the babendil has a sunken boss which makes the boss relatively non-functional.Cadar, Usopay Hamdag (1971). The Maranao Kolintang Music: An Analysis of the Instruments, Musical Organization, Ethmologies, and Historical Documents. Seattle, WA: University of Washington. Because of their sunken boss, babendils are instead struck either at the flange or the rim, using either bamboo betays or a strip of rattan, producing a sharp, distinctive metallic clang and are sometimes considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandingan
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agung
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra. Description The agung is a large, heavy, wide-rimmed gong shaped like a kettle gong. of the agung produces a bass sound in the kulintang orchestra and weighs between 13 and 16 pounds, but it is possible to find agungs weigh as low as 5 pounds or as high as 20 or 30 pounds each, depending on the metal (bronze, brass or iron) used to produce them. Though their diameters are smaller than the gandingan's, at roughly to in length, they have a much deeper turned-in ''takilidan'' (rim) than the latter, with a width of 12 to 13 inches (330 mm) including the knob.Cadar, Usopay H., and Robert Garfias. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mindanao
Mindanao ( ) ( Jawi: مينداناو) is the second-largest island in the Philippines, after Luzon, and seventh-most populous island in the world. Located in the southern region of the archipelago, the island is part of an island group of the same name that also includes its adjacent islands, notably the Sulu Archipelago. According to the 2020 census, Mindanao has a population of 26,252,442 people, while the entire island group has an estimated population of 27,021,036 according to the 2021 census. Mindanao is divided into six administrative regions: the Zamboanga Peninsula, Northern Mindanao, the Caraga region, the Davao region, Soccsksargen, and the autonomous region of Bangsamoro. According to the 2020 census, Davao City is the most populous city on the island, with 1,776,949 people, followed by Zamboanga City (pop. 977,234), Cagayan de Oro (pop. 728,402), General Santos (pop. 697,315), Butuan (pop. 372,910), Iligan (pop. 363,115) and Cotabato City (pop. 325,079). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of East Timor
East Timor's music reflects its history under the control of both Portugal and Indonesia, who have imported music like gamelan and fado. The most widespread form of native folk music was the likurai dance, performed by women to welcome home men after war. They used a small drum and sometimes carried enemy heads in processions through villages; a modern version of the dance is used by women in courtship. In the modern era, East Timorese music has been closely associated with the independence movement; for example, the band Dili Allstars released a song that became an anthem in the build-up to the referendum on independence in 2000, while the United Nations commissioned a song called "Hakotu Ba" (by Lahane) to encourage people to register to vote in the referendum. East Timorese popular musicians include Teo Batiste Ximenes, who grew up in Australia and uses folk rhythms from his homeland in his music . With many East Timorese people in emigrant communities in Australia, Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Philippines
The music of the Philippines ( fil, Musika ng Pilipinas) includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of different Asian, Spanish, Latin American, American, and indigenous influences. Philippine folk music has a strong Spanish and Latin American influence, derived from when the country was under the Spanish crown for over 300 years. Indigenous music Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous " Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and dances. Buenaventura composed the music for "Pandanggo sa Ilaw". Gong music Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as ''gang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Malaysia
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others. In general, music of Malaysia may be categorised as classical, folk, syncretic (or acculturated music), popular and contemporary art music. Classical and folk music emerged during the pre-colonial period and exists in the form of vocal, dance and theatrical music such as ''Nobat'', '' Mak Yong'', ''Mak Inang'', '' Dikir barat'', ''Ulek mayang'' and '' Menora''. The syncretic music developed during the post-Portuguese period (16th century) and contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese and Western musical and theatrical sources. Among genres of this music are ''Zapin'', ''Ghazal'', '' Mata-kantiga'', ''Joget'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Indonesia
As it is a country with many different tribes and ethnic groups, the music of Indonesia ( id, Musik Indonesia) itself is also very diverse, coming in hundreds of different forms and styles. Every region have its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores ( Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Brunei
Brunei is a southeast Asian country located on Borneo between the states of Sabah and Sarawak which are part of Malaysia. There is a wide array of native folk music, and dance. Brunei shares some Cultural perspectives and links with the countries of South East Asia such as Malaysia, Singapore, Indonesia, Thailand, Philippines. The strong Islamic influence means that dance performances and music are somewhat restricted. Folk music Adai-adai is a group work song sung by fisherpeople while they fished. Another folk dance is the Benari, or Joget Baju Putih, performed during numerous festivals. It is usually performed by three men and three women. Kedayan music Aduk-Aduk is an ceremonial dance performing by the Kedayan children before birthdays, especially at the end of the harvest season. Dancers wear traditional warrior's attire, in tengkolok, red belt and black clothing, and dance to the beat of silat, a Malay martial art. This dance is accompanied by percussion instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Southeast Asia
300px, Location of Southeast Asia Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei, Cambodia, East Timor, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand and Vietnam, which accommodate hundreds of ethnic groups. Thousands of styles of music are present as a result of regional groups speaking many languages all over the subregion of Asia. Regionalism is usually accepted and celebrated, however, it is sometimes suppressed by the people, even though countries from southeast Asia are trying to construct national cultures. Hinduism, Buddhism, Islam, and Christianity are the paramount faiths in Southeast Asia. Throughout history to the present time, instrumental and vocal music has been centralized and focused on the religious life of subregional Asia. Urbanization has helped to assimilate musical and religious practices. Although modernization has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
