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Korg Pa600MY
The Korg Pa600MY is a musical arranger keyboard based on the Korg Pa600 which, in turn, belongs to the series of internationally acclaimed and bestselling musical arrangers. It has added unique Malaysian ethnic instruments and musical styles alongside the classic keyboard sounds of piano, brass and synthesizer. The keyboard was developed as a joint collaboration between Korg and Malaysian distributor CK Music. It was created with the aim to "preserve and promote Malaysia’s unique blend and harmony of our three ethnic races". Ethnic instruments of Malaysia's three main races (Malay, Chinese and Indian) are sampled in the studio with ethnic musicians and their respective instruments. Launched in Malaysia on 29 April 2016, the keyboard was well received and covered by the Malaysian press. Core Features Powered by Enhanced RX (Real eXperience) and DNC ( Defined Nuance Control) sound engine, the Korg Pa600MY offers superb and realistic sounds. Navigation uses a large, colored ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Pa600MY
The Korg Pa600MY is a musical arranger keyboard based on the Korg Pa600 which, in turn, belongs to the series of internationally acclaimed and bestselling musical arrangers. It has added unique Malaysian ethnic instruments and musical styles alongside the classic keyboard sounds of piano, brass and synthesizer. The keyboard was developed as a joint collaboration between Korg and Malaysian distributor CK Music. It was created with the aim to "preserve and promote Malaysia’s unique blend and harmony of our three ethnic races". Ethnic instruments of Malaysia's three main races (Malay, Chinese and Indian) are sampled in the studio with ethnic musicians and their respective instruments. Launched in Malaysia on 29 April 2016, the keyboard was well received and covered by the Malaysian press. Core Features Powered by Enhanced RX (Real eXperience) and DNC ( Defined Nuance Control) sound engine, the Korg Pa600MY offers superb and realistic sounds. Navigation uses a large, colored ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in ''qawwali'', '' kirtan'', '' lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadaswaram
The Nagaswaram (nādḥasvaram) is a double reed wind instrument from South India. It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka, and Kerala. This instrument is "among the world's loudest non-brass acoustic instruments". It is a wind instrument partially similar to the North Indian ''shehnai,'' but much longer, with a hardwood body, and a large flaring bell made of wood or metal. In South Indian culture, the nadasvaram is considered to be very auspicious, and it is a key musical instrument played in almost all Hindu weddings and temples of the South Indian tradition. It is part of the family of instruments known as ''mangala vadyam'' (lit. ''mangala'' "auspicious", ''vadya'' "instrument"). The instrument is usually played in pairs, and accompanied by a pair of drums called ''thavil''; it can also be accompanied with a drone from a similar oboe, called the ottu. History The nadasvaram is referred to in many ancient Tam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizi (instrument)
The ''dizi'' (, pronounced ), is a Chinese transverse flute. It is also sometimes known as the ''di'' () or ''héngdi'' (), and has varieties including Qudi (), Bangdi (), and Xindi (instrument), Xindi (). It is a major List of Chinese musical instruments, Chinese musical instrument that is widely used in many genres of Music of China, Chinese folk music, Chinese opera, as well as the modern Chinese orchestra. The ''dizi'' is also a popular instrument among the Chinese people as it is simple to make and easy to carry. Most ''dizi'' are made of bamboo, which explains why ''dizi'' are sometimes known by simple names such as Chinese bamboo flute. However, "bamboo" is perhaps more of a Chinese instrument classification like "woodwind" in the West. Northern Chinese ''dizi'' are made from purple or violet bamboo, while ''dizi'' made in Suzhou and Hangzhou are made from white bamboo. ''Dizi'' produced in southern Chinese regions such as Chaozhou are often made of very slender, lightweig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangqin
The trapezoidal yangqin () is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋 琴 (lit. "foreign zither"), but over time the first character changed to 揚 (also pronounced "yáng"), which means "acclaimed". It is also spelled yang quin or yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม). The yangqin was traditionally fitted with bronze strings (though older Chinese stringed instruments used silk strings, resulting in their, and the yangqin's, categorisation as a silk, or "si" instrument), which gave the instrument a soft timbre. This form of instrument is still occasionally heard today in the "hudie qin" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruan (instrument)
The ''ruan'' () is a traditional Chinese plucked string instrument. It is a lute with a fretted neck, a circular body, and four strings. Its four strings were formerly made of silk but since the 20th century they have been made of steel (flatwound for the lower strings). The modern ''ruan'' has 24 frets with 12 semitones on each string, which has greatly expanded its range from a previous 13 frets. The frets are commonly made of ivory or in recent times of metal mounted on wood. The metal frets produce a brighter tone as compared to the ivory frets. It is sometimes called ''ruanqin'', particularly in Taiwan. Sizes The ruan comes in a family of five sizes: *soprano: ''gaoyinruan'' (高音阮, lit. "high pitched ''ruan''"; tuning: G3-D4-G4-D5) *alto: ''xiaoruan'' (小阮, lit. "small ''ruan''"; tuning: D3-A3-D4-A4) *tenor: ''zhongruan'' (中阮, lit. "medium ''ruan''"; tuning: G2-D3-G3-D4) * bass: ''daruan'' (大阮, lit. "large ''ruan''"; tuning: D2-A2-D3-A3) * contrabass: ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liuqin
The ''liuqin'' (Chinese: , pinyin: ) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the ''pipa'', and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the ''liuqin'' from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanxian
The (, literally "three strings") is a three-stringed traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the early 20th century a four-stringed version, the ''jiaxian sanxian'' (加弦三弦), was developed. The northern is generally larger, at about in length, while southern versions of the instrument are usually about in length. History It has been suggested that ''sanxian'', a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. Similar instruments may have been present in China as early as the Qin dynasty as ''qin pipa'' ('' pipa'' was used as a generic term in ancient China for many other forms of plucked chordophones) or ''xiantao'' (弦鼗), which the Qinqin and Ruan also come from. Some thought that the instrument may have been re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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