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Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas ''Violanta'' and ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera ''Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 464 During the 1920s he re-orchestrated, re-arranged and nearly ...
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The Adventures Of Robin Hood
''The Adventures of Robin Hood'' is a 1938 American Technicolor swashbuckler film from Warner Bros. Pictures. It was produced by Hal B. Wallis and Henry Blanke, directed by Michael Curtiz and William Keighley, and stars Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Patric Knowles, Eugene Pallette, and Alan Hale, Sr. The film is particularly noted for its Academy Award-winning score by Erich Wolfgang Korngold. The film was written by Norman Reilly Raine and Seton I. Miller. The storyline depicts the legendary Saxon knight Robin Hood, who in King Richard the Lionheart's absence in the Holy Land during the Crusades, fights back as the outlaw leader of a rebel guerrilla band against Prince John and the Norman lords oppressing the Saxon commoners. ''The Adventures of Robin Hood'' has been acclaimed by critics since its release. In 1995, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selec ...
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Julius Korngold
Julius Leopold Korngold (24 December 1860 – 25 September 1945) was an Austrian music critic. He was the leading critic in early twentieth century Vienna, serving as chief music critic of the ''Neue Freie Presse'' from 1904 to 1934. His son was the composer Erich Wolfgang Korngold, whom he named after Wolfgang Amadeus Mozart, one of his favorite composers. Life and career He was the father of composer Erich Wolfgang Korngold. He co-wrote the libretto of the opera ''Die tote Stadt'' with his son (under the collective pseudonym Paul Schott). He died in Hollywood, California on 25 September 1945. In his time, he was known as the "dean of European music critics". He is most notable for championing the works of Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ... at a tim ...
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Die Tote Stadt
' (German for ''The Dead City''), Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel '' Bruges-la-Morte'' by Georges Rodenbach. Origins Rodenbach's novel ' had already been adapted by the author into a play. The play was translated into German by Siegfried Trebitsch under the title ' (''The Silent City''), which he later changed to ' (''The Mirage''). Trebitsch was a friend of Korngold's father, Julius. The two met in the street one day and got into a conversation about a possible operatic adaptation. Trebitsch later met Erich, who was enthusiastic about the project. Trebitsch recalled " met the young master Erich Wolfgang Korngold in search of a scenario or, even better, a mood or operatic background that could be dramatically elaborated. I urged him to take up '."Carroll, Brendan G.; Pauly, Reinhard G., ''The Last Prodigy: A Biography ...
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Violin Concerto (Korngold)
Erich Wolfgang Korngold composed his Violin Concerto in D major, Op. 35, in 1945. Instrumentation The work is scored for solo violin, two flutes (one doubling piccolo), two oboes (one doubling cor anglais), two clarinets, bass clarinet, two bassoons (one doubling contrabassoon), four horns, two trumpets, trombone, harp, strings, and a colorful percussion section of timpani, bass drum, cymbals, gong, tubular bell, glockenspiel, vibraphone, xylophone, and celesta. Movements *''Moderato nobile'': The violin solo which opens the concerto is a theme from '' Another Dawn'' (1937), running over two octaves in five notes. '' Juarez'' (1939) provided the second theme (the Maximilian & Carlotta theme), more expansive and reliant upon the orchestra. *''Romance'': The solo violin introduces the principal theme of the slow movement, quoted from ''Anthony Adverse'' (1936) and revisited after a contrasting middle section that seems to have been uniquely composed for the concerto. *''Allegro ass ...
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Violanta
''Violanta'', Op. 8, is a one-act opera by Erich Wolfgang Korngold. The libretto is by the Austrian playwright Hans Müller-Einigen. It is Korngold's second opera, written when he was seventeen years old. Performance history It was premiered on 28 March 1916 at the National Theatre Munich together with the composer's other one-act opera '' Der Ring des Polykrates'', Op. 7, with Bruno Walter conducting. The North American premiere was given on 5 November 1927 at the Metropolitan Opera in New York City with Maria Jeritza as Violanta, as Alfonso, Clarence Whitehill as Simone, Angelo Badà as Giovanni, and Artur Bodanzky conducting. Roles Synopsis The opera is set in 15th-century Venice, at the house of Simone Trovai, military commander of the Venetian Republic. On the night of the great Carnival, Simone in vain searches his house for his wife Violanta. Ever since her sister Nerina committed suicide (after having been seduced by Alfonso, the Prince of Naples), she has been bent o ...
