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Koyasan Reihōkan
is an art museum on Kōya-san, Wakayama Prefecture, Japan, preserving and displaying Buddhist art owned by temples on Kōya-san. The collection is centered around articles from the Heian period, Heian and Kamakura periods and includes paintings, calligraphy, sutras, sculpture and Buddhist ritual objects. Among these are a set of the complete Buddhist canon (''issaikyō''), writings of Kūkai and Minamoto no Yoritomo, founder of the Kamakura Shogunate, mandalas and portraits of priests. The most valuable objects have been designated as National Treasure (Japan), National Treasure or Important Cultural Property (Japan), Important Cultural Property. History Kōbō-Daishi, founder of Shingon Buddhism was a proponent of religious art as a way to enlightenment. Consequently, Shingon temples such as on Koyasan are among Japan's greatest repositories of Buddhist art. Initially, Koyasan's religious treasures were spread among the various subtemples with the highest concentration at Kong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinbutsu Bunri
The Japanese term indicates the separation of Shinto from Buddhism, introduced after the Meiji Restoration which separated Shinto ''kami'' from buddhas, and also Buddhist temples from Shinto shrines, which were originally amalgamated. It is a yojijukugo phrase. Background before 1868 Until the end of the Edo period, in 1868, Shinto and Buddhism were intimately connected in what was called ''shinbutsu-shūgō'' (神仏習合), to the point that the same buildings were often used as both Shinto shrines and Buddhist temples, and Shinto gods were interpreted as manifestations of Buddhas. However, the tendency to oppose Buddhism as a foreign import and to uphold Shinto as the native religion can be seen already during the early modern era, partly as a nationalistic reaction.. In a broad sense, the term ''shinbutsu bunri'' indicates the effects of the anti-Buddhist movement that, from the middle of the Edo period onwards, accompanied the spread of Confucianism, the growth of studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirvana
( , , ; sa, निर्वाण} ''nirvāṇa'' ; Pali: ''nibbāna''; Prakrit: ''ṇivvāṇa''; literally, "blown out", as in an oil lampRichard Gombrich, ''Theravada Buddhism: A Social History from Ancient Benāres to Modern Colombo.'' Routledge) is a concept in Indian religions (Buddhism, Hinduism, Jainism, and Sikhism) that represents the ultimate state of soteriological release, the liberation from duḥkha and '' saṃsāra''. In Indian religions, nirvana is synonymous with ''moksha'' and ''mukti''. All Indian religions assert it to be a state of perfect quietude, freedom, highest happiness as well as the liberation from attachment and worldly suffering and the ending of ''samsara'', the round of existence.Gavin Flood, ''Nirvana''. In: John Bowker (ed.), '' Oxford Dictionary of World Religions'' However, non-Buddhist and Buddhist traditions describe these terms for liberation differently. In Hindu philosophy, it is the union of or the realization of the identity of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JAANUS
Japanese Architecture and Art Net Users System, or JAANUS, is an online dictionary of Japanese architecture and art terms compiled by Dr. Mary Neighbour Parent. It contains approximately eight thousand entries. It is searchable in both English and romaji and contains many hyperlinks and illustrations. See also * Japanology Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanes ... References External links * Japanese studies Architecture in Japan Japanese art {{Japan-art-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zennyo Ryūō
is a rain-god Japanese dragon, dragon in Japanese mythology. According to Japanese Buddhist tradition, the priest Kūkai made Zennyo Ryūō appear in 824 AD during a famous rainmaking contest at the Kyoto Imperial Palace. Name The dragon name Zennyo Ryūō is written with Japanese language, Japanese ''zen'' Wikt:善, 善 "good, goodness; virtuous", ''nyo'' Wikt:女, 女 "woman; female" or ''nyo'' Wikt:如, 如 "like; as if; be like; thus" (differentiated with the "mouth radical" Wikt:口, 口), and ''ryūō'' Wikt:龍王, 龍王 or Wikt:竜王, 竜王 "dragon king". Zennyo is a common theme in Japanese art, usually depicted as a small dragon but sometimes as a human, either male or female, with a dragon's tail. The "female" representations could explain this Variant Chinese character, variant character 女 (Visser 1913:162). Fowler (1997:155) cites Nishida Nagao 西田長男 that this 女 "woman" in Zennyo was an error for the original character 如. In Japanese Buddhist terminol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanging Scroll
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and designed to be viewed flat on a table in sections and then stored away again. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls are rotated according to season or occasion, and such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative brocade silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively. The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon King Zennyo2
A dragon is a reptilian legendary creature that appears in the folklore of many cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of feline, reptilian and avian features. Scholars believe huge extinct or migrating crocodiles bear the closest resemblance, especially when encountered in forested or swampy areas, and are most likely the template of modern Oriental dragon imagery. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French ''dragon'', which in turn comes from la, draconem (nominative ) meaning "huge serpent, dragon", from Ancient Greek , (genitive , ) "serpent, giant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Work Of Art (Japan)
Importance is a property of entities that matter or make a difference. For example, World War II was an important event and Albert Einstein was an important person because of how they affected the world. There are disagreements in the academic literature about what type of difference is required. According to the causal impact view, something is important if it has a big causal impact on the world. This view is rejected by various theorists, who insist that an additional aspect is required: that the impact in question makes a value difference. This is often understood in terms of how the important thing affects the well-being of people. So on this view, World War II was important, not just because it brought about many wide-ranging changes but because these changes had severe negative impacts on the well-being of the people involved. The difference in question is usually understood counterfactually as the contrast between how the world actually is and how the world would have be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
