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Korean Avant-Garde Association
The Korean Avant-Garde Association ( ko, 한국아방가르드협회, translit=Hangugabanggareudeuhyeopoe), better known as the AG Group, was a post-war collective of artists and critics in South Korea that practiced and advocated for the role of avant-garde art in and, thus, the advancement of contemporary Korean art. Between its establishment in 1969 and dissolution in 1975, the group organized three major, thematic group exhibitions and the 1974 Seoul Biennale, while publishing its own journal, ''AG''. The association's members experimented across painting, sculpture, installation art, and performance art. The journal, driven by its members who were art critics, highlighted and discussed theories and trends in the visual arts on an international scale, which was one of the first attempts to do so in South Korea. Their organized and pioneering efforts have been noted as significant to the development of contemporary Korean art. Members included artists Choi Myoung Young (최 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Avant-Garde Association
The Korean Avant-Garde Association ( ko, 한국아방가르드협회, translit=Hangugabanggareudeuhyeopoe), better known as the AG Group, was a post-war collective of artists and critics in South Korea that practiced and advocated for the role of avant-garde art in and, thus, the advancement of contemporary Korean art. Between its establishment in 1969 and dissolution in 1975, the group organized three major, thematic group exhibitions and the 1974 Seoul Biennale, while publishing its own journal, ''AG''. The association's members experimented across painting, sculpture, installation art, and performance art. The journal, driven by its members who were art critics, highlighted and discussed theories and trends in the visual arts on an international scale, which was one of the first attempts to do so in South Korea. Their organized and pioneering efforts have been noted as significant to the development of contemporary Korean art. Members included artists Choi Myoung Young (최 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Avant-Garde Association (AG Group)
The Korean Avant-Garde Association ( ko, 한국아방가르드협회, translit=Hangugabanggareudeuhyeopoe), better known as the AG Group, was a post-war collective of artists and critics in South Korea that practiced and advocated for the role of avant-garde art in and, thus, the advancement of contemporary Korean art. Between its establishment in 1969 and dissolution in 1975, the group organized three major, thematic group exhibitions and the 1974 Seoul Biennale, while publishing its own journal, ''AG''. The association's members experimented across painting, sculpture, installation art, and performance art. The journal, driven by its members who were art critics, highlighted and discussed theories and trends in the visual arts on an international scale, which was one of the first attempts to do so in South Korea. Their organized and pioneering efforts have been noted as significant to the development of contemporary Korean art. Members included artists Choi Myoung Young (최 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Biennial
The ''Biennale de Paris'' (English: Paris Biennale) is a noted French art festival. History The 'Biennale de Paris' was launched by Raymond Cogniat in 1959 and set up by André Malraux as he was Minister of Culture to present an overview of young creativity worldwide and to create a place of experiences and meetings. Presentation The XVth ''Biennale de Paris'' (2006-2008) presents immaterial art projects that take place on an international level. Curators, art historians, art theoricians, art critics since 1959 Catherine Millet, Alfred Pacquement, Jean-Marc Poinsot, Daniel Abadie, Lucy R. Lippard, Pontus Hulten, Gérald Gassiot-Talabot, Achille Bonito Oliva, Pierre Restany, Pierre Courcelles, Paul Ardenne, Stephen Wright, Francesco Masci, Brian Holmes, Elisabeth Lebovici. From 1959 to 2008, the Biennale de Paris presented works of artists such as Karen Andreassian, Horst Antes, John M. Armleder, La Bergerie, Joseph Beuys, Gary Bigot, Alighiero Boetti, Microcollection, Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fourth Group
The Fourth Group ( ko, 제4집단, translit=Je Sa Jib-Dan) was a Korean avant-garde art collective that existed from June to August in 1970. Led by artist Kim Ku-lim, the group's membership was open to people hailing from diverse backgrounds. According to Kim Ku-lim, the reasoning behind the group's name was that, "By using the number 4, I attempted to break through conventions in the Korean art world as well as in Korean Society because this number carried negative nuances throughout our history." Although the artists could not express openly their anti-government sentiments under the totalitarian Park Chung Hee regime, they produced consciousness-raising art with the goal of realizing a radical utopian vision of society through nonviolent change, a philosophy they described as ''muche''. Under the guise of parodying imported art ideas of the Western avant-garde, The Fourth Group was able to stage their politically charged artwork within an oppressive society. The group's mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happening
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happening" in the spring of 1959 at an art picnic at George Segal's farm to describe the art pieces that were going on. The first appearance in print was in Kaprow's famous "Legacy of Jackson Pollock" essay that was published in 1958 but primarily written in 1956. "Happening" also appeared in print in one issue of the Rutgers University undergraduate literary magazine, ''Anthologist''. The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Jack Kerouac referred to Kaprow as "The Happenings man", and an ad showing a woman floating in outer space declared, "I dreamt I was in a happening in my Maidenform brassiere". Happenings are difficult to describe, in part because each one is unique. One definition com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Republic Of Korea