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Der Ring Des Polykrates (opera)
''Der Ring des Polykrates'' (''The Ring of Polykrates''), Op. 7, is a one-act opera by Erich Wolfgang Korngold. The libretto, written by Leo Feld and reworked (unattributed) by the composer's father Julius Korngold, is based on a drama by . Performance history Korngold composed the opera (his first) in 1914, when he was only seventeen years old. The one-act domestic comedy was contrasted by his second opera ''Violanta'', a one-act tragedy. Both were successfully premiered together on 28 March 1916 at the National Theatre Munich. Bruno Walter conducted and the cast included Karl Erb and Maria Ivogün. The operas were repeated in Vienna, with Selma Kurz and Alfred Piccaver in Polykrates and Maria Jeritza as Violanta. In November 1916, it was given at the Dresden Hofoper, with Richard Tauber and Elisabeth Rethberg in the leading roles. Roles Synopsis The librettist Leo Feld placed the story in the 18th century, when Friedrich Schiller's ballade of the same title was new. The m ...
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Captain Blood (1935 Film)
''Captain Blood'' is a 1935 American black-and-white swashbuckling pirate film from First National Pictures and Warner Bros. Pictures, produced by Harry Joe Brown and Gordon Hollingshead (with Hal B. Wallis as executive producer), directed by Michael Curtiz and starring Errol Flynn, Olivia de Havilland, Basil Rathbone and Ross Alexander. The film is based on the 1922 novel '' Captain Blood'' by Rafael Sabatini, with a screenplay by Casey Robinson, and concerns an imprisoned doctor and his fellow prisoners who escape their cruel island captivity and become pirates in the West Indies. An earlier 1924 Vitagraph silent film version of '' Captain Blood'' starred J. Warren Kerrigan as Peter Blood. Warner Bros. risked pairing two relatively unknown performers in the lead roles. Flynn's performance made him a major Hollywood star and established him as the natural successor to Douglas Fairbanks and a "symbol of an unvanquished man" during the Great Depression. ''Captain Blood'' also e ...
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Max Steiner
Maximilian Raoul Steiner (May 10, 1888 – December 28, 1971) was an Austrian composer and conductor who emigrated to America and went on to become one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in Germany during World War I, he fled to England, then Broadway, and in 1929, he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of film music", as Steiner played a major part in creating the tradition of writing music for films, along with composers Dimitri Tiomkin, Franz Waxman, Erich Wolfgang Korngold, Alfred Newman, Bernard Herrmann, and Miklós Rózsa. Steiner composed over 300 film scores with RKO Pictures and Warner Bros., and was nominated for 24 Academy Awards, win ...
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George Korngold
George Korngold (December 17, 1928 in Vienna, Austria – November 25, 1987 in Los Angeles, California) was a prominent record producer as well as a music editor and producer active within the film industry. He was the younger son of Austrian composer Erich Wolfgang Korngold. George's father first went to Hollywood in 1934 to work on the Max Reinhardt production of ''A Midsummer Night's Dream'', and travelled to and from Vienna for the next several years. During this time, George remained in Vienna: it was not until February 1938 that George arrived in the United States with his parents for the scoring of Robin Hood, and after the Anschluss in March and the emergency arrival of his older brother Ernst with his grandparents the family permanently remained in Los Angeles. Reports that George Korngold attended the Vienna Academy of Music are thus mysterious: at the time he left Vienna, he was not yet ten years old. However, since Erich Korngold taught at the Academy throughout the ear ...
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Anthony Adverse
''Anthony Adverse'' is a 1936 American epic historical drama film directed by Mervyn LeRoy and starring Fredric March and Olivia de Havilland. The screenplay by Sheridan Gibney draws elements of its plot from eight of the nine books in Hervey Allen's historical novel, ''Anthony Adverse.'' Abandoned at a convent as an infant, Anthony comes of age in the tumultuous turn of the 18th to the 19th century, the age of Napoleon. The audience is privy to many truths in Anthony's life, including the tragic story of his origins and the fact that the wealthy merchant who adopts him is his grandfather. Most important of all, Anthony believes that his beloved Angela abandoned him without a word, when in fact she left a note telling him that the theatrical troupe was going to Rome. The gust of wind that blows the note away is one of many fateful and fatal events in Anthony's story. The film received four Academy Awards, including the inaugural Academy Award for Best Actress in a Supporting ...
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A Midsummer Night's Dream (1935 Film)
''A Midsummer Night's Dream'' is a 1935 American romantic comedy fantasy film of William Shakespeare's play, directed by Max Reinhardt and William Dieterle, and starring James Cagney, Mickey Rooney, Olivia de Havilland, Jean Muir, Joe E. Brown, Dick Powell, Ross Alexander, Anita Louise, Victor Jory and Ian Hunter. Produced by Henry Blanke and Hal B. Wallis for Warner Brothers, and adapted by Charles Kenyon and Mary C. McCall Jr. from Reinhardt's Hollywood Bowl production of the previous year, the film is about the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors, who are controlled and manipulated by the fairies who inhabit the forest in which most of the story is set. The play, which is categorized as a comedy, is one of Shakespeare's most popular works for the stage and is widely performed across the world. Felix Mendelssohn ...
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Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ...
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