The fourth Republic of Korea () was the government of South Korea from November 1972 to March 1981. The Fourth republic was founded on the approval of the Yushin Constitution in the 1972 constitutional referendum, codifying the ''de facto'' dictatorial powers held by President Park Chung-hee, and succeeding the third republic. Park and his Democratic Republican Party ruled under the centralized and authoritarian Yushin System until the assassination of Park on 26 October 1979. The Fourth Republic entered a period of political instability under Park's successor, Choi Kyu-hah, and the escalating martial law declared after Park's death. Choi was unofficially overthrown by Chun Doo-hwan in the coup d'état of December Twelfth in December 1979, and began the armed suppression of the Gwangju Democratization Movement against martial law. Chun launched the coup d'état of May Seventeenth in May 1980, establishing a military dictatorship under the National Council for Reunification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Park Chung Hee
Park Chung-hee (, ; 14 November 1917 – 26 October 1979) was a South Korean politician and army general who served as the dictator of South Korea from 1961 until his assassination in 1979; ruling as an unelected military strongman from 1961 to 1963, then as the third President of South Korea from 1963 to 1979. Before his presidency, he was the second-highest ranking officer in the South Korean army and came to power after leading a military coup in 1961, which brought an end to the interim government of the Second Republic. After serving for two years as chairman of the military junta, he was elected president in 1963, ushering in the Third Republic. During his rule, Park began a series of economic reforms that eventually led to rapid economic growth and industrialization, now known as the Miracle on the Han River, giving South Korea one of the fastest growing national economies during the 1960s and 1970s, albeit with costs to economic inequality and labor rights. This e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Republic Of Korea
The Third Republic of South Korea was the government of South Korea from December 1963 to November 1972. The Third Republic was founded on the dissolution of the Supreme Council for National Reconstruction that overthrew the Second Republic and established a military government in May 1961. Park Chung-hee, the Chairman of the Supreme Council, was elected President of South Korea in the 1963 presidential election. The Third republic was presented as a return to civilian government under the National Assembly but in practice was a dictatorship under Park, Supreme Council members, and the Democratic Republican Party. The Third republic prioritized South Korea's economic development, anti-communism, and strengthening ties with the United States and Japan. Park was re-elected in the 1967 presidential election, and the National Assembly forced through a constitutional amendment to allow him to seek a third term, and he was re-elected in the 1971 presidential election. Park dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minjung Art
Minjung art (Korean: 민중미술, romanization: ''minjung misul'') emerged during the 1980s in South Korea as part of the Minjung movement in the wake of the Gwangju Uprising (1980). Minjung artists utilized a wide array of forms, including oil painting, woodblock print, collage, photomontage, banner painting, and readymade, in order to respond to the political and social climate of the time. A number of artworks were produced for and used in protests, and thus led artists to use reproducible mediums like print. Artist collectives like Reality and Utterance and the Association of Gwangju Freedom Artists played a large role in minjung art, exemplifying the tendency of minjung art to deemphasize individual authorship and maintain a publically-minded ethos. While minjung art began to wane in the early 1990s, "post-minjung" artists took up the mantle to revisit and draw on minjung art's legacy. A number of shows both at home and abroad have sought to present and historicize minjung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Expressionism
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Art in Paris, Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates, it had been first used in Germany in 1919 in the magazine ''Der Sturm'', regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky. Style Technically, an important predecessor is surrealism, with its emphasis on spontaneous, Surrealist automatism, automatic, or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dansaekhwa
Dansaekhwa (Korean: 단색화, also known as Tansaekhwa), often translated as "monochrome painting" from Korean, is a retroactive term grouping together disparate artworks that were exhibited in South Korea beginning in the mid 1970s. While the wide range of artists whose work critics and art historians consider to fall under this category are often exhibited together, they were never part of an official artistic movement nor produced a manifesto. Nonetheless, their artistic practices are seen to share "a commitment to thinking more intensively about the constituent elements of mark, line, frame, surface and space around which they understood the medium of painting." Their interests compose a diverse set of formal concerns that cannot be reduced to a preference for limited color palettes. Dansaekhwa ignited a series of debates on how to define and understand not only Dansaekhwa, but contemporary Korean art as a whole. It was at the center of discussions in Korea during the latter h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